Entertainment & Performing Arts

Revisit your favourite moments from the cult political comedy with this audio collection of the complete TV soundtracks Described as ‘the 21st century’s answer to Yes Minister’, this scabrous satire set in the corridors of the British government ran for four series between 2005 and 2012...

From the creator of the highly popular Kardashian Kolloquium comes a new media manifesto for the TikTok age, blending theory and cultural analysis to explain the meteoric rise of the Kardashians and explore what their fame can teach us about the way media functions today “By far the best book...

Nem Te Conto é uma áudio série original da Audible em 6 episódios que traz um olhar íntimo e aprofundado sobre a fofoca do ponto de vista da atriz, apresentadora e vítima de fofocas desde o início da carreira: Luana Piovani. A cada episódio, traremos um convidado para conversar com ela um subtema relativo à fofoca, abordado por um viés psicológico, sociológico, filosófico e opinativo. Com tom descontraído, a conversa é basicamente uma grande fofoca sobre a fofoca e, até por isso, ela escolheu a dedo as pessoas que gostaria de ter na mesa durante essa temporada.

Read by the author and poet, Brian Bilston. Why do we write poetry? Who should write it? And where do you even start? Well, Brian Bilston, one of the UK’s most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day...

La esperadas memorias del legendario Lionel Richie. Lionel Richie, un narrador sin parangón, está dispuesto a contarlo todo. En este libro de memorias, íntimo y profundamente sincero, Lionel repasa acontecimientos divertidos y angustiosos para inspirar a todos los que dudan de sí mismos o...

What does it mean for someone to "turn to the dark side"? Discover a profound real-world interpretation of the Star Wars saga, exploring the seminal story of how a good person can lose themselves and what it takes to bring them back. Through a close analysis of Episodes I–VI, the parallel arcs of Anakin and Luke Skywalker reveal how someone who feels too deeply can either surrender to fear and unresolved anger or rise above them.

El presente texto es el registro de un descubrimiento de María Negroni: el cine de Joseph Cornell, artista del assemblage cercano al surrealismo que también cultivó el film-collage con un estilo lírico-documental, cuya capacidad de catalogar lo insólito fascinó a la poeta. A medio camino entre el poemario caligramático y el libro-arte, esta pequeña joya se lee como el diario íntimo de una observadora tras la estela de una imagen.

This bloody tale is often considered one of the greatest musicals of all time. Rick Pender provides a kaleidoscopic view and interweaves a wealth of archival materials and insights, starting with the show's 19th-century gruesome literary origins and Christopher Bond's 1970 stage adaptation that inspired Sondheim to transform it into a Broadway musical. Pender extensively explores the show's development and its Tony Award-winning original 1979 production, focusing on Sondheim's majestic score and the show's masterfully written and intricately plotted book by Hugh Wheeler.

Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation...

Аудиокнига «Уже смешно: Как писать комические тексты»—ваш путеводитель в мире комедии и юмора. Если вы задавались вопросом, как рассказывать шутки друзьям, как добавить юмора в свои тексты или презентацию, как сделать остроумным устное выступление, то здесь вы найдете простую формулу написания шуток, которую используют профессионалы.

Think you know how to peel a banana, load a dishwasher, or tie your shoes? Think again. In this delightfully eye-opening audiobook, you'll discover a treasure trove of surprising truths and clever insights that reveal you've probably been doing dozens of ordinary, everyday things... completely wrong your entire life.

Though numerous biographies have been published on William Faulkner, readers are often presented conflicting interpretations of his life and work. Faulkner’s view of himself and his own family was mercurial, and it is widely acknowledged that Faulkner was an unreliable narrator of his own life. As a result, biographies of Faulkner echo and complicate the multitude of ways he portrayed himself, accepting that truth, if it exists, is subjective. Like his work, Faulkner’s own life, then, is not only open to different readings but welcomes them within the landscape of his oeuvre.

Deadly. Desperate. Despicable... They're just the boys next door. In the sun-scorched suburbs of Melbourne, two predators roam the streets. J.D. and Emilio are charming sociopaths with a taste for violence, chaos, and cheap port. When a teenage girl named Becky skips school to run away with her older boyfriend, their paths cross-and the bloodshed begins. What follows is a grim, unrelenting journey where civility is a mask and survival is the only rule.

In 1986, more people watched “The Mystery of Al Capone’s Vault” than the Superbowl. More people watched the two-hour live event than David Frost’s interview with Richard Nixon. Both events were high-wire, high-reward, high-disaster broadcasts. Geraldo Rivera had been fired from ABC after fifteen years and the live broadcast from Chicago of Al Capone’s vault was to be his comeback. On April 21, 1986, at nine fifteen Eastern, Geraldo gave the signal at the midpoint of the show to blow open the subterranean vault with dynamite and reveal to the world the great secrets of Al Capone...

In vier schillernden »personal essays« schreibt Elena Ferrante darüber, wie sie Leserin geworden ist und wie Autorin, welche Kämpfe sie austragen musste und austrägt und welchen ihrer Instinkte sie beim Schreiben folgt. Es geht um Einflüsse und Vorbilder, um Jane Austen, Emily Dickinson, Elsa Morante, Gertrude Stein, Ingeborg Bachmann und um die Frage, wie es gelingt, über die Menschen zu schreiben und über die Welt, sozusagen wirklichkeitsgetreu – und was das eigentlich heißen kann: weibliches Schreiben.

Love at First Fall is a true story about what happens after everything breaks. From near-death accidents and war zones to Hollywood stunt sets, Aaron Crippen built a life around surviving the fall. As a professional stuntman and soldier, danger was routine. Failure was familiar. Pain was part of the job. But the hardest fall didn’t come from fire, combat, or concrete. It came quietly, through loss, silence, and the moment survival stopped being enough. What followed wasn’t another stunt or another deployment. It was something far more vulnerable: learning how to live without armor.

Most Orthodox Jewish boys at the turn of the 20th century did not run away from home. Did not join the circus. Did not find fame. And did not find herself. Flo did. From the shtetl to the Big Top, Flo’s true story inspires. Despite all odds, through sheer grit and the power of art, Flo’s escape from a father’s violence, a world of anti-Semitism and rampant Queer intolerance takes listeners on a remarkable journey; and one that illuminates a path out for those who similarly struggle.

With nine books published with imprints of Random House, Abrams, and Simon & Schuster, and more than twenty years of experience as an actor and director, author, writing teacher, and Bram Stoker Award Finalist Tom Leveen guides you through everything you need to improve your writing, make your dialogue shine, and get your book noticed and talked about by readers, agents, and editors alike!

"A prodigious feat of research, Feel the Floor is an act of redress that restores Bradley’s life and legacy.… Fresh interviews with still enchanted former students give us a window onto a man who moved so beautifully that it brought people to tears."—The New Yorker “What Footer does, and...

Adored by battalions of devotees and maligned by others for melodramatic twists and turns, soap operas have had an outsized impact on American culture, prefiguring the rise of today's reality television and character-driven prestige dramas. In Love in the Afternoon, and Evening, cultural critics Charlotte Druckman and Mayukh Sen salute the stories and talent that have sustained the industry since its radio days. Featured are smart yet dishy interviews with soap icons like Susan Lucci (All My Children's Erica Kane) and Erika Slezak (One Life to Live's Victoria Lord)…

Stop performing your life. Start living it. In a world driven by distraction, overstimulation, and artificial intelligence, one truth remains: your presence is your power. The Soul System: Acting From the Inside Out is not just a book about acting—t’s a transformative guide to becoming more human in an increasingly artificial world. Written and narrated by actor, coach, and creator Jay Jones, this audiobook introduces the Soul System, a powerful six-pillar framework designed to reconnect you to your emotional truth, your body, your voice, and your story.

Who decides what a character is on the American stage? The playwright who created the character, or the institution that controls the production?

Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining...

Running a Recording Studio and Using Recording Equipment is the ultimate step-by-step guide for anyone who wants to build, run, and profit from a professional recording studio—whether in a spare bedroom, a home basement, or a full commercial facility. This comprehensive manual gives beginners and intermediate engineers the knowledge, techniques, and confidence needed to create high-quality audio, attract paying clients, and operate a smooth, efficient studio business.

Создание комедии—серьезное дело. Это путешествие, полное опасностей и страхов—но если следовать концепциям и структурам, описанным в этой книге, оно пройдет гораздо легче. Стив Каплан объясняет, почему комедии обычно не вписываются в традиционные драматические структуры повествования, и определяет новые ритмы, которым может следовать комедийный автор.