Girl Dinner
A wickedly smart and biting novel about power, lust and female rage
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Narrated by:
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Stephanie Németh-Parker
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Rita Amparita
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By:
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Olivie Blake
Summary
From the Sunday Times and New York Times bestseller Olivie Blake, this is a powerful and darkly fun novel about ambition, lust and eating your fill – as wealthy moms and sorority girls practice a sinister new wellness trend.
‘Deliciously twisted and lipstick-stained, Girl Dinner serves up a feast of ambition, privilege, and the deadly price of belonging. I loved it’
– Lucy Rose, author of The Lamb
Good girls deserve a treat . . .
The House is the most exclusive sorority on campus, and all its alumni are beautiful, high-achieving and respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being accepted into The House is the first step to the brightest possible future. The House will surely ease her fears of failure and protect her from those who see a young woman on her own as prey.
Meanwhile, adjunct professor Dr Sloane Hartley is struggling. After eighteen months at home with her newborn daughter, Sloane’s clothes don’t fit right; her girl-dad husband isn’t as present as he thinks he is; and even the few hours a day she’s apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in a level of collective perfection that she desperately craves.
As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.
‘The fever dream I never knew I needed, and I'm going to recommend it to everyone I meet!’
– Ali Hazelwood, bestselling author of The Love Hypothesis and Bride
Critic reviews
Promising start but overall meh
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Could not finish
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Girl dinner
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Want to love it but just didn’t
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Sloane, as a main character, completely captured me. Her internal monologue—especially around motherhood, womanhood, and independence—felt painfully sharp and deeply honest. Blake explores how women are expected to be strong, self-sufficient, and liberated, yet somehow still end up enabling men to perform independence while being utterly dependent themselves. The irony of men posturing as autonomous when they can’t find a spoon they’ve been told the location of repeatedly is both funny and infuriating—and devastatingly accurate.
The book also examines sex through a lens that feels particularly true to womanhood: it’s something we’re encouraged to celebrate, yet punished for enjoying too openly. There’s no “correct” middle ground—only constant recalibration, judgment, and contradiction. Blake doesn’t moralize this tension; she lets it sit uncomfortably, which makes it hit even harder.
Motherhood, too, is dissected with brutal clarity. The way it fundamentally alters women—socially, physically, emotionally—while men can still opt out or remain largely unchanged is one of the book’s most biting observations. It’s not loud or preachy, but it’s relentless.
Nina took longer for me. I didn’t fully connect with her until the second half of the book, when her complexity began to surface in a way that made her feel less opaque and more human. By then, though, the payoff was worth the wait.
And yes—there’s cannibalism. Delightfully, grotesquely so. Because sometimes a girl’s gotta eat. Rather than feeling gimmicky, it works as a darkly effective extension of the book’s themes: consumption, desire, survival, and what women are expected to give up piece by piece.
The ending left me completely baffled—in the best way. I did not see it coming, and that shock is exactly why Olivie Blake is such a mastermind. She trusts her readers to sit with discomfort, ambiguity, and unanswered questions, and Girl Dinner is stronger for it.
This isn’t a book you simply read. It’s one you chew on long after you’re done.
Girl Dinner
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