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Loki: The Origins and History of the Famous Norse Trickster God

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Loki: The Origins and History of the Famous Norse Trickster God

By: Charles River Editors, Andrew Scott
Narrated by: Colin Fluxman
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Summary

Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the 13th century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes".

One of the most famous of these Lawspeakers was the Icelander Snorri Sturluson, a masterful writer who wrote the Prose Edda in the 13th century. There are other sources for the Norse myths, namely the later "Poetic Edda", a collection of poems and prose work, and other sagas but the Snorri's Prose Edda is the most complete work whose attribution is known to modern scholars.

It is believed that Snorri, a Christian, recorded these pagan beliefs so as to preserve and explain the stylistic poetry of Iceland, particularly the popular descriptive devices known as kennings. A kenning is made up of a base word and a modifying word that is used to describe a separate object. For example, "Gold" had a great many kennings, one of which was "Sif's Hair". If, however, the memory of Loki cutting off Sif's hair and replacing it with gold were lost, then this kenning would make no sense to later generations. There are many of these allusions to the myths and it is thanks to them that the myths have survived.

©2017 Charles River Editors (P)2017 Charles River Editors
Europe Fantasy Fiction Medieval Magic Middle Ages Scandinavia Norse Polar Region Mythology
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The book is pretty good but the narration is pretty bad. If you're concerned with the dryness described by other reviewers, please listen to the sample, as it's one of the dryest parts of the book. If you can follow the plot in that part, you should be alright. When Colin Fluxman is reading the actual mythological stories, he does it very stiffly, like he's not quite aware what he's reading. When the story ends and he begins reading the commentary, he performs a bit better, so that's some solace. If you're genuinely interested in the subject matter, it's a good book summarising the basics.

Good content poorly narrated

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