Maximum Volume: The Life of Beatles Producer George Martin

The Early Years, 1926-1966

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Maximum Volume: The Life of Beatles Producer George Martin

By: Kenneth Womack

Narrated by: Paul Woodson

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About this listen

Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career in the BBC's Classical Music department and as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road.

The first book of two, Maximum Volume traces Martin's early years as a scratch pianist, his life in the Fleet Air Arm during the Second World War, and his groundbreaking work as the head of Parlophone Records, when Martin saved the company from ruin after making his name as a producer of comedy recordings. In its most dramatic moments, Maximum Volume narrates the story of Martin's unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number one hits, progressing toward the landmark album Rubber Soul - all of which bear Martin's unmistakable musical signature.

Kenneth WomackPaul WoodsonTantor Audio

Entertainment & Celebrities

History & Criticism

Music

Celebrity

Heartfelt

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This is an excellent book which gives an excellent perspective on the journey Air George Martin took from humble beginnings to the top. And of course there are the Beatles and for this reader, who never really understood really what they were about (other than a really good group) this helps makes sense. The narrator understandably is American and for the majority of the book he reads it well. However, as often with Audible, there’s an insistence in trying to distinguish a spoken quote by trying to impersonate the protagonist. I’m a Brit, not from the North West, and so I wouldn’t try to pull of the Liverpool accent. And J, P, G and R all had distinctively different to each other accents. An American has no chance, and goes very close in spoiling this listen. As another reviewer recommended, sped it up a bit and take a deep breadth for some of the most comically bad impersonations there are.
But it is worth hanging in there. Because Mr Womack had a ringside view and packs this book with so much. And if you were like me who knew a bit about our greatest band the chronology and this the evolution and then the inevitable frictions and fractures make more sense. I’ve read a number of books about this period in British pop and rock music and this is one of the very best. Bring on Volume 2!