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On the Calculation of Volume I

On the Calculation of Volume, Book 1

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On the Calculation of Volume I

By: Solvej Balle, Barbara J. Haveland - translation
Narrated by: Elizabeth Liang
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A NEW YORKER, OBSERVER AND PARIS REVIEW BOOK OF THE YEAR

'Absolutely, absolutely incredible.' Karl Ove Knausgård
'A total explosion.' Nicole Krauss
'Unforgettable.' Hernan Díaz
'Breathtaking.' Chetna Maroo
'Brilliant.' Jon McGregor
'Absolutely marvellous.' Lauren Groff

Shortlisted for the International Booker Prize this is the first volume of the poetic European masterpiece about one woman's fall through the cracks of time.

Tara Selter has slipped out of time.


It was clear that the day always returned to its starting point, but that there were also variations. It was not mechanical, there was more to it. It was the same day which kept recurring, but it was not set in stone.

Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday.


She comes to know the shape of the day like the back of her hand - the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband's surprise at seeing her return home unannounced. But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain.


As Tara approaches her 365th 18th of November, she can't shake the feeling that somewhere underneath the surface of this day, there's a way to escape.

©2025 Solvej Balle (P)2025 Faber & Faber
Genre Fiction Literary Fiction Psychological
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I like the premise of this book but not the execution. This could have been really interesting but it was the same thing again and again lacking any plot or drive. Definitely a character driven book but I still didn’t read any forward motion.

Repetitive

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Extraordinary story of a Groundhog Day, but it’s the gripping subtle evolving and transforming relationships with people and surroundings that stand out. There is a philosophical quality to the replaying of the day, the changing main protagonist despite the unchanging day. A transformative read (and listen, it is perfectly interpreted).

Unusual spellbinding gentle story

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I picked it up after seeing it shortlisted for the Booker Prize, and the first two chapters absolutely captivated me. The precision in the writing, the tension, the detail—it all felt razor-sharp and immersive. I was pulled in immediately, caught by the strange and fascinating premise, and the author’s ability to craft such an intimate atmosphere around something as abstract as time.

As the story progressed, however, my engagement began to waver. It didn’t quite build to the grand, climactic experience I was hoping for. That said, Balle’s thematic exploration still made a lasting impact. She raises profound questions about the nature of time, consumption, and human presence—what she refers to as the “pests of time.” From what we eat to how we spend, we’re constantly accumulating. And if the world stood still, what would that accumulation look like? Who would we become in the absence of constant motion?

This book made me reflect in surprising ways. It invites you to slow down, to truly notice the world again. It made me ask myself: When was the last time I paid attention to the weather? To the birds in my garden? To the sounds of a summer evening? In a culture so fixated on speed and productivity, Balle offers a rare and quiet counterpoint: what if stillness is not a void, but a mirror?

I find myself wanting to move more slowly now—to be more present, to stop trying to outrun time and instead, learn to live alongside it. This book may not offer a traditional payoff, but its power lies in the questions it leaves behind.

I’m curious to see where Book Two will take us.

power lies in the questions it leaves behind

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Very interesting approach. Explaining mundane actions, the thoughts that go with them along a day that keeps repeating. Very peaceful in a way

keeps you locked in

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This audio, perfectly well performed, is of the US edition. As such the translation (which was writen originally in UK English as printed in the Faber edition by the translator, Barbara J. Haveland, who is Scottish) is here the Americanized version of the New Directions edition. This fits the vocal performance, which is by an American voice actor, but has the disadvantage of making the book sound more American than European to a British ear.

Not the Faber version

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