See What I Have Done: Longlisted for the Women's Prize for Fiction 2018 cover art

See What I Have Done: Longlisted for the Women's Prize for Fiction 2018

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See What I Have Done: Longlisted for the Women's Prize for Fiction 2018

By: Sarah Schmidt
Narrated by: Erin Hunter, Garrick Hagon, Jennifer Woodward
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Summary

 Haunting, gripping and gorgeously written, SEE WHAT I HAVE DONE by Sarah Schmidt is a re-imagining of the unsolved American true crime case of the Lizzie Borden murders, for fans of BURIAL RITES and MAKING A MURDERER.

When her father and step-mother are found brutally murdered on a summer morning in 1892, Lizzie Borden - thirty two years old and still living at home - immediately becomes a suspect. But after a notorious trial, she is found innocent, and no one is ever convicted of the crime.

Meanwhile, others in the claustrophobic Borden household have their own motives and their own stories to tell: Lizzie's unmarried older sister, a put-upon Irish housemaid, and a boy hired by Lizzie's uncle to take care of a problem.

This unforgettable debut makes you question the truth behind one of the great unsolved mysteries, as well as exploring power, violence and the harsh realities of being a woman in late nineteenth century America.

(P)2017 Headline Digital©2017 Sarah Schmidt Crime Genre Fiction Historical Literary Fiction Thriller & Suspense Fiction Murder Mystery
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Critic reviews

Schmidt's portrayal of Lizzie is haunting and complex, a deeply psychological portrait that forces the reader to question their preconceptions about what women are capable of - for better and worse. Both disturbing and gripping, it is an outstanding debut novel about love, death and the lifelong repercussions of unresolved grief.
[A] seminal voice of the future.... a dark, dense visceral ride that proves that this former librarian could be on course to become one of the breakout writers of the decade... Donna Tartt, make room
Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away (Paula Hawkins)
What a book - powerful, visceral and disturbing. I felt like one of the many flies on the walls of that unhappy, blood-drenched house (Cathy Rentzenbrink, author of THE LAST ACT OF LOVE)
An outstanding debut. Enviably brilliant and memorable (Hannah Beckerman)
Vivid, sultry and engrossing (Carys Bray)
A twisty, visceral, highly original novel that grips you from start to finish. An exceptional and stunning debut (Kate Hamer author of THE GIRL IN THE RED COAT)
See What I Have Done held me in its sweaty grasp to the very last pages... as deftly destabilising as the best of Margaret Atwood (Patrick Gale)
I loved See What I Have Done. So ominous and creepily compelling. Utterly macabre, in a good way. It is a novel that is close in style and sensibility to Shirley Jackson's We Have Always Lived in the Castle (Sam Baker)
See What I Have Done is wonderful. Exquisitely-drawn characters, beautiful prose, a brilliant retelling of story. Every single sentence is perfect (Emma Flint author of LITTLE DEATHS)
I am obsessed with this book. It chews you up and spits you out like one of the ripe pears in Lizzie's garden. Incredibly tense and claustrophobic, Home Sweet Home is turned on its head for the nightmarish Borden family in this amazingly accomplished tale of power, betrayal and revenge (Stacey Bartlett)
[An] exquisitely crafted and chilling re-imagining of the gruesome 1982 crimes
Lizzie Borden and her axe have fascinated since 1892, and this incredible reimagining is one you'll never ever forget
A great historical novel that takes a real life crime as its starting point. See What I Have Done is a gripping family drama and a whodunnit about two unsolved murders... chilling and claustrophobic
Sarah Schmidt's reimagining of the fatal events in the Borden household is dignified and sensual, as though Henry James had decided to tell the tale
Schmidt is especially good at the sweltering claustrophobia in which the Bordens lived. She is also great at portraying the pent-up frustration of the spinster Borden sisters
Schmidt's unusual combination of narrative suppression and splurge makes for a surprising, nastily effective debut
Intense, unsettling and macabre
All stars
Most relevant
You might have thought that enough has been written about the 1892 murder of Andrew and Abby Borden, brutally axed in their home in Falls River, Massachusetts, and the trial of Mr Borden’s youngest daughter Lizzie. Sarah Schmidt’s visceral first novel is now added to the pile and adds another dimension to the unsolved case but, like all the rest, she can only conjecture more than 100 years after Lizzie was acquitted of murder who really did commit it. But she does that very well.

The pleasure is in the picture Schmidt creates of the stifling, unhealthy Borden household. Emma and her younger sister Lizzie Borden are in their early thirties living with their overbearing and harsh father Andrew (Emma calls him a ‘vile man’), their much unloved step-mother Abby, and the homesick Irish maid Bridget. They share this ‘home’ seething with ill feeling, resentment, anger, casual cruelty, frustrations and jealousy, as well as foul stenches (you need a strong stomach for many of them) and poisonous sulphurous atmosphere (both literal and metaphorical) trapped in the fetid heat. The relationship between Lizzie and Emma is bound by inter-dependence, fierce love, mutual loathing and distrust and is powerfully portrayed leaving us with the strong suspicion that Lizzie could indeed have been the murderer. But nothing is that simple…

Apart from Lizzie and Emma, there were other severely disgruntled members of the larger family – an uncle, Mr Borden’s abandoned illegitimate son – with their jealous eyes on the Borden property, and Schmidt makes their testimony part of this chilling re-telling. Bridget the Irish house servant has a narrative voice of her own and she is a fully rounded and sympathetic character caught in this super-dysfunctional family desperate to escape back to her own family in Ireland.


Mostly Schmidt keeps to the ‘facts’ of the case – Mr Borden slaughtering the pigeons which Lizzie loved; the process of the Trial; a hint of lesbianism in Lizzie, and so on. When she adds fiction she goes – for me – totally wrong. Emma is supposed to be marrying Samuel and the pre-marital sex between the two of them is completely incredible for the early 1890s both as fact and in virgin Emma’s sexual technique. There are many such anachronisms which irritated me: no-one had duvets in the early 1890s, nor did they constantly use the phrase ‘any time soon’!

Next time, it would be interesting to see how well Schmidt can write without the scaffolding of real-life events which have been written about so much before. The three narrators do an excellent job in creating the very different complex personalities.

Something rotten in the Borden household

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I have to say I found Lizzie Borden's character detestable even though there were instances where her father's harsh behaviour showed. She is manipulative and spoilt, a classic sociopath and while the murderer is never openly stated, it seems very likely she had a hand in it. I felt extremely sorry for her elder sister Emma, who seems to have to put up with her behaviour. Either way, I don't feel this novel added much to this infamous tale.

A story about a spoilt sociopath

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I've owned a hardback version of this book for a long time, this is better.

even better on audible

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Incredibly overly descriptive to the point it becomes repetitive and dull. lt's like the author had thesaurus out at all time. Performances were great though.

Couldn't finish it, it's so overly descriptive

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