The Book of Records
Failed to add items
Add to basket failed.
Add to wishlist failed.
Remove from wishlist failed.
Adding to library failed
Follow podcast failed
Unfollow podcast failed
Audible Standard 30-day free trial
Buy Now for £15.22
-
By:
-
Madeleine Thien
About this listen
The remarkable new novel from the Booker Prize-shortlisted author of Do Not Say We Have Nothing, which leaps across centuries past and future as if different eras were separated by only a door.
Why did people, who lived so briefly in this universe, contain so much time?
Lina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series.
In this mysterious and shape-shifting building, pasts and futures collide. Lina befriends her unusual neighbours: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China, and through their stories, she comes to understand the role of fate in history and the way that ideas can shape the world, and to face up to the cost wrought on her family and others by her father's betrayals.
Profound, adventurous, and with extraordinary subtlety of thought, The Book of Records explores our search for home and the place of faith and humanity in our world. A work of huge originality and heft, it shows the great novelist Madeleine Thien at her most ambitious and enriching.
©2025 Madeleine Thien (P)2025 Madeleine ThienCritic reviews
1. I could not detect much of a thread or narrative. The results is a mosaic rather than a story. That would be fine if each of the threads in itself were good.
2. Much of the book consists of conversations. Mostly, these conversations consist of philosophical or speculative sentences like "To remember is to forget". Sometimes the characters seem to just talk past each other, spouting these sentences.
3. Not only the philosophers but everyone in the book says these philosophical sentence -- from the residents of a fictional refugee camp to the random 12-year old apprentice on a night train (who, implausibly, reads Archimedes). For me, this made the book inauthentic and pretentious in places.
4. The narration is mostly good. The whispering, sighing, soft voice of the main character, however, is really a matter of taste.
It's certainly well written, well researched and different. Just wasn't for me.
Everyone's a philosopher?
Something went wrong. Please try again in a few minutes.