The Murder of Roger Ackroyd
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Narrated by:
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Hugh Fraser
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By:
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Agatha Christie
About this listen
Agatha Christie’s most daring crime mystery – an early and particularly brilliant outing of Hercule Poirot, The Murder of Roger Ackroyd, with its legendary twist, changed the detective fiction genre for ever.
Roger Ackroyd was about to be married. He had a life of wealth and privilege. First he lost his fiancée – and then his life.
The day after her tragic suicide he retires upstairs to read a mysterious letter, leaving his closest friends and family to eat dinner below.
Just a few hours later he is found stabbed to death in a locked room with a weapon from his own collection.
Was he killed for money? For love? Or for something altogether more sinister?
The truth will out.
But you won’t see it coming.
Continue the series
Critic reviews
‘A classic – the book has worthily earned its fame.’
–Irish Independent
‘The truly startling denouement is uncommonly original.’
–Books
‘One of the landmarks of detective literature.’ H.R.F. Keating, –Crime & Mystery: The 100 Best Books
Loved It
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The story is one of my favourites!
Excellent
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Mr Ackroyd had been upset earlier on the day of his death by the news that wealthy widow Mrs Ferrars, with whom rumour suggested he was romantically involved, had died apparently by her own hand. At dinner that evening, he told Dr Sheppard that he’d received a letter from her which he hadn’t yet read. When his body is discovered later, no trace of the letter is to be found. Also missing is young Ralph Paton, Mr Ackroyd’s stepson, and when he fails to show up the next day suspicion quickly falls on him. Ralph’s fiancée, Mr Ackroyd’s niece Flora, begs Poirot to come out of retirement to prove Ralph is innocent. Poirot gently points out to Flora that if he takes the case he will find the truth, and if the truth turns out to be that Ralph is guilty, she may regret her request. Flora is sure of Ralph, though, so Poirot agrees. The local police know of his reputation and are happy to have him work with them.
Part of the fun is seeing Poirot and his methods through Dr Sheppard’s eyes. Though he’s amused by the detective’s appearance and mannerisms, Sheppard soon begins to appreciate that Poirot’s unusual methods often get people to reveal things that the more direct questioning of the police officers fails to elicit. Poirot is of a social standing to mix as a guest in the homes of the village elite and, since gossip is the favourite pastime of many of them, including Sheppard’s delightfully nosy spinster sister, Caroline, they make him very welcome in the hopes of pumping him for information. Sheppard also has inside knowledge of all the village characters and their histories, useful to Poirot and entertainingly presented to the reader. The gossip session over the mah-jong game, for example, is beautifully humorous – so much so that it’s easy to overlook any clues that might be concealed amid the exchange of titbits of information Caroline and her cronies have managed to gather.
Christie is always brilliant at misdirection, and this book may be her best example of that. Is it fair-play? Yes, I think so – I think there are enough clues to allow the reader to work it out, but they’re so beautifully hidden I bet very few readers will. However, unlike a lot of clever plotters, Christie always remembers that to be truly satisfying a mystery novel needs more than that. In this one, the Sheppards are really what make it so enjoyable – the doctor’s often satirical observations of Poirot and his fellow villagers, and Caroline’s good-natured love of gossip. Combined with Poirot’s little grey cells and eccentricities, they make this not only a triumph of plotting but a highly entertaining read too. And, as always, Hugh Fraser is the perfect narrator. Great stuff!
Look over there...
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Narrator did a brilliant job!!
Kept my interest throughout.
Would highly recommend.
Great Murder Mystery.
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re-discovered Agatha Christie and loved it.
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