The Shawshank Redemption
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Narrated by:
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Frank Muller
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By:
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Stephen King
About this listen
In the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo, new and established King fans alike are swept away to King's mythical Maine woodland of Castle Rock for this suspenseful, mysterious, and ultimately heartfelt story of an innocent convict seeking a startling revenge. Even among King's uniformly beloved and ubiquitous works of fiction, this short story stands out for its unforgettable characters and as the inspiration for the Academy-Award nominated film The Shawshank Redemption. This modern classic is as fresh today as it was in 1982, when it was published alongside "The Body," "Art Pupil," and "The Breathing Method" in Different Seasons.
It was good
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As good as the film
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A classic that is worth the read
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Absolute classic
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And, much like its protagonist, Andy Dufresne, the story has matured and flourished in the imaginations of movie lovers everywhere, escaping the bindings of the page to become a film that earns its heraldry of, “classic,” despite an unpromising beginning, seeing only minor success before word of mouth and the video market elevated it to a wider audience.
The differences between the novella and the movie, though marked, are not significant enough to disappoint fans of the film, I believe.
And, for those coming to it afresh, they may well be taken aback by the fact that there is no, “horror,” to speak of in this tale, other than those more familiar horrors we might expect in a prison drama.
Yet, I cannot imagine any listener coming away from this unique and eloquently expressed story of hope unsatisfied.
Told from the point of view of Red, the prisoner serving a life sentence for murder and the inmate who befriended Andy Dufresne and penned his adventures, as witnessed from his vantage point, it is beautifully narrated by old hand, Frank Muller.
Muller’s voice is perfect for this material, being close enough to the movie’s narrator, Morgan Freeman, to satisfy those fans, whilst still being all his own and familiar to regular listeners of narrated classics.
King is a far better prose writer than his horror reputation gives him credit for. And this story is an example of what a master can do inside the small walls of a prison cell, with an, “imagination that’s been trained to misbehave,” as he puts it.
Well worth the price of admission . . . and then some.
Everything You Hope For In A Classic
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