The Story of Tudor Art
A History of Tudor England Through its Art and Objects
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The Story of Tudor Art
Narrated by:
Ffion Aynsley
Buy Now for £15.28
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Narrated by:
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Ffion Aynsley
A unique history of Tudor England told through its art and artefacts.
The Tudor dynasty (1485–1603) gave England five monarchs and an age of relentless power plays, scandal, and transformation. Thanks to artists like Hans Holbein the Younger, we feel we have a definite idea of the characters of these famous kings and queens: the miserly Henry VII, the six-times married tyrant Henry VIII, the boy king Edward VI, the devout matriarch Mary I and the virgin queen Elizabeth I. Yet, iconic as they are, when it comes to Tudor art, portraits – and rulers – are far from the whole story.
In the sixteenth century, images and objects took on powerful new roles, as more people than ever before used them to shape their worlds. Monarchs, archbishops and courtiers continued to commission artworks in a variety of media, to convey messages and create a record of themselves as office-holders and individuals. But in this period, the ‘middling sort’, professional men and women, were also gaining status, wealth and influence. They wanted to promote themselves too, and used art and a dazzling array of objects to do so.
In this unique, Christina Faraday uses art – paintings, sculpture, prints, tapestries, embroideries, clothes, jewels and household objects – to investigate every facet of the period. Beside dissecting familiar portraits of Tudor kings, queens and nobles, Faraday casts a forensic eye across a dynamic array of artefacts, giving the reader a vivid and detailed feel for the political, social, economic and cultural texture of sixteenth-century England.©2025 Christina J. Faraday (P)2025 Bloomsbury Publishing PLC
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Critic reviews
Exquisitely designed and richly illustrated ... Reading it is like looking at the period through a kaleidoscope: vibrant and colourful, always changing, often puzzling, and never, ever dull. (Tracy Borman)
Faraday proves to be a wonderful storyteller, with a gift for vividly evoking the past and its objects … The Story of Tudor Art provides an excellent introduction to the visual and material culture of Tudor England … Engaging. (Elizabeth Goldring)
[A] lively, comprehensive and much-needed survey of Tudor material culture. (Katherine Harvey)
Faraday is a compelling and capable guide, with a nuanced understanding of the intellectual and spiritual world of the Tudors, cycling through a thrilling set of objects with deftness and delight ... An ambitious new appraisal of Tudor art that leads the curious through many of its key objects, arriving at a new narrative that is more capacious and better balanced than previous surveys of the period. (Edward Town)
Ravishingly produced (Laura Freeman)
Revealing and beautifully illustrated. (Michael Prodger)
Christina J. Faraday is a rising star in art history, and her verve and erudition are equally on display in this bravura overview of Tudor art. (Gavanndra Hodge)
This is a treasury of art, objects, jewellery and clothes that tells the history of Tudors through the things that they loved, commissioned, lost, destroyed and sometimes cherished. The richness of the book is not just in the wealth of illustrations - but in the reading of them - whether it is the 'come hither' smile of Henry VII or the newly discovered reverse of a hidden panel. Whether you love art or the Tudors or both - this book is for you (Philippa Gregory)
A vivid panorama of Tudor art in all its genres and media, fine, decorative and multifarious. Scintillatingly fresh, rooted in deep knowledge and understanding. A surprise awaits around every corner - I can’t praise it enough (John Guy, University of Cambridge)
An engaging and authoritative exploration of the art of the Tudor era, looking at not just paintings and sculpture, but throwing a wider net over the artistic legacy of this profuse age. Faraday rightly insists on the importance of textiles – including tapestries, embroideries and costume – now only faintly evoked by contemporary descriptions of Court spectacles, and in the few precious examples that survive (Tim Knox, Director of the Royal Collection)
Faraday's writing has the playfulness of fiction and the heft of scholarship (Amy Jeffs, author of STORYLAND)
interesting book, fantastic narrator
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