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Violin

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Violin

By: Anne Rice
Narrated by: Bernadette Dunne
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About this listen

Anne Rice's Violin tells the story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation.

At the novel's center: a uniquely fascinating woman, Triana, and the demonic fiddler Stefan, a tormented ghost who begins to prey upon her, using his magic violin to draw her into a state of madness. But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm.

Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.

Anne Rice is the author of eighteen books. She lives in New Orleans.

Also available as a Random House AudioBook©1997 by Anne O'Brien Rice; (P)1997 by Random House, Inc.
Fantasy Genre Fiction Horror Psychological

Critic reviews

"Sit back and enjoy. . . . The story flows like blood--the life-giving, life-celebrating kind."
--San Francisco Chronicle

"A PASSIONATE MIXTURE OF EARTHLY FEARS AND SUPERNATURAL TERRORS."
--The Baltimore Sun

"[AN] ABSORBING NOVEL THAT TAKES THE READER ON A SUSPENSEFUL JOURNEY THROUGH TIME, PLACE, AND MIND . . . The instrument of the title belongs to a ghost, the brooding 19th-century aristocrat Stefan, who ventures to 20th-century New Orleans to brew up mischief and seek release from his torment. Told from the point of view of Triana, the humane woman drawn into Stefan's nefarious plot, the tale charts two lives touched by tragedy and alienation. . . . A rich, detailed literary symphony."
--The Cleveland Plain Dealer

"THE TALE OF A DEVILISHLY HAUNTING STRADIVARIUS . . . HER BEST WORK SINCE 1990'S THE WITCHING HOUR."
--The Dallas Morning News

"FULL OF EVOCATIVE IMAGERY . . . THIS IS A BOOK THAT UNDRESSES ITS CHARACTERS LAYER BY LAYER."
--USA Today
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Most relevant
Whilst there is undoubtedly a difference between male and female writers, it can often be accommodated comfortably by a reader of either gender. In the case of Violin, if it does indeed contain any merit that I was unable to discern, then I can only assume this is a novel for female readers only. I advise male readers especially to avoid like the plague.
There is nothing commendable about this novel at all. Its introspective and gratuitously self-indulgent musings do nothing but annoy - it displays all the major weaknesses of 21st century literature and makes no effort to hide them. It expects us to bond with the (intentionally?) mentally unbalanced heroine narrator and her experience, but that is impossible because it is so utterly implausible.
Good novels require an economy with words and a steady pacing of plot - see Jane Austen - neither of which is evident in Violin. Minute by minute I wanted to scream at the audio book narrator, "Get on with it and stop navel-gazing." I pity her and I hope she got well paid for struggling through the recording of this tribute to a publishing company's folly and editor's lunacy.
This book should come with a full refund.

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