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Wolf Hall

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Wolf Hall

By: Hilary Mantel
Narrated by: Simon Slater
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About this listen

National Book Critics Circle, Fiction, 2010

Man Booker Prize, Fiction, 2009

Tudor England. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is charged with securing his divorce. Into this atmosphere of distrust comes Thomas Cromwell - a man as ruthlessly ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.

©2009 Hilary Mantell (P)2009 WF Howes Ltd Fiction Historical Fiction Royalty Funny Witty Scary England

Critic reviews

"If the dance between king and mistress is expertly choreographed, it is Mantel's presentation of the common realm - the seething streets of Putney and Wimbledon, populated by drapers and boatmen - that gives this novel the force of revelation." ( The Guardian)

"...as soon as I opened the book I was gripped. I read it almost non-stop. When I did have to put it down, I was full of regret the story was over, a regret I still feel. This is a wonderful and intelligently imagined retelling of a familiar tale from an unfamiliar angle - one that makes the drama unfolding nearly five centuries ago look new again, and shocking again, too. " ( The Times)

"The reader, Simon Slater, skilfully adopts contrasting voices and the narrative has an immediacy close to a dramatisation... Provocative, rewarding listening." (The Times)
All stars
Most relevant
It's a very long listen but enjoyed every hour of it. Excellently read by Simon Slater who skilfully gives the many different characters distinctive voices that helps with identification. The book covers a relatively short, but tumultuous period of Henry VIIIth reign during which he agonizes over getting a divorce from Katherine of Aragon and marries Anne Bolyne. It's a familiar period of history, but, for me, what was most interesting was the different slant on the story in that it is told from the point of view of Thomas Cromwell: usually a demonized figure in history, I found him a much more complex and more humane character than I had previously believed. Conversely, my image of Sir Thomas More, based on the film and play "A Man for all Seasons", has been shifted to think him less than saintly in his relentless pursuit of those he deemed to be heretics and over-weaningly self-righteous.
The book brought this period of history to life for me in the characterization of the main players and the atmosphere and religious tensions of Tudor England. It's also a salutary reminder of how cruel and barbaric this country was in the treatment of prisoners in the not too distant past.

History brought to life

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I enjoyed this book, even though I did find the use of 'he' to refer to Cromwell a little grating at times. However, I have to say that the narration really put me off - the lack of difference in voices stopped the dialogue really coming alive for me, as there seem to be only three types - gruff, lordly, and simpering, with almost no difference in accents. Also, the reader's inability to pronounce several simple words, like 'secretary', snags in the ear and stops you from being able to enjoy the story. He sounded half-asleep at some points, which doesn't help the reader feel engaged with the events he is narrating.
Overall, though, I would recommend this book, as Mantel brings the events, perceptions, and characters of the 16th century alive and constructs a wide-ranging narrative well - although I would perhaps recommend reading it in paper form, rather than the audiobook.

Good book, poor narrator

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I really wanted to read Wolf Hall because I enjoy well researched historical fiction about real characters. Unlike many people I was put off by the fact that it won the Booker Prize as I had only read one previously, Hotel du Lac, and found it pointless! I chose to try it as an audio bookrather than ploughing through the printed version, and I'm glad I did as it was brought to life by the narrator. I was dissatisfied by the often extreme detail on some parts of Thomas Cromwell's life and the failure in such a time consuming book to cover all of his life. It felt unfinished, and I doubt if i could be bothered to read/listen to a sequel by the same author. I'm more inclined to look elsewhere for more on Cromwell's later years up to his execution. There are other authors who do the Tudor period much better.

Not Entirely Satisfying

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Yes, well researched. Yes very well written and brings the historical period to life. But, but ...how DEEEPLY cynical the authors view of human nature or at least the narration! There exists in this work a kind of intellectual pretension or a post hoc analysis of history which posits that people are doomed to die a horrible death and situations are doomed to fail because of either profound naivety, evangelicalism, or aristocratic self-belief on the part of those involved. While I enjoyed the first part, I found this dire view of history and human nature incredibly tiresome as the book wore on. There was not a moment in the book when the characters were allowed to consider for a moment that another reality may be possible. Doom and gloom it is. I felt that I was being lectured at by someone who really needs some anti-depressants. Back to Charles Dickens for awhile.

Doom and gloom

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This is a long, rich complex historical novel and for many people this unabridged audio version will be an excellent way to get to know such a lengthy work. But some caution may be necessary . Simon Slater reads the basic narrative well and gives a gripping portrayal of Thomas Cromwell, the main focus of interest in this account of the reign of Henry VIII to 1535. But although he is clearly aware of the necessity of some differentiation for other important characters, his solutions are not always convincing and fail to do justice to the subtlety and detail of Hilary Mantel's writing :Cardinal Wolsey sounds dimwitted, Thomas More - far from a saintly character in this novel- sounds sly and slimy and the old nobility blustering idiots. In each case there is an element of truth in the portrayal but they come across too often as cardboard cut-outs.
Most readers will also find that they will need to have or to acquire a good knowledge of Early Tudor history to appreciate fully what Hilary Mantel is attempting in this book. There is much fascinating detail and insight to enjoy but in the end I was left feeling the book could profitably have been more tautly focussed and better structured ? it seems to peter out rather than reach a proper closure -is a sequel intended?
Certainly then on the whole a worthwhile audiobook but be prepared for a text that is occasionally self indulgent ? repetitious and over detailed ? and a reading that is enjoyable but unconvincing and inadequate in places.

Past imperfect.

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