In this episode, we sit down with acclaimed composer Sara Barone to discuss her work on Netflix’s psychological thriller series The Beast in Me. Sara takes us behind the scenes of crafting the show’s tense, atmospheric score, exploring how music helps shape suspense, character psychology, and emotional storytelling. We also discuss her creative process, collaborating with fellow composers, and the unique challenges of scoring a series built on mystery and unease. Whether you’re a fan of film music, television storytelling, or The Beast in Me, this conversation offers a fascinating look at the art of composing for the screen.

Sara Barone is an Emmy-nominated composer for film, television, and interactive media whose work spans acclaimed documentaries, feature films, television series, and video games. She is known for her contributions to the BBC’s Planet Earth III, which earned a Primetime Emmy nomination, as well as Netflix’s The Beast in Me, the feature film To Kill a Wolf, and the VR game Alien: Rogue Incursion. Her additional music credits include Zack Snyder’s Justice League, Sonic the Hedgehog, and Love, Death & Robots. A graduate of Columbia University and the USC Thornton School of Music, Sara has established herself as one of the rising voices in contemporary screen scoring, known for creating emotionally rich and immersive musical landscapes.

This week on 1st on Film, we sit down with acclaimed cinematographer Itai Ne’eman to discuss his work on the coming-of-age road trip comedy Driver’s Ed. Ne’eman takes us behind the camera to explore how the film’s visual style was developed, the challenges of shooting on the road, and his collaboration with director Bobby Farrelly.

Itai Ne’eman is an award-winning Israeli cinematographer and director of photography whose work spans feature films, television series, documentaries, commercials, and visual art projects. Born in Tiberias, Israel, Ne’eman has built an international career distinguished by a visually dynamic style and a diverse body of work. He has served as cinematographer on acclaimed productions including Outer Range, High Desert, The Spy, Mayans M.C., Mr. Mercedes, Dig, Tyrant, and Homeland.

In this episode, we sit down with filmmakers Woodruff Laputka and Tehben Dean, alongside actress Avise Parsons, to discuss their haunting new feature, The Man Whom the Trees Loved. Inspired by Algernon Blackwood’s classic supernatural tale, the film follows a couple whose vacation on a remote island takes a disturbing turn as an eerie connection between man and nature begins to unravel their relationship. We explore the film’s origins, the challenges of shooting in the wilds of Florida, adapting literary horror for the screen, and the deeply personal themes of grief, inspiration, and renewal woven throughout the story.

Woodruff Laputka is a filmmaker, writer, editor, and actor known for his work in independent genre cinema. His directing credits include The Last Incantation, The Herd, and The Man Whom the Trees Loved, which he also co-wrote, co-directed, and stars in as Dave. Through his work, Laputka explores themes of horror, folklore, and the emotional complexities of human experience.

Tehben Dean is an award-winning filmmaker and cinematographer whose career spans documentary, commercial, music video, and narrative filmmaking. After beginning his career in Alaska, Dean worked extensively throughout Portland and Los Angeles, creating projects for brands including Nike, Adidas, and Under Armour. His debut feature, All I’ve Got & Then Some, premiered at Slamdance and earned multiple festival awards. He co-directed and produced The Man Whom the Trees Loved, continuing his focus on visually striking and emotionally resonant storytelling.

Avise Parsons is an actress who stars as Sophie in The Man Whom the Trees Loved. In the film, she portrays a woman fighting to save her marriage as her husband becomes increasingly consumed by a mysterious connection to the surrounding forest. Parsons brings emotional depth and vulnerability to the role, helping anchor the film’s blend of psychological drama and supernatural horror.