Sanjana takes the stand as the self-proclaimed number one age-gap defender, arguing that the trope is really about power, that demanding moral instruction from romance is a fundamentally conservative impulse, and that “reverse age-gap” is not a thing. Then debut novelist Anna Maria Volkova joins to talk about Games, her romance about an economics grad student and a Soviet-born Wall Street banker: why his Russianness specifically matters to the story, the Hollywood villain problem, and what it looks like when a man shaped by political catastrophe becomes romantically persuasive. And: Tyler and Sanjana do a month-in-media check-in that includes both Cancer Ward and Kennedy Ryan.

• On age gaps: why power is the whole point, when the trope works versus when shock replaces substance, and why the demand for capital-M Moral fiction is more conservative than it sounds.
• Anna Maria Volkova is the author of Games, a debut romance about desire, grief, and neoliberal capitalism (out June 30). Referenced: Cancer Ward by Aleksandr Solzhenitsyn and Heated Rivalry by Rachel Reid.
• The month in reading: Score and Reel by Kennedy Ryan, Long Island Girls by Gabrielle Korn, Pool House by Mary H.K. Choi, In Every Possible Way by Alicia Thompson, The Very Definition of Love by Sophia Benoit, The Paris Match by Kate Clayborn, and Whitney, My Love by Judith McNaught.

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