Hosts Debbie and Janna of “Let’s Get Lost in Classic Movies” discuss the 1967 romantic comedy Barefoot in the Park, directed by Gene Saks and starring Robert Redford and Jane Fonda.

They highlight the film’s nonstop humor, fast, witty dialogue, and the leads’ strong on-screen chemistry, recalling the opening New York City scenes at The Plaza and the couple’s transition to a cramped, run-down walk-up apartment with no heat, little furniture, and a skylight hole.

They talk about key supporting characters - Cory’s mother Estelle and the eccentric neighbor Victor - plus standout comedic moments like the bath-in-the-sink joke, the Albanian restaurant sequence, and Paul’s gradual drunk acting. The conversation also touches on marriage themes of compromise, timing in arguments, and how differences can both attract and irritate partners.

NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com

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FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Welcome and Hosts

00:24 Why This Comedy Works

01:44 Movie Clip Plaza Arrival

02:44 Back for Discussion

03:59 Chemistry and NYC Vibes

05:15 The Crummy First Apartment

07:17 Marriage Clash and Lessons

09:30 Meet Mom and Victor

12:38 Neil Simon and Fun Details

15:25 Favorite Scenes and Quotes

17:35 Relationship Advice Talk

19:24 Martini Shot Picks

21:05 Wrap Up and Subscribe

Mother and Daughter hosts Debbie and Janna are back with Let's Get Lost in Classic Movies - this week to discuss John Ford’s 1962 Western The Man Who Shot Liberty Valance, starring John Wayne, Jimmy Stewart, Vera Miles, Lee Marvin, and framed as a flashback told to a newspaperman.

They recap how Eastern attorney Ransome Stoddard arrives in the lawless West, is brutalized by Liberty Valance, and faces a cowardly sheriff and a territory pushing toward statehood and law and order, opposed by cattlemen who employ Valance. They compare Wayne’s tough yet tender Tom Doniphon with Stewart’s underestimated but resilient Stoddard, note key scenes (the steak-floor confrontation, paint-can incident, beatings, the flowering cactus), praise supporting characters like Poppy and Mr. Peabody, and highlight the ending where Stoddard is honored as “the man who shot Liberty Valance” despite the secret truth.

NOW TAKING FANMAIL, COMMENTS AND QUESTIONS: lglinclassicmovies@gmail.com

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Meet the Production Team - Dee Daniels Media

FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Welcome to the Podcast

00:21 Movie Setup and Cast

00:47 Plot Primer and Flashback

02:25 Watch and Enjoy

02:53 Clip Arrest Liberty Valance

03:42 Post Movie Reactions

04:33 Wayne vs Stewart Dynamic

06:18 When We Got Lost

09:42 Steak Scene and Poppy

11:05 Town Characters and School

13:53 Statehood and Open Range

14:54 Hallie and Romance

18:01 Comedy and Daily Life

21:08 Cinematography and John Ford

23:10 Villains and Martini Shots

25:43 Ending Twist and Legacy

28:20 Final Thoughts and Goodbye

Welcome to Let's Get Lost in Classic Movies. Janna and Debbie discuss the 1944 film Gaslight, starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and 19-year-old Angela Lansbury in her first role, directed by George Cukor.

They introduce the premise of a young girl whose aunt is murdered and who later marries a man with a hidden motive tied to jewels and the house. In their discussion, they explain how the term “gaslighting” comes from the 1938 play by Patrick Hamilton and describe gaslighting as psychological manipulation that makes someone doubt their sanity, memory, or reasoning, citing examples from the film like missing objects, denied reality, isolation, and blame shifting.

They note the film’s heavy tone, makeup and cinematography choices, Angela Lansbury’s comedic relief, award nominations, Bergman’s Best Actress win, and share favorite “martini shot” moments from the ending and the confrontation scene.

THINGS TO PONDER WITH YOUR POPCORN:

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Meet the Production Team - Dee Daniels Media

FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Welcome and Film Pick

00:46 Spoiler Free Setup

02:42 Iconic Gaslight Clip

03:30 Post Movie Reactions

03:51 When We Got Lost

06:10 What Gaslighting Means

08:53 How Gregory Manipulates

13:52 Cast Awards and Highlights

16:44 Favorite Scenes Breakdown

21:19 Martini Shot Moments

24:41 Closing and Call to Action

Welcome to Let's Get Lost in Classic Movies with hosts Janna and Debbie (daughter and mother). This week they discuss Alfred Hitchcock’s 1946 film Notorious starring Cary Grant, Ingrid Bergman, and Claude Rains, highlighting Hitchcock’s suspenseful style, camera angles, humor, and his cameo at the champagne table.

They outline the premise: Bergman plays the daughter of a convicted Nazi spy recruited by U.S. agent Grant to infiltrate a Nazi circle in Rio by getting close to Rains’s character, leading to twists, romance, and danger.

In their post-watch discussion, they focus on the film’s shifting tone from witty to tense, the cellar/wine-bottle suspense, the romantic but toxic dynamic between the leads, and details like Rains’s height staging. They clarify plot points including recorded evidence, uranium ore in the wine bottles, FBI interest in the storyline, Emmett’s death, and Alicia being slowly poisoned, and share favorite “martini shot” moments and standout costumes/jewelry.

THINGS TO PONDER WITH YOUR POPCORN:

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Meet the Production Team - Dee Daniels Media

FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Welcome to Notorious

00:37 Hitchcock Style Primer

01:06 Plot Setup in Rio

02:12 Romance and Cameo Challenge

03:03 Movie Clip Interlude

03:47 First Impressions After Watching

05:57 Funny Early Scenes

07:11 Hitchcock Camera Tricks

08:54 Hitchcock Legacy and Patricia

11:16 Spotting Hitchcock Cameo

12:00 Thriller Turns and Cellar Tension

13:27 Toxic Romance Triangle

15:14 Behind the Scenes Heights

17:43 Clearing Up the Plot

21:19 Uranium and FBI Trivia

22:18 Jewelry and Costume Highlights

23:23 Escape Scene Frustrations

24:30 Martini Shot Favorites

26:57 Wrap Up and Subscribe

Hosts Janna and Debbie discuss the 1951 film Storm Warning, directed by Stewart Heisler and starring Ginger Rogers, Doris Day, Ronald Reagan, and Steve Cochran.

They summarize the premise: Rogers plays a woman visiting her sister (Day) who witnesses a murder connected to the Ku Klux Klan, setting off an intense, fast-moving story. They note the film’s dramatic roles for Rogers and Day, Reagan’s district attorney performance, and the theme that silence and inaction can be as harmful as committing the crime.

Their conversation highlights shocking scenes, including Rogers being whipped and an attempted rape, the portrayal of a whole town complicit in the Klan, and the bleak ending in which the sister is shot by her husband and he is then killed. They connect the film to real-life Klan presence in the late 1980s and 1990s South and share their “martini shot” standout moments.

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Meet the Production Team - Dee Daniels Media

FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Welcome and Setup

00:13 Movie Premise Teaser

01:39 Post Movie Reactions

02:06 When We Got Hooked

04:27 KKK Context and History

06:11 Ending and Tough Scenes

06:58 What Would You Do

10:42 Performances and Casting

12:56 Themes and Town Complicity

17:20 Segregation and Personal Stories

20:31 Martini Shot Moments

24:02 Final Thoughts and Goodbye

Debbie and Janna, the adorable mother-daughter-movie-duo, discuss Frank Capra’s 1944 classic - Arsenic and Old Lace - starring Cary Grant and Priscilla Lane, describing it as a hilarious mix of Halloween creepiness, romance, and farce.

They outline the premise: Grant’s character discovers his two aunts have been poisoning lonely old men with wine and hiding bodies in the cellar, while his brother believes he’s Teddy Roosevelt and another brother, Jonathan, is a psychopath who resembles Boris Karloff and arrives with Dr. Einstein for more face work.

They share favorite moments including the phone-booth scene, police saluting “Teddy Roosevelt,” near-misses with the poisoned wine, and Grant’s physical comedy. They note the Boris Karloff Broadway connection, discuss Lane’s grounding presence, and highlight the ending reveal that makes marriage acceptable for Grant’s character.

THINGS TO PONDER WITH YOUR POPCORN:

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Follow LGL in Classic Movies Hosts Debbie and Janna on Instagram

Meet the Production Team - Dee Daniels Media

FIND A FAVORITE SPOT IN THIS EPISODE:

00:00 Meet the Hosts

00:14 Movie Setup and Premise

01:19 Murderous Aunts and Brothers

02:08 Post Movie Reactions

02:27 Getting Lost in the Opening

04:13 Cary Grant Comedy Style

05:11 The Aunts and the Bodies

07:15 Boris Karloff Connection

08:07 Priscilla Lane and Romance

09:57 Ending and Favorite Scenes

11:51 Martini Shot and Wrap Up

Get to know Debbie and Janna, a mother-daughter duo sharing their love of classic movies. In this trailer, they introduce the show, discuss what makes classic films timeless, and explain how they’ll guide you through movies, culture, and unforgettable stories. Subscribe to join them on a journey through cinema’s golden moments — and get ready to get lost in the movies!