While “When did Michael Douglas Get So Young” may not have been the sole burning question of our rewatch of Romancing The Stone, it certainly was among the many prompted by Paul, Javi, and the always Trustworthy Producer Brad’s journey into the wilds of this 1980’s gem. Though Paul may - occasionally, pointedly - disagree, Javi brilliantly lays out the many arguments for why this film remains an underrated hidden classic. Whether they are settling their differences or finding common ground, Paul and Javi - and yes, Kathleen Turner and Michael Douglas, we guess - have one of their most spirited debates as they ponder the veritable mudslide of latino stereotypes on display and many other topics of interest while marveling, as if anew, by the explosive chemistry between Michael Douglas and Kathleen Turner… and Danny Devito and Zack Norman and some crocodiles… and Alfonso Arau and “Pepe”… and Holland Taylor and pretty much anything with a pulse. It’s a union of Hollywood Titans - Zemeckis, Douglas, Turner, Devito, and Thomas - yes, Thomas - as they rock to some of the most eighties saxophone riffs ever: it’s Romancing the Stone!

Show Notes:

Romancing the Stone US Theatrical Release Date: March 30, 1984

Weekend Domestic Box Office March 30, 1984

Romancing the Stone Box Office

AFI Catalog Entry: Romancing the Stone

Roger Ebert's Review

New York Times' Review

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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Imagine a dystopian America where authority is malignant, the profit motive rules all, everyone is on the grift, all goods and services have been devalued to the least of their utility and value, and the infrastructure has crumbled into a depressing echo of its former self… this morning’s New York Times? No! It’s Alex Cox’s punk rock masterpiece Repo Man! Made in that special time before John Hughes and the Brat Pack got their hooks in him, Emilio Estevez embodies youth in revolt as he teams up with Harry Dean Stanton at his scuzziest, most viciously nicotine-stained best to get into some tense situations. Step into the 1980s Ronnie Reagan did NOT want you to know about: where aliens are real, televangelists occasionally moonlight as government agents, television holds a hypnotic sway over your parents, and, most importantly, the threat of the Rodriguez Brothers looms around every corner! Politically biting, socially trenchant, and as fucking hilarious as a can of generic beer and poke to the eye with a lit cigarette, Repo Man may just be the angriest and most prophetic mainstream film of its time - and even more surprisingly, it’s one of Paul’s formative favorites! So join Javi and the ever-so-rebellious Producer Brad as they wonder just what Paul’s youth was really

Show Notes:

Theatrical Release Date: March 2, 1984

Weekend Box Office for March 2-4, 1984

AFI Catalog Entry

Roger Ebert's Review

NYT Review

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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What happens when a hard-ridin’, gravel scratchin’, manly-man motocross champ accidentally finds himself in the middle of a time travel experiment run by a private corporation unaware that they set up their equipment too close to a public rally race? What if our hero finds himself stranded in the old west with no way home? What if our protagonist never realizes he has traveled through time for most of his own story? Join them varmints Paul and Javi, guided through time and space by the Doc Brown-like Producer Brad, as they witness the occasionally incredible, but mostly credible, and - if the film’s title is to be believed - sole adventure of Lyle Swann! Thrill as our hero - played with clueless gusto by the always-delightful Fred Ward as he faces down a cast of hey-it’s-that-guy” character actors, as well as the most formidable adversary a 1980s action hero could possibly face… an intelligent, empowered female character (played by the intelligent and empowered Belinda Bauer!). It’s Timerider: THE adventure of Lyle Swann, and an episode of Multiplex Overthruster that will take you on an unforgettable journey through a forgotten film!

Show Notes:

US Theatrical Release Date: January 21, 1983

US Home Video Release Date: May, 1983

AFI Catalog Entry

NYT Review

Fred Ward obituary

Richard Masur interview

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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Every once in a while, a loophole in time, space, and copyright law opens and spits out an object straight out of bizarro world. The summer of ’83 gave us an “official” James Bond film starring the well past-his-prime Roger Moore, and the fall of ’83 answered with NEVER SAY NEVER AGAIN - an apostate remake of THUNDERBALL directed by the man who gave us THE EMPIRE STRIKES BACK and starring none other than Roger Moore’s also well past-his-prime predecessor Sean Connery! What could possibly go wrong? Uh… a lot. Thrill to spine-tingling scenes of an aging superspy taking herbal treatments at a health spa! Marvel at the cringy romantic subplot with a way-too-youthful Kim Basinger! Gasp at the gravity defying athleticism of Sean Connery’s toupee! Of course, it’s not all bad news… turns out our old man Bond still has plenty of fuel left in the tank, and he is joined by the amazingly unhinged femme fatale Fatima Blush as played by the scenery-devouring Barbara Carrera, the Swedish sensation Max Von Sydow as the kitty-stroking supervillain Ernst Stavro Blofeld, and Bernie Casey as the Felix Leiter we all wish had gotten his own spinoff! It’s James Bond as you have never seen him before! Actually, it’s pretty much exactly as you have seen him before - but Paul, Javi, and their spymaster, Producer Brad love this franchise for all of its flaws, so dim the lights and chill the Geritol, because the Multiplex Overthruster crew will never… ever… say never again!

Show Notes:

Theatrical release date: October 7, 1983

Janet Maslin NYT review

Roger Ebert's review

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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The envelope, please! That’s right, it’s time, once again for the MULTI AWARDS. Join Paul, Javi, and the august Producer Brad as they render final judgment on the summer of ‘83! Was “Flashdance” a better film than “Yor: The Hunter from the Future?” Was “Octopussy” the most misogynistic movie title of all time, or just of the James Bond series? Are Eddie Murphy and Dan Aykroyd one actor or two? Is being ground zero for the “Nicolas Cage freakout” enough to enshrine a movie in the hall of classics? Can Paul limit himself to only three adjectives per sentence? Will Javi stop evoking The Frank Factor already? Can Producer Brad keep the running time under five hours? It’s Multiplex Overthruster’s finest hour… well, if you listen to this podcast you know it’s going to be more than an hour, but… uh, metaphorically speaking! Whether you can’t get enough of awards season or are sick of the same old awards shows, this episode is for you - an awards show like none other!

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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The Summer of ’83 concussively concludes with a gloriously metal swords and sorcery adventure helmed by the 1st AD of The Beastmaster, and penned by the writer of Vampire Hookers and Rainbow Brite. Deathstalker, our morally messed up but oddly philosophical anti-hero, is sent on a quest by weird witch Toralva to unite the sword of justice, amulet of life, and chalice of magic in order to “become the power” before the evil Lord Munkar does. Join Javi, Paul and, intrepidly, Producer Brad on this wild ride into wanton violence and chaos that features a creepy meat puppet, a chatty cave ogre, random mud wrestling, a cannibalistic pig man, a gladiator tournament, some very problematic shape-shifting, John Wick’s worst nightmare cuisine, a truly epic score, and an unexpectedly bold (and timely) anti-autocracy political statement — all of which somehow spawned three sequels and a very fun 2025 remake executive produced by none other than Slash. (Really.)

Show Notes:

1983 Box Office

September 2, 1983 Weekend Box Office

Deathstalker box office

Hollywood Reporter interview with Slash discussing 2025 Deathstalker reboot.

Kickstarter campaign to fund the 2025 Deathstalker reboot.

Screen Rant article on Deathstalker comic book from Vault Comics and Slash.

Boris Vallejo movie posters here and here.

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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What do you get when you mix the manic comic genius of Michael Keaton, the inimitable dramatic and comedic chops of the great Teri Garr, the legendary deadpan wit of Martin Mull, the wacky unpredictability of Christopher Lloyd, and the ever-reliable smarm of Jeffrey Tambor? Franlky, we wish you got more than Mr. Mom, a movie regarded by many as a modern classic but which left the already very domesticated Paul, Javi, and the always paternal Producer Brad scratching their heads wondering if men in the 80s were simply too brain damaged to drive a grocery store cart. There’s a few bright spots, of course, the not-so-hidden connection to Rocky III, the cute kids, and, of course, woobies. But is it enough? Honestly, we decided to watch this instead of Deathstalker because we thought we owed it to you - our listeners - to get out of the sword and sorcery space and talk about a mainstream movie… and in this episode, you get to hear your three hosts realize the depth of their error with hilarious consequences! CURSE YOU LORD MUNKAR! Yeah, come back next week, we’re watching Deathstalker.

Show Notes:

1983 Box Office

September 2 1983 Weekend Box Office

July 22, 1983 Weekend Box Office

Mr. Mom Box Office Results

Mr. Mom AFI Catalog Entry

Cole Haddon 2023 interview with producer Lauren Shuler Donner.

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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Okay you hosers, so welcome to our podcast. So today we’re gonna chug a couple cold ones, put on our tuques and watch as comedy titans Rick Moranis and Dave Thomas take their beloved characters from television and comedy albums to the big screen in The Adventures of Bob and Doug McKenzie: Strange Brew! While it would have been perfectly acceptable for them to do their small screen schtick on the big screen and call it a movie, this ambitious duo instead decided to cast themselves as Rosenkrantz and Guildenstern in a brewski-themed remake of… Hamlet? Join Paul, Javier, and the ever sober Producer Brad as they brave the dark corridors of the haunted Elsinore Brewery, where the cyber-ghost of a murdered patriarch cries out for justice from a haunted coin-op video game console as the evil Brewmeister Smith - played by Ingmar Bergman regular Max Von Sydow in prosthetic buck teeth - plots to take over the world using mind-control beer and hockey-playing stormtroopers! Can our hapless duo stop this evil plot? All we can say is that any movie that features a climactic duel between Ming The Merciless and Gold Leader from Star Wars is a beauty way to go, eh!

Show Notes:

1983 Box Office

August 26, 1983 Weekend Box Office

Strange Brew Movie Box Office Results

Strange Brew AFI Catalog Entry

Rick Moranis' Second City Bio

Dave Thomas' Second City Bio

CBC Oral History of Kids in the Hall's "Headcrusher"

Globe and Mail "Best Canadian Comedies"

Theme music by Mike McGuill

Additional voicework by Russell Bentley

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