The world's about to end. Finals are still happening. And somewhere in 1996 Manhattan, a malnourished vampire is eating rats out of a dumpster while a demon in a porkpie hat tells him he needs a sense of purpose. Alan and Jarrod dig into "Becoming, Part 1" — the episode that took an already-shallow Angel and gave him a backstory big enough to launch his own series.

We talk Acathla and the medieval-knight-stabbed-him-in-the-heart-but-not-really problem (the sword is over on the leftside, Joss), Drusilla's new post-recovery swagger and her cold, throat-slitting flex on Kendra ("the blood of a slayer"), Whistler as Angel's first mentor in textbook Joseph Campbell fashion, and Max Perlich's deep-cut résumé from Gleaming the Cube to Gilmore Girls. Plus: the Orb of Thessulah-as-paperweight running gag, the Darla flashback that retcons Angel's siring with full Anne Rice energy, the worm's-eye-view cinematography in the museum that briefly makes Buffy look like a real movie, the deja-vu floppy-disk recovery that puts the gypsy curse back on the table, Buffy's iffy LA Valley Girl flashback, and Sarah Michelle Gellar's slow-motion sprint to Kendra's body that's been burned into Alan's memory since 1998.

We also unpack the central thematic gambit — that the Buffyverse uses beginnings (Angel's siring, his ensoulment, Buffy's call) to talk about endings (Buffy and Angel, the school year, the world) — and why the Vox and AV Club rankings have this two-parter as some of the finest hours the show ever produced.

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