As prediction market platforms like Kalshi and Polymarket stretch their tentacles across culture, their advertising has become ubiquitous. Ahead of the World Cup, Kalshi has inked partnerships with a slew of high-profile athletes and football personalities, like José Mourinho and Lionel Messi. Polymarket, for its part, was a marquee sponsor for the UFC 250 fight at the White House earlier this month. They’re also currently under investigation for deceptive marketing practices (something for another podcast).

But more recently, a new Polymarket spot, directed by Gabriel Moses featuring Rick Rubin, Future, and Peso Pluma, has caught people’s attention. In this episode, we break down the spot, discussing the deliberate dissonance between the ad and the product, tastewashing, if these people are too hot to be gambling, why tech seems to be the only place where brand marketing is alive, and more.

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For our second special edition pod, we spoke with Mark Stenberg, Senior Media Reporter at AdWeek, to compare notes on what people are talking about this year: AI FOBO, the proliferation of creators, and the increasingly blurry purpose of the festival itself. We get into why Cannes may be less about new ideas than consensus building, why public panels feel more PR-approved than ever, and data dissonance in the basement of the Palais.

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This is the first of two special edition podcasts this week, recorded on the ground at the Cannes Lions Festival of Creativity ™️. Today, we’re joined by breakfast aficionado and friend of the show, Ben Dietz. Ben is ½ of the Hip Replacement podcast alongside our friend Kyle Raymond Fitzpatrick.

Ben is a longtime Cannes attendee, so we pick his brain about how the festival has evolved for better (and worse) over the past decade, why the work matters less and less, Toucan Sam snorting a line of stars, a theory of brands as mammals, the queen of Cannes Sara Fischer, the Pope, Cannes vs. Cannes, and more.

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