What does it really take to put on a Bond music tour? This episode breaks down the reality behind successfully performing James Bond soundtracks live—covering the cost, logistics, creative challenges and risks most audiences never see.

A Bond music tour looks effortless on stage. In reality, it’s a constant balancing act between ambition and survival. Warren Ringham, founder of Q The Music, explains how the project evolved from a function band into a dedicated Bond concert experience—and why that transition nearly failed. The conversation strips away the illusion and shows how fragile it can be.

The episode also digs into the technical side: how you take orchestral James Bond scores and adapt them for a smaller live band without losing impact. That challenge sits at the heart of the show’s identity. Alongside that comes the broader reality of sustaining a niche live act, including surviving major setbacks.

At the other end of that journey are the highs: performing at the memorial for Roger Moore and building a working relationship with Bond composer David Arnold.

You’ll come away with a better understanding of what it actually takes to put on a Bond music tour, from the financial and logistical pressures that sit behind every performance to the realities of sustaining a live show over time. The episode explains how large-scale orchestral James Bond scores are adapted for a smaller band without losing their impact, and why that process can be more complex than it appears.

Alongside that, you’ll see how the band built credibility within the Bond world, what audiences respond to most when hearing Bond music performed live, and how those reactions shape the show itself.

Where to find us

Warren Ringham

https://qthemusicshow.com/

Bill Koenig

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hmssweblog.wordpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Javi Trujillo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠https://bsky.app/profile/javitru.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the⁠bondisnotenough⁠⁠

David Leigh

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thejamesbonddossier.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Recorded in the UK, USA and Spain on 7th May 2026.

No Bond 26 update at CinemaCon—no cast, no release date, no production news. So what does that actually tell us?In this episode of The 007 Files, Javi Trujillo, Bill Koenig and David Leigh break down the lack of a Bond 26 update at CinemaCon—and explain why it isn’t a cause for concern.

The key question driving this episode is simple: why was there no real news about the next James Bond film at CinemaCon? Amazon MGM referenced Bond during their presentation, but there was no cast announcement, no release date, and no production update. Instead, film chief Courtenay Valenti emphasised that the studio is taking its time with Bond 26. We examine what was actually said, what was left unsaid, and why that absence of detail is exactly what you should expect at this stage of development. With Denis Villeneuve attached to direct and Steven Knight writing the script, the project remains firmly in development rather than pre-production.

We also explore when Villeneuve might realistically shift focus from Dune 3 to Bond, and what that means for the film’s progress.

The episode also covers the wider James Bond landscape beyond the films. We discuss the announcement of Charlie Higson’s new novel King Zero, including the UK launch event and the way Ian Fleming Publications handled the press rollout. This leads into a broader look at the current state of literary Bond, where multiple authors—including Kim Sherwood and Raymond Benson—are contributing to different strands of the 007 universe. What does it mean to have overlapping continuities, and how does that affect the identity of James Bond in print?

We also look at 007: First Light, including the title track by Lana Del Rey (written with David Arnold), the score recorded at Abbey Road Studios, and the game’s approach to the Bond theme—echoing Casino Royale by treating it as something that is earned over time rather than introduced immediately.

Finally, we cover recent James Bond soundtrack releases from La La Land Records, including Diamonds Are Forever on CD and the upcoming The Man with the Golden Gun vinyl, along with a related interview for those interested in Bond music and film scores.

This episode answers key questions Bond fans are asking right now.

If you want analysis that focuses on what actually matters—rather than headlines and speculation—this episode breaks down where James Bond stands now and what to watch next.

Where to find us

Bill Koenig

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hmssweblog.wordpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Javi Trujillo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠https://bsky.app/profile/javitru.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the⁠bondisnotenough⁠

David Leigh

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thejamesbonddossier.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Recorded in the USA and Spain on 22nd April 2026.

The Ian Fleming Foundation, founded more than 30 years ago, is evolving. It's still known for its collection of vehicles and props that have appeared in James Bond films. The foundation is involved in other activities, including scholarships. The group also is dedicated to keeping the memory of Ian Fleming alive.

Alan J. Porter, the foundation president, chats with the hosts of The 007 Files, sharing insights into the meticulous restoration of Bond vehicles and how these efforts support the Foundation's goals. Discover the strategic growth plans and community engagement initiatives that are helping the Foundation adapt to changes in the Bond franchise. Learn how the legacy of Ian Fleming continues to influence modern culture and open doors for new generations.

Watch a brief video tour of some of the foundation's vehicle collection:

https://www.youtube.com/watch?v=r8EO66CtKJ8

Where to find us

Alan J. Porter

https://alanjporter.wordpress.com/

The Ian Fleming Foundation

https://ianflemingfoundation.org/

Bill Koenig

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hmssweblog.wordpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Javi Trujillo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

https://bsky.app/profile/javitru.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the⁠bondisnotenough

David Leigh

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thejamesbonddossier.com⁠⁠⁠⁠⁠⁠⁠⁠⁠

Recorded in the USA and Spain on 2nd April 2026.