Border Chronicle founders, Todd and Melissa, talk about how law enforcement surveillance, high-speed chases instigated by Border Patrol, unwarranted searches and seizures, and other heavy-handed policing that border communities have endured for decades has now moved into the interior of the country. They also discuss Todd’s upcoming book on climate change and the Rio Grande, and recent Border Chronicle community events in the borderlands —stay tuned for more in the Fall! And they talk about the Trump administration’s attempt to install 500 miles of buoy barriers on the Rio Grande, and walls that are currently being built through environmentally sensitive areas, sacred sites and areas where there has historically been little migration.

This conversation, hosted by Todd Miller, about a great borderlands adobe brick building project is going great, until Jacques Servin—of the political performance artist trickster and activist troupe called the Yes Men—fails to grasp the meaning of the term "border security" — at least how it’s conveyed to the world by the high brass of the Department of Homeland Security. Though frustrating at first, this leads to a fruitful philosophical conversation and then a possibly paradigm-shifting one. Listen all the way to the end for a provocative proposal about next year’s Border Security Expo.

Gabriela Rangel, director of Tucson’s Museum of Contemporary Art, was born and raised in Caracas, Venezuela. As a curator focusing on Latin American art, she’s worked at the Museum of Fine Arts in Houston, the Americas Society in New York City, and the Museo de Arte Latinoamericano de Buenos Aires. In the fall of 2025 she became the director of Tucson's Museum of Contemporary Art.

In this podcast with Caroline Tracey, The Border Chronicle’s arts & culture editor, Rangel discusses how the concept of Latin American art" didn’t come from Latin America, the necessity for politics in art, and what it’s like living and working in the Sonoran Desert “This is a borderland city,” she says of Tucson. Of how the border figures into contemporary art, she adds: “Urgent matters in the repertoire of contemporary art are also crucial for the borderlands: water, ecosystems and immigration—these are issues that contemporary art has adopted in their concerns....Contemporary art is about what’s happening in the present.”