What? Two film critics who may not actually recommend PROJECT HAIL MARY? It's true folks, in this massive episode we go in-depth into the pitfalls PROJECT HAIL MARY falls into and recommend some alternatives, namely: E.T., TITANIC, SILENT RUNNING, THE DAY AFTER (TOMORROW), THE CAT FROM OUTER SPACE, LIFEFORCE, MELANCHOLIA, MY NEIGHBOR TOTORO, THE DAY THE EARTH STOOD STILL, SOLARIS, CONTACT, I, ROBOT, DARK CITY, KNOWING and even THE OMEGA MAN. We hope you enjoy.

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It's time for the the 98th Academy Awards friends! In this episode we talk directors, cinematographers, editors, actors, actresses and a lot more, including all the Best Picture Nominees: Bugonia, F1, Hamnet, Frankenstein, Sentimental Value, Marty Supreme, Sinners, One Battle After Another, Train Dreams and The Secret Agent.

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It's a crowd pleaser that didn't find a crowd Dear Listener. In this episode Gareth raves about Song Song Blue while Jett tries not to have a heart attack. Will you like it? Should you see it? Only one way to find out, listen and enjoy, you Sweet Caroline you.

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Is the film exhilarating yet empty? And are we taking about MARTY SUPREME or EEPHUS Dear Listener? Let's find out together.

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It's the end of the year folks, so time for lists! Here's Jett and Gareth's Top 10 films of 2025.

Gareth: BLUE MOON, A LITTLE PRAYER, KÖLN 75, THE HISTORY OF SOUND, SENTIMENTAL VALUE, SINNERS, SORRY BABY, IT WAS JUST AN ACCIDENT, KISS OF THE SPIDERWOMAN and TRAIN DREAMS.

Jett: AVATAR: FIRE AND ASH, PLURIBUS, THE PHOENICIAN SCHEME, RIEFENSTAHL, 28 YEARS LATER, SORRY BABY, BUGONIA, TRAIN DREAMS, SINNERS and ONE BATTLE AFTER ANOTHER.

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It's The Film Talk's most divisive picture of the year Dear Listener. Higgins and Loe: one saw Avatar: Fire and Ash in IMAX 3D and one didn't. Will they ever be able to reconcile their opinions, thoughts and feelings? Let's listen in and find out.

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His movies radiated kindness and empathy no matter the subject matter Dear Listener. We talk about the late Rob Reiner in this episode as well as discussing two of the most beautiful, insightful and sad films of the year, Train Dreams and Sorry, Baby.

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What makes this version of Frankenstein, (there's been at least 400 others), necessary Dear Listener? Other than the director's obsessive need to get it to the screen - and is that enough?

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