Representative Matt Gaetz is one of the most outspoken critics of the status quo in Washington, which he demonstrated most recently by playing a key role in removing fellow-Republican Kevin McCarthy as Speaker of the House. How was Gaetz able to pull off such a feat given his deep unpopularity in Congress, and the fact that he’s under a House Ethics Committee investigation for the sex trafficking of a minor? The New Yorker staff writer Dexter Filkins, who recently profiled Gaetz in the magazine, joins Tyler Foggatt to explore the congressman’s motivations, including how fractured party politics have played a role in his rise to fame. “The party has to decide what it is,” Filkins says. “It’s not what it used to be, and it’s rapidly becoming something else. . . . In the interregnum, we’re seeing all these morbid symptoms as the party kind of convulses and tries to figure out its new identity.”

Jon Lovett had been deep inside politics, as a speechwriter in the Obama Administration, before he joined his colleagues Tommy Vietor and Jon Favreau to launch Crooked Media, a liberal answer to the burgeoning ecosystem of right-wing news platforms. “There was too much media that treated people like cynical observers,” Lovett tells David Remnick, “and not enough that treated them like frustrated participants.” Crooked Media has gathered millions of politically engaged listeners—“nerds,” Lovett calls them—to “Pod Save America,” “Lovett or Leave It,” and other podcasts. But Lovett is more worried about voters who no longer get a steady stream of reliable political coverage at all, as local news outlets wither and platforms like Facebook downplay the sharing of news. “The vast majority of people do not know about Joe Biden’s accomplishments,” he says. “When they say to a pollster that this is not someone they view as being up to the job, they’re not . . . understanding how he performed in the job so far.” Lovett shares the widespread concerns about Biden’s apparent aging, but notes that his performance remains effective, whereas, “in Trump, the reverse: he is more energetic—I think the threat of federal jail time sharpens the mind!—but by all accounts is emotionally, psychologically, and mentally not up to the job.”

The South Carolina senator Tim Scott likes to point to himself as an example of racial progress in America. But in a recent story for The New Yorker, Robert Samuels looked into Scott’s personal story—in many ways a messier tale than the one he tells—and into the ways that the “​​concave mirror shaped by his own experience” distorts Scott’s view of politics. Samuels joins Tyler Foggatt to discuss Scott’s Presidential run, and what he reveals about the Republican Party’s relationship to race and racism.

After returning from a week of reporting in Israel, David Remnick has two important conversations about the conflict between Israelis and Arabs both in and outside of Gaza. First, he speaks with Yonit Levi, a veteran news anchor on Israeli television, about how her country is both reeling from the October 7th terrorist attacks perpetrated by Hamas, and grappling with how to strike at Hamas as the country prepares for an invasion that would be catastrophic for Palestinians. Meanwhile, the Palestinian academic Sari Nusseibeh maintains that peace is possible, if the influence of Hamas and the Israeli far right can be curtailed.

David Remnick’s Letter from Israel appears in The New Yorker, along with extensive coverage of the conflict.

The Washington Roundtable: It’s been a major week for the unfounded idea that the 2020 election was stolen from Donald Trump. First, House Republicans elevated Representative Mike Johnson of Louisiana, who was formerly almost unknown on the national level, to be Speaker of the House. Johnson is a creationist and a climate-change denier, and he was a key figure in the effort to keep Trump in power—which certainly helped in his bid for leadership this week. On the other hand, as some of the former President’s most loyal associates have faced the threat of jail time in Georgia, they have renounced their false election theories. “You have to lie about the election to rise in power if you’re a Republican in the House,” the staff writer Jane Mayer says, “but when you face potential sentencing in a court yourself, the truth finally comes out.” Mayer joins the New Yorker staff writers Susan B. Glasser and Evan Osnos to look at the current dynamics of election denialism in Republican politics.

Jim Jordan may have failed to become the Republican Speaker of the House, but he still remains the Party’s most influential insurgent. The former wrestling champion and current Ohio congressman first took office in 2007. Since then, he has not sponsored a single bill that has become law. Instead, he has made it his mission to expose what he calls “big-tech censorship” against conservatives, and to undermine the institutions that are investigating Donald Trump. Jonathan Blitzer, who wrote a piece on Jordan’s conspiratorial quest for power for this week’s New Yorker, joins Tyler Foggatt to discuss why this man is still key to understanding the contemporary Republican Party.

The director Spike Lee looked back at the length and breadth of his career so far during a sit-down with David Remnick at the New Yorker Festival. Although Lee’s storied filmography may be familiar to movie buffs, few are likely to know as much about his humble beginnings as the scion of a celebrated, but often unemployed, musician—the late Bill Lee. The young Spike Lee bore some resentment toward his father, an upright-bass player who eschewed countless gigs because he refused to play an electric bass guitar. “[I]t wasn’t until later that I saw that, yo, this is his life. He was not going to play music that he didn’t want to play.” As an artist in his own right, Lee has taken a similar approach to filmmaking. He has tackled a myriad of genres and difficult subject matter, without sacrificing his unique voice and social consciousness to satisfy Hollywood. “Some things you just can’t compromise,” he told Remnick. Now in his fourth decade as a filmmaker, Lee hopes to one day make a long-gestating bio-pic about Joe Louis and have his career last as long as that of one of his idols. “Kurosawa was eighty-six!” the sixty-six-year-old Lee said, of the Japanese filmmaker’s retirement age. “I got to at least get to Kurosawa.” In this interview, Lee mentions the influence of Kurosawa and several other notable filmmakers. For further reading, here is a list of ninety-five films he has deemed essential for any cinephile.

The Washington Roundtable: President Biden embraced the Israeli Prime Minister, Benjamin Netanyahu, in Tel Aviv this week, reiterating America’s support for Israel amid its war with Hamas. The President brokered a deal to allow humanitarian aid to enter Gaza and warned Israelis not to be “consumed” by rage as they respond to Hamas’s October 7th massacre of civilians in the country. “It’s not clear yet what really has been accomplished by this extraordinary amount of personal diplomacy,” the New Yorker staff writer Susan B. Glasser said. Senior Israeli officials are allegedly predicting several years or even a decade of war. Meanwhile, the Biden Administration is seeking more than a hundred billion dollars in federal funding, including assistance for Israel, Ukraine, and Taiwan. But, because the raucous battle to elect a Speaker of the House is ongoing, the question of when this package might pass remains open. As the staff writer Evan Osnos noted, the events of the past two weeks underscore the challenges that democracy is facing both at home and abroad. The staff writer Jane Mayer joins Glasser and Osnos in conversation about it all.