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The narrator pledges to donate 50% of his proceeds to The Royal British Legion Poppy Day Appeal - please support. "In Flanders Fields" is one of the most famous poems of The Great War, written by Lieutenant-Colonel John Alexander McCrae, MD, 1872-1918. It is believed that McCrae wrote the poem after presiding at the funeral of a friend killed during the second Battle of Ypres, in 1915. The poppy grew in abundance in the spoiled earth of the cemeteries and battlefields of Flanders, France.

Escrever sempre foi um sonho e ao mesmo tempo uma necessidade. Da adaptação de textos bíblicos, passando por grandes parceiros de composição, cheguei aos primeiros arremedos de poemas, rabisquei textos tornados em canções, até pisar e cultivar o solo fértil de Todo canto é lugar. A sensação ao vê-lo concluído é de que há muito ainda por ser dito e escrito. A vida ainda pulsa e os sonhos não envelheceram.

Brought to you by Penguin. With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is. Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved...

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. En 1863, durant la guerre de Sécession, la famille Whiteoak, qui s'est agrandie avec la naissance de Philippe, invite à Jalna Lucy et Curtis Sinclair, sudistes et esclavagistes, qui vont secrètement organiser depuis le Canada, un front de résistance. De se trouver mêlée peu ou prou aux conspirations de Curtis enchante Adeline.

Long listed for the 2010 Scotiabank Giller Prize, Lemon is the story of a teenaged girl with the numbers against her: Three mothers, one deadbeat dad, one cancer-riddled protégé, two friends, one tree-hugging stepbrother, and a 60 percent average. The adults in her life are all mired in self-centeredness and the other kids are busy getting high, and she just can't be bothered to fit in.

These poems peel back the layers of suburban life and the "American Dream". Vivian Maier was a self-taught street photographer who worked as a nanny for wealthy employers in New York and Chicago. The poet imagines her as a documentarian who is compassionate, abrasive, and meditative, while her subjects provide their own narrative. More than anything, the poems are a response to her work, which is all we have that comes directly from her. It is a deliberate challenge to the “mystery nanny” she is reduced to in much of the constructed narrative of her life.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que "Autant en emporte le vent" de Margaret Mitchell. Dès leur première rencontre, le capitaine Philippe Whiteoak et la pétulante Irlandaise Adeline Court tombent amoureux. Leur mariage dépasse en splendeur ce qu'a connu la ville indienne de Jalna.

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. Four Winds: Alan Douglas threw down his pen with an impatient exclamation. It was high time his next Sunday's sermon was written, but he could not concentrate his thoughts on his chosen text.

A sorrow has taken root in my heart, and although it hurts every day I know there is a place where we laugh together under an open sky. To that sanctuary, I am travelling. This is that story. Stanley Park is a collection of 35 poems from parables author Sapphira Olson charting the story of two lovers through history as they are separated and then reunited all within the island of Stanley Park in Vancouver. Olson weaves a beautiful and poignant narrative through a progression of emotional poetry taking the listener on a journey of hope driven by love.

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him. His parents are devastated.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Life is full of poetry. Diary of a Life takes its listeners on the poetic journey of author Kimella Louise Gosse, leading us through her childhood and adolescence, her adult years of freedom and travel, motherhood and matrimony, and everything she discovered when her marriage ended and she learned to embrace herself and the world around her. With narrative storytelling and thoughtful poetic offerings, she clearly illustrates the ebb and flow of life, from slow-moving stream to rushing white water, and invites her listeners to join her on the ride

Interdependent Magic: Disability Performance in Canada is a collection of plays and interviews by, for, and about Disabled theatre artists that invites listeners into the magical worlds of Disability arts culture. The book features four plays as well as an interview with artist Niall McNeil. In Smudge by Alex Bulmer, a woman details her journey toward Blindness, mourning what she loses and discovering what her other senses provide. Access Me by Boys in Chairs Collective is a celebration of sex and Disability, providing an all-access safe space to spin around.

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

Penned by one of Nichol’s numerous literary collaborators, this account reveals the close connections among the writer’s various activities, particularly how the autobiographical inquiries and Freudian dream theory linked with the young poet’s biographical self-awareness. The audiobook demonstrates how the subject’s main psychoanalytic client was his own writing, following Nichol as he explored its slips, accidental puns, and "unintended" meanings and implications for the communal future of the human species - both in high literature and comical prime time television.

Timothy Findley (1930-2002) was one of Canada’s foremost writers - an award-winning novelist, playwright and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and '80s.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”