Showing titles in Canadian

Ellesmere... L'île la plus au nord de l'Arctique. Le théâtre d'une tragédie humaine. Au cours des années 1950, le gouvernement canadien y a sauvagement déporté une centaine d'Inuits pour assurer la souveraineté territoriale du pays. Bien plus tard, mon frère Jess sombre héros de mon histoire et de celle de ma sœur s'y est réfugié pour échapper aux conséquences de ses crimes. Le malheur des uns fait parfois le bonheur des autres... Je suis artiste. Peindre l'horreur d'Ellesmere, l'hostile terre des sacrifiés, m'a propulsé sur la scène du monde...

The first murder of a child raised eyebrows; the second raised alarms. Ten-year-old Dewey is moving, and he couldn't be more excited; though, he's alone in his enthusiasm. Lisa, his mother, and recently retired Avriel, his next door neighbor and best buddy, don't share in his excitement regarding the move from their suburban bungalow to a dirty basement level apartment in the lower class area, where two murders have recently occurred.

Once an amusing extrovert with a reputation as a prankster, Mr. Rosen is entering his senior years as a stoic, thirty-year converted introvert who hates change, has little to no interest in people and is more than content to have his wife sit in the navigator's seat of his life. Since becoming a practising introvert, there have been almost no changes in his life, and for the few that there were, his wife had walked him through them, including the recent move to a much smaller home in a lower/middle-class neighbourhood.

In the early 1980s, serial killer Clifford Olson rampaged through the lower mainland of British Columbia, raping and murdering 11 victims. His heinous cash-for-bodies deal foreshortened his trial, and resulted in the law currently on Canadian books that forbids criminals from benefiting financially from their crimes. Olson was just the pimple on the hide of a misogynist culture, as this long poem sequence attests.

Arriving, book one of Corinne Jeffery's Understanding Ursula trilogy, vividly recreates the pioneer world of the Canadian prairies with a multitude of memorable characters. On July 1, 1909, Gustav Werner applies for a homestead grant at the Dominion Lands Office, eager to become the most thriving German Lutheran homesteader in Saskatchewan.

Depois da publicação e aclamação, em terras canadianas, de The Scent of a Lie - livro de contos premiado internacionalmente - , o escritor luso-canadiano paulo da costa estreia-se na língua de Camões com o livro de poesia Notas de Rodapé.

Pascal Dennis offers a striking new perspective on global travel and business consulting with Reflections of a Business Nomad: Stories & Poems from the Road, a collection of prose, observations, and fragments of conversation heard over Dennis's many travels and unique experiences. Reflections of a Business Nomad invites the listener into the author s understanding of the world, providing opportunities to interact with the pieces and apply their insights. Business leaders, managers, and specialists at all levels will benefit from the unique perspective it offers.

A collection of poems by a noted Canadian American poet on the subject of the creatures we nurture, kill, admire, eat, hate, abandon, fear, cage, breed, protect, slaughter, love, envy, emulate, domesticate, curse, and ignore: animals of all shapes, sizes, and dispositions. Some of these poems have appeared previously in various magazines. The remainder are original to this volume.

Découvrez, grâce à l'extraordinaire talent de Jean Faubert et de Ghislaine Paradis la richesse de l'expression de la langue des écrivains et poètes du Québec. Un trésor inoubliable de la Francophonie internationale. Lauréat du Grand Prix de l'Académie Charles Cros, en France, cet enregistrement vous touchera l'âme, à travers sa musique et sa poésie. Un petit bonheur à partager ou à garder pour soi.

Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a 3,000-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction.

A body is found on the side of a highway. Naked, throat slashed, no identification. It disappears from the back of a police van and begins a strange odyssey, making its way, over the course of one early winter night, all around the northern town of Sudbury and through the lives and dreams of eleven very different people.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

The recipient of the Journey Prize and Edna Staebler Award, Heather Birrell made a splash in the literary world with her first collection, I Know You Are But What Am I? In Mad Hope, Birrell employs her keen insight into the human condition to present tales featuring a complex array of characters, including a gay man caring for a friend and a science teacher faced with a shocking request.

Reflecting cultural, political, and technological changes, this detailed exploration of Canadian book publishing displays trends of the industry from the last 50 years. Against the backdrop of historical highlights, the book dives into modern events in book publishing, focusing on the explosion of national book publishing in the 1970s and detailing the sparring match between the industry and government during the 1970s through the 1990s.

Golgotha est un lieu d’apparitions, espace où se déploie un "je" massif et creux, habité. Constellé d’altérités, il se sonde, se sculpte, remonte ses époques. Il revient du passé le visage dissimulé par un loup, et laisse parler le loup.

Drawing upon wisdom and teachings of the Torah, Pranayama yoga, and her own virtuosity for living a peaceful life, Hilda Chasia Smith’s guided meditations and inspirational words take us on journeys of calmness and joy. From Pranayama come essences of breath, mindfulness, and inner peace. From teachings of the Torah and Kabbala come kindness, compassion, humility, and self-respect. These motifs work together with love to immerse us into the enchanted world of Hilda Chasia Smith.

Washington, DC, the year 1967. Sarah Schorr (late of Saskatchewan, Saskatoon) is secretary to Judge Francis Biddle, for whom age has inclined to look backwards at what was rather than what is...and what will come. Sarah has the task of guiding this frail but brilliant man into the now in order that his affairs may be set in order. The two consider their generation's time as a golden era, but as they clash, each comes to realise that they are actually dancing to the same tune; it is merely a different arrangement.

Rinaldo Walcott’s groundbreaking study of black culture in Canada, Black Like Who?, caused an uproar upon its publication. With its incisive readings of hip-hop, film, literature, social unrest, sports, music, and electronic media, Walcott’s book not only assesses the role of Black Canadians in defining Canada, it also argues strenuously against any notion of an essentialist Canadian blackness.