Showing titles in Russian & Soviet

Белые ночи — произведение классика русской литературы и одного из лучших романистов мирового уровня Ф. М. Достоевского (1821–1881). Герой повести Мечтатель — своеобразный тип «лишнего человека». Но его критика обращена только на себя. Он не презирает общество, как Онегин или Печорин. Это альтруист, готовый прийти на помощь любому. Достоевский написал много интересных произведений: «Кроткая», «Мальчик у Христа на елке», «Неточка Незванова», «Подросток», «Дядюшкин сон», «Записки из мертвого дома», «Великий инквизитор», «Идиот», «Братья Карамазовы», «Вечный муж».

Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely full of an infectious love for literature.

Penguin presents the audiobook edition of The Anna Karenina Fix written and read by Viv Groskop. A literary self-help memoir about using the Russian Classics to find the answer to life's most important questions. Viv Groskop has discovered the meaning of life in Russian literature. As she knows...

The author of the immortal Lolita and Pale Fire, born to an eminent Russian family, conjures the apotheosis of the high modernist artist: cultured, refined - as European as they come. But Vladimir Nabokov, who came to America fleeing the Nazis, came to think of his time here as the richest of his life. Indeed, Nabokov was not only happiest here, but his best work flowed from his response to this exotic land.

Александр Сергеевич Пушкин, безусловно, был великим поэтом и писателем. Но кроме всего прочего, он слыл азартным игроком и заядлым картежником. Однажды генерал-губернатор Дмитрий Голицын рассказал Пушкину байку о своей матери - княгине Наталье Борисовне.

A Confession, or My Confession, is a short work on the subject of melancholia, philosophy and religion by the acclaimed Russian novelist Leo Tolstoy. It was written in 1879 to 1880, when Tolstoy was in his early fifties.

Tolstoy's story of one woman's fate is brought powerfully to life in this BBC Radio full-cast dramatisation starring Teresa Gallagher and Toby Stephens. Anna Karenina enjoys a privileged and aristrocratic lifestyle as the wife of influential government official Alexy Karenin. Yet their ten-year...

Yuri Bezmenov (1939-January 5, 1993) was a Soviet journalist for RIA Novosti and a former KGB informant who defected to Canada in 1971. After being assigned to a station in India, Bezmenov eventually grew to love the people and the culture of India. At the same time, he began to resent the KGB-sanctioned repression of intellectuals who dissented from Moscow's policies and he decided to defect to the West. Bezmenov is best remembered for his anti-communist lectures and books published in the 1980s under the alias of Tomas David Schuman.

Pnin está considerada como "la más deliciosa de las novelas de Nabokov" (G. M. Hyde), "la más inmediatamente atractiva" (Laurie Clancy) y, posiblemente, la más divertida de toda su obra, tan rebosante de humor. Su protagonista es el profesor Pnin, un ruso de la emigración que se gana la vida dando clases a media docena escasa de alumnos desganados que acuden a su aula como quien va a ver una película de Buster Keaton.

В человеческом обществе фаллос считается символом могущества и власти, и мы привыкли думать, что у этого представления есть крепкая биологическая основа. Научный журналист Эмили Уиллингем, рассказывая о ритуалах спаривания и пенисах животных, показывает, что у природы на этот орган были совсем другие планы, и создавался он не для того, чтобы его обладатели были наделены какими-либо преимуществами.

From sweeping tales of war and philosophy to darkly comic journeys through bureaucracy and haunting visions of dystopia, this collection gathers some of the most profound and provocative works ever written. Each novel offers a unique window into the complexities of the human condition, set against the backdrop of Russia's rich and turbulent history.

Une nuit, une rencontre, une illusion. Dans les rues silencieuses de Pétersbourg, un rêveur solitaire croise Nastenka, jeune femme au cœur brisé. Ensemble, le temps de quelques nuits blanches, ils tissent l'espoir d'un amour possible. Mais derrière la beauté fragile de cette parenthèse nocturne, Fiodor Dostoïevski, figure majeure de la littérature russe, interroge le poids des illusions, la cruauté du réel, et l'éternelle soif d'absolu. Un court roman d'une intensité rare, où le romantisme se heurte à la mélancolie du quotidien.

Anna Karenina is one of the most nuanced characters in world literature, and we return to her and the novel she propels again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and Professor Bob Blaisdell unravels Tolstoy’s family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy’s life and his art intersect in obvious and unobvious ways.

We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. The novel was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York. The novel describes a world of harmony and conformity within a united totalitarian state. It is believed that the novel had a huge influence on the works of Orwell and Huxley, as well as on the emergence of the genre of dystopia.

Premier des romanciers modernes, Fiodor Dostoïevski est parmi les plus grands écrivains russes du XIXe siècle. Dans "Les carnets du sous-sol", il fait le récit d'un homme reclus qui depuis son sous-sol observe le monde en contre-plongée. Le narrateur crache ses mots avec aigreur, son refus obstiné du bonheur, déverse ses angoisses et sa haine envers l'humanité. Écrit en 1864, on y retrouve un condensé de la fureur barbare qui fait l'œuvre de l'auteur et les bases des grands romans à venir.

Moskau zu Beginn der 1930er-Jahre: Der Teufel sucht die Stadt heim und stürzt ihre Bewohner mit tatkräftiger Unterstützung seiner Zauberlehrlinge in ein Chaos aus Hypnose, Spuk und Zerstörung. Es ist die verdiente Strafe für Heuchelei, Korruption und Mittelmaß. Doch zwei Gerechte genießen Satans Sympathie: der im Irrenhaus sitzende Schriftsteller, genannt "Meister", und Margarita, dessen einstige Geliebte. Bulgakows Gesellschaftssatire aus der Sowjetzeit ist ein faustisch-fantastisches Meisterwerk.

These masterly poems span the whole of Nabokov's career from "Music", written in 1914, to the short, playful "To Vera", composed in 1974. The works are newly translated by Dmitiri Nabokov, and include "The University Poem", an extraordinary autobiographical poem in which Nabokov recalls his life in Cambridge, with its crooked alleys and age-old gates, teas at the vicar's and British girls. Included to are such poems as "To Russia" ("Will you leave me alone! I implore you!), the enchanting "Eve", and verse about America, sport, love, and poetry itself.

Лев Николаевич Толстой (1828 - 1910) - великий русский писатель, классик отечественной и мировой литературы, мыслитель и просветитель. В своих публицистических и художественных произведениях проповедовал идеи всеобщей любви, стремления к совершенствованию, непротивления злу насилием.

A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.

Необычайно многомерное и разнородное произведение Лермонтова, едва ли не единственное свободное от идеологического пафоса, авторских наставлений и нравоучений, было признано самым европейским из классических русских романов.