Showing titles in History & Criticism

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

This eclectic volume traces Rigg’s career as a renowned star of television, film, and the stage. The author includes insights from rare, archived interviews, encompassing both video dialogues conducted by the University of Kent and Oxford Union.

Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

Arrested Development earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following. Fortunately, this book explores the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favorite scenes and episodes of the show in a whole new way.

Cinema has had a hugely influential role on global culture in the twentieth century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial—often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the twentieth century.

Sausages: The Making of Dog Soldiers is a celebration of Neil Marshall’s debut soldiers versus werewolves movie. To coincide with the 20-year anniversary, it takes a deep dive look behind the scenes at the cult classic. As well as a full retrospective, you will find interviews with the cast and crew, original shot list, excerpts from the script and more. Encompassing the tone of Dog Soldiers, Sausages is the perfect companion to this fan-favourite film. Includes a foreword from genre icon Joe Dante and afterword from legendary director John Landis.

One of the most sought-after celebrity titles of recent years, Des Lynam’s autobiography gives a frank and opinionated insight into the man behind the myth. Famously guarded about his private life, Des sets the record straight on all the stories that have been written about him, giving a...

Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. He has been honored with too many awards to count, and the fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence.

Un viaje emocional por el cine y la televisión que han definido a toda una generación Hace menos de tres años parecía que el cine estaba muerto, que nadie volvería nunca a las salas, que las grandes estrellas no existían y que solo las películas de superhéroes eran viables...

Celebrate legendary horror studio Blumhouse’s legacy with this lavish compendium that takes you behind the scenes of the films that have reshaped the horror genre, from The Exorcist to the Paranormal Activity and Halloween franchises. With Blumhouse celebrating its 15th anniversary throughout...

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

In 1947, the House Un-American Activities Committee rudely interrupted the successful career and life of Edward Dmytryk, citing him with contempt of Congress. As a result, Dmytryk was fired by RKO and spent three years in England before returning to the United States to serve a six-month jail sentence and undergo a second round of hearings, during which he recanted and provided evidence against several of his former colleagues.

“Whatever you have read or heard about me through articles or gossip, forget it. I am nothing like that Warren Beatty. I am nothing like what you have read.” —Warren Beatty Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the...

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air...

Take a deep dive into the shadows and light of one of the most subversive, corrosively funny, and beloved suspense thriller masterworks as author Stephen Rebello unravels for the very first time the tense and drama-filled story of the making Alfred Hitchcock's Strangers on a Train. As...

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

A reflection on how to listen and pay attention amid the constant noise that saturates our public and private lives. From podcasts sounding through earbuds to talk shows blaring from televisions, from the continuous stream of social media on our phones to doctors' waiting rooms with pumped-in music, we face different sounds, soothing and alarming. Some are welcome, some are not, but all demand our attention, often to distraction. Whether we're at home or out and about, someone or something is broadcasting—hoping to be heard. How do we navigate a culture, a society, like this?

James Arness gives the full story on his early years, his family, his military career and his film work in Hollywood, including appearances in the cult-favorite science fiction movies Them! and The Thing. He had a very long run on television’s Gunsmoke and a role in the miniseries How The West Was Won. His post-theatrical period is also covered. This is the long anticipated account of one of the icons of 20th–century television.

How to Score in Hollywood reveals the secrets to a movie’s success and profitability. Entertainment research expert Kevin Goetz shares how smart, data-driven decisions—from development to release—help filmmakers minimize risks and maximize returns. How to Score in Hollywood reveals the...

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.