Showing titles in Business Aspects

Paradoxe entre l’abondance pour le consommateur et ses choix de plus en plus restreints ; mépris  de la propriété intellectuelle, donc incapacité  d’assurer un revenu décent aux créateurs ; modèle  d’affaires ne servant que les monopoles (70 % à  85 % des revenus publicitaires engrangés par  Google, YouTube, Facebook, Netflix… ) ; "indifférence" politico­juridique, car les gouvernements  ne semblent pas vouloir remédier à cette situation.

The smoke was thick, the music was loud, and the beer was flowing. In the fast-and-loose 1980s, Jackson Station Rhythm and Blues Club in Hodges, South Carolina, was a festive late-night roadhouse filled with people from all walks of life who gathered to listen to the live music of high-energy performers. The good times ground to a terrifying halt in the early morning hours of April 7, 1990. A brutal attack - an apparent hate crime - on the owner Gerald Jackson forever altered the lives of all involved. 

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.  

Chapter two of The Artist's Guide to Success in the Music Business. This chapter is regarding "Your Band: Working with Other Musicians".

Chapter nine of The Artist's Guide to Success in the Music Business. Chapter nine explores the reasons why branding is crucial for success in today's music business and the steps that have to be taken from the smallest independent artist to the biggest bands out there.

Chapter five of The Artist's Guide to Success in the Music Business. This chapter is regarding solo or band touring.

Chapter 11 of The Artist's Guide to Success in the Music Business. Chapter 11 pulls together all the concepts surrounding the music business as a whole and sets the listener up with the basic tools to start the trek toward a career in the music industry of today.

Chapter three of The Artist's Guide to Success in the Music Business. This chapter is regarding defining and refining your sound.

Chapter one of The Artist's Guide to Success in the Music Business. This chapter is regarding the music industry and you.

Chapter eight of The Artist's Guide to Success in the Music Business. Chapter eight focuses on what it takes to achieve the budget to release an album, get out on tour, or get a complete music business plan funded. Chapter eight also gives the listener the investor's prospective....

Chapter six of The Artist's Guide to Success in the Music Business. This chapter is regarding the music business plan.

Chapter four of The Artist's Guide to Success in the Music Business. This chapter is regarding managing, performing, and booking gigs.

In The Entrepreneurial Artist: Lessons from Highly Successful Creatives, Aaron Dworkin offers an engaging, practical guide to achieving artistic fulfillment, both personally and professionally. Based on the accomplishments of Shakespeare, Mozart, and several contemporary creatives, these lessons will help you realize your goal - no matter your medium. Dworkin personally interviewed Emmy-winning actor Jeff Daniels, Tony-award winning choreographer Bill T. Jones, Grammy award-winning musician Wynton Marsalis, and Pulitzer Prize winner Lin-Manuel Miranda, among others.

This is a guidebook made by Steve Stacks. Who is an Official Musician/Producer. It will incorporate these categories: Promoting, Creating Beats, Copyrighting, Live Performance, Industry, Sync Licensing, Merchandise, Performance Rights Organizations, Digital Fingerprint, My Personal Achievements. Made to help ease the stress along with guide you to a more successful journey.

Wondering how you can actually raise money for your songs and become a professional musician? Look no further! Within this well-researched and documented guide, you'll discover a new way to break into the music business, harnessing the power of music crowdfunding.

Spin to Win is your comprehensive guide to launching and growing a thriving DJ business in today's competitive music industry. Many aspiring DJs struggle with the transition from hobbyist to professional, unsure of where to start, how to market themselves, or how to navigate the business side of DJing. This book addresses these challenges head-on by providing actionable advice, real-world examples, and step-by-step strategies to transform your passion into a profitable venture.

Today you need to view yourself through the new rules of the music industry. Those who play by them will succeed. Gone are the old days where you would hope to get signed and then become a star (i.e., everything would be done for you). Do you wonder why other artists are getting breaks and you are not? Making it in the music industry isn't about catching that big break anymore. Getting your career off the ground can be a long and scary task. In this cutting-edge book Tommy Swindali maps out everything you need to know.

This guide won’t take you from zero to 10,000 dollars overnight. Instead, it will show you the first steps to building a business that has the potential to scale toward a six-figure income. I will pull back the curtains behind my business. I’m sharing the mind-set, the tools, the proven strategies, and the knowledge that I’ve obtained over the years that I’ve been selling beats online.

A Career in Music: 10 Steps to Success by Bob D'Eith is a comprehensive guide to assist aspiring recording artists to navigate the complexities of the music industry. This third edition of the book offers current, practical advice on building a successful music career in the digital world. The book is structured into ten steps, each focusing on a critical aspect of career development, taking the artist from writing a song to launching a successful career in the music business.

This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.