Showing results by narrator "Roger Clark" in All Categories

McCormack's myth-tinged debut novel gives us the unforgettable Crowe and his endlessly curious and self-mythologizing stories. Crowe is born in the remote village of Furnace in the West of Ireland and raised by his grandfather, a man of "madness and bullying love", who teaches him grim lessons about existence. Entirely silent until his third birthday, Crowe becomes an observant and isolated teenager, eventually leaving Furnace for university in a "wrong-footed" and bewildering city. There he meets a woman who will change his life and outlook.

In 410 CE, arrogant 16-year-old Magonus Sucatus Patricius denounces Christianity as a religion for cowards when the Roman legions withdraw, leaving Britain vulnerable to raiders from the west. Determined to wield a sword despite being the grandson of a priest, the affluent young man is taken captive by barbarians and sold into slavery to a cruel Irish king. On a mountaintop in Eire, a shepherd strips him of his grand Roman name and calls him Padraic, marking him a man of no consequence.

Beasts of the Earth tells the story of Harlen LeBlanc, a dependable if quiet employee of the Carter Hills High School’s grounds department whose carefully maintained routine is overthrown by an act of violence. As the town searches for answers, LeBlanc strikes out on his own to exonerate a friend while drawing the eyes of the law to himself and fending off unwelcome voices that call for a sterner form of justice.

A constant yet oftentimes concealed practice in war has been the use of informers and collaborators by parties to an armed conflict. Despite the prevalence of such activity, and the serious and at times fatal consequences that befall those who collaborate with an enemy, international law applicable in times of armed conflict does not squarely address the phenomenon. The recruitment, use, and treatment of informers and other collaborators is addressed only partially and at times indirectly by international humanitarian law.

Sidney's victory over the undead instills within him the confidence to think that the island is his for the taking, but it becomes clear that others are staking a claim on the same lands. His newest foes use the dirtiest of tactics to employ the unwilling to do his bidding. A whole new weapon must be developed and deployed to ensure that Sidney can lay claim to his new home and create a safe haven for his new people and lay the groundwork for his new empire.

Íosac Mulgannon is a man called to stand. Losing a grip on his mental and physical health, he is burdened with looking after a mute child whom the local villagers view as cursed. The aging farmer stubbornly refuses to succumb in the face of adversity and will do anything, at any cost, to keep hold of his farm and the child. This dark and lyrical debut novel confronts a claustrophobic rural community caught up in the uncertainties of a rapidly changing world.

The death of Donald Ray in a freak car accident becomes the catalyst for the release of passions, needs, and hurts. Clayton’s discovery of dead Donald Ray upends his longtime emotional numbness. Darlene, the seventeen-year-old widow, struggles to reconnect with her late husband while proving herself still alive. Soon Clayton and Darlene’s bond of loss and death works its magic, drawing them into an affair that brings the loneliness in Clayton’s marriage to a crisis. When Aurilla Cutter, Clayton’s mother-in-law, learns about the affair, her own memories are set loose.

In the winelands of 16th-century Germany, Obsopoeus witnessed the birth of a poisonous new culture of bingeing, hazing, peer pressure, and competitive drinking. Alarmed, and inspired by the Roman poet Ovid's Art of Love, he wrote The Art of Drinking (1536), a how-to manual for drinking with pleasure and discrimination. In How to Drink, Michael Fontaine offers the first proper English translation of Obsopoeus' text, rendering his poetry into spirited, contemporary prose and uncorking a forgotten classic that will appeal to drinkers of all kinds and (legal) ages.