Showing results by author "Katherine Mansfield" in All Categories

"In a German Pension" is a 1911 collection of short stories by the writer Katherine Mansfield; her first published collection. All but three of the stories were originally published in "The New Age" edited by A. R. Orage; the first to appear was "The Child-Who-Was-Tired". The last three were first published in this collection, and her biographer Anthony Alpers thinks that two (The Swing of the Pendulum and The Blaze) were probably rejected by Orage for "The New Age".

The Baron is a short story by Katherine Mansfield: "Who is he?" I said. "And why does he sit always alone, with his back to us, too?" - "Ah!" whispered the Frau Oberregierungsrat, "he is a Baron." - She looked at me very solemnly, and yet with the slightest possible contempt - a "fancy-not-recognising-that-at-the-first-glance" expression.

The Swing of the Pendulum is a short story by Katherine Mansfield: The landlady knocked at the door. - “Come in,” said Viola. - “There is a letter for you,” said the landlady, “a special letter” - she held the green envelope in a corner of her dingy apron. - “Thanks.” Viola, kneeling on the floor, poking at the little dusty stove, stretched out her hand. “Any answer?”

The Advanced Lady is a short story by Katherine Mansfield: “Do you think we might ask her to come with us,” said Fräulein Elsa, retying her pink sash ribbon before my mirror. “You know, although she is so intellectual, I cannot help feeling convinced that she has some secret sorrow. And Lisa told me this morning, as she was turning out my room, that she remains hours and hours by herself, writing; in fact Lisa says she is writing a book! I suppose that is why she never cares to mingle with us, and has so little time for her husband and the child.”

The Child-Who-Was-Tired is a short story by Katherine Mansfield: She was just beginning to walk along a little white road with tall black trees on either side, a little road that led to nowhere, and where nobody walked at all, when a hand gripped her shoulder, shook her, slapped her ear. - “Oh, oh, don’t stop me,” cried the Child-Who-Was-Tired. “Let me go.”

Germans at Meat is a short story by Katherine Mansfield: Bread soup was placed upon the table. – “Ah,” said the Herr Rat, leaning upon the table as he peered into the tureen, “that is what I need. My ‘magen’ has not been in order for several days. Bread soup, and just the right consistency. I am a good cook myself”—he turned to me. – “How interesting,” I said, attempting to infuse just the right amount of enthusiasm into my voice...

In At Lehmann’s by Katherine Mansfield we have the theme of innocence, vulnerability, appearance, confusion and desire. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and from the beginning of the story the reader realises that Mansfield may be exploring the theme of innocence. Sabina believes Hans’ story about why his hands are so dirty even though the story is exceptionally far-fetched and borders on the impossible.

In Frau Fischer by Katherine Mansfield we have the theme of independence, letting go, acceptance change, trust, control, gender roles and conflict. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed British woman and after reading the story the reader realises that Mansfield may be exploring the theme of independence.

In Frau Brechenmacher Attends a Wedding by Katherine Mansfield we have the theme of gender roles, domination, submission, control, struggle, identity and tradition. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of control. Throughout the story Frau Brechenmacher is at the beck and call of her husband.

In The Sister of the Baroness by Katherine Mansfield we have the theme of appearance, identity, self-importance, class and escape. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed English woman and after reading the story the reader realises that Mansfield may be exploring the theme of appearance. With the exception of the narrator all the visitors at the Pension are in awe of the Baroness’ sister.

A Blaze is a short story by Katherine Mansfield: “Max, you silly devil, you’ll break your neck if you go careering down the slide that way. Drop it, and come to the Club House with me and get some coffee.” - “I’ve had enough for to-day. I’m damp all through. There, give us a cigarette, Victor, old man. When are you going home?”

The Luft Bad is a short story by Katherine Mansfield: I think it must be the umbrellas which make us look ridiculous. – When I was admitted into the enclosure for the first time, and saw my fellow-bathers walking about very nearly “in their nakeds,” it struck me that the umbrellas gave a distinctly “Little Black Sambo” touch...

The Modern Soul is more about characters than action. The story begins with the stereotype of the pompous German music professor explaining to the young English narrator why he incessantly eats cherries: “There is nothing like cherries for producing free saliva after trombone playing, especially after Grieg’s ‘Ich Liebe Dich’” He’s cherry eating is connected with a consuming desire for women. The two older Germans, the Professor and the German actress’ mother, talk incessantly of food and soul. They agree that the English are “fish blooded,” cold and without soul.

In A Birthday by Katherine Mansfield we have the theme of responsibility, selfishness, gender roles, appearance, suffering and paralysis. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of responsibility. Andreas if anything thinks only of himself. True he goes to fetch Doctor Erb but apart from this Andreas takes no responsibility for the condition that Anna may be in.

In a German Pension (1911) was Katherine Mansfield’s first published collection of short stories. Many of these works had been previously published in the British weekly magazine, The New Age, which also featured work by figures including G. K. Chesterton, H. G. Wells, and George Bernard Shaw. The word “pension" in the title refers to a European guest-house.

Todas las niñas del colegio están invitadas a conocer la nueva casa de muñecas de las Burnell, menos las hermanas Kelvey. Su pobreza no es bien vista por sus compañeras. Una tarde, sin embargo, Lil y Else Kelvey, se llevan una gran sorpresa.

Jo, Jim y el narrador montan a caballo, luego se detienen en una tienda, donde Jim fue hace cuatro años, bromeando que una rubia de ojos azules vive allí. Allí son recibidos por una mujer que parece ser mentalmente inestable y despeinada con dientes perdidos. Reciben una ayuda de la tienda para tratar una herida en el caballo, le preguntan si pueden quedarse en el campo cercano. Al principio ella se niega y luego les sugiere cenar y en la parte que finalmente les permite quedarse por la noche en la tienda.

"Vida de Ma Parker" es un relato corto de Katherine Mansfield que sigue un día en la vida de una mujer llamada Ma Parker, quien trabaja como criada para una señora adinerada. A través de una serie de encuentros y situaciones cotidianas, Mansfield revela las luchas internas y los desafíos que enfrenta Ma Parker mientras intenta sobrevivir en la dura realidad de la vida urbana. La historia ofrece una mirada conmovedora a la soledad, la pobreza y la falta de oportunidades que caracterizan la existencia de Ma Parker.

"La mosca" de Katherine Mansfield es un relato breve que explora la brevedad de la vida y el contraste entre la vida y la muerte. La historia sigue a un hombre de negocios, el Sr. Woodifield, que visita a su amigo, el Sr. Bentley, después de un largo tiempo. Durante la visita, el Sr. Bentley está absorto en su trabajo y apenas presta atención a su amigo. Sin embargo, al final de la visita, el Sr. Woodifield menciona la muerte de su hijo en la guerra, lo que despierta una profunda emoción en el Sr. Bentley.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.