Showing results by author "G.K. Chesterton" in All Categories

"The Tremendous Adventures of Major Brown" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (December 19th 1903) While investigating a case of assault brought by Major Brown, Rupert Grant, the private detective, and his brother Basil stumble upon the Adventure and Romance Agency, Limited, an agency that creates adventures for its clients. The story is notable for prefiguring the concept of the alternate reality game.

"The Painful Fall of a Great Reputation" is a Story by G. K. Chesterton. Basil Grant investigates Wimpole, the great raconteur.: Basil Grant and I were talking one day in what is perhaps the most perfect place for talking on earth - the top of a tolerably deserted tram-car. To talk on the top of a hill is superb, but to talk on the top of a flying hill is a fairy tale.

"The Noticeable Conduct of Professor Chadd" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (June 25 1904). Basil Grant finds out why Professor Chadd insists on dancing. Basil Grant had comparatively few friends besides myself; yet he was the reverse of an unsociable man. He would talk to any one anywhere, and talk not only well but with perfectly genuine concern and enthusiasm for that person's affairs.

"The Singular Speculation of the House-Agent" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (June 11 and 18, 1904). Basil Grant investigates the mystery of Lieutenant Keith, whose house, "The Elms", Buxton Common, cannot be found.

A fictional priest and amateur detective named Father Brown had a face once described “as round and dull as a Norfolk dumpling”. This made him appear somewhat clumsy and naïve, but that didn’t take into account his keen understanding of human nature and exceptional intuition. Stories include: “The Blue Cross”, “The Secret Garden”, “The Queer Feet”, “The Flying Stars”, “The Invisible Man”, and more.

This collection of short essays by G.K. Chesterton is as applicable in 2020 as it was when it was written in 1923 during the first "Progressive Era". He saves his most subtle and cutting humor for commentary to skewer his favorite targets: feminists, vegetarians, modernists, journalists, social reformers, psychologists, and "sophisticated" people in general.

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

Greybeards at Play is a short collection of humorous poetry by celebrated British writer and social commentator, Gilbert Keith Chesterton (1874-1936). Published in 1900, it was Chesterton's first publication. These rhymes and sketches spin witty lyrics around themes such as aestheticism, the philosopher's love of nature, and ill-directed altruism, in true Chestertonian style.

Chesterton introduces his shambling, moonfaced little priest-detective, with 12 tales of theft, murder, suicide, obsession, vendetta - and, sometimes, repentance and redemption. This volume includes classic stores such as "The Blue Cross", "The Queer Feet", "The Invisible Man", "The Honour of Israel Gow", "The Hammer of God", and "The Eye of Apollo".

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

Orthodoxy (1908) by G. K. Chesterton is a classic of Christian apologetics. The audiobook is a companion to his volume of essays titled Heretics, and focuses on the Apostles' Creed. It was written when Chesterton was an Anglican; he converted to Catholicism 14 years later. The prose is witty and incisive, meaning Chesterton at the height of his power.

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

G. K. Chesterton joyously skewers modern philosophers, authors, and artists in Heretics. This is the companion volume to Orthodoxy. Visit www.chestertonbooks.com to see other books in our G. K. Chesterton series.

Numa época em que a Europa dava os primeiros passos para tornar-se uma sociedade pós-cristã, um intelectual de grosso calibre, cansado do cinismo reinante e do fascínio despertado por novas idéias, resgata o núcleo da fé cristã como arcabouço suficiente para dar sentido à existência humana. Ao contar sua jornada espiritual, G. K. Chesterton faz saber à intelligentsia européia da primeira metade do século XX que o socialismo, o relativismo, o materialismo e o ceticismo estavam longe de responder às questões existenciais mais profundas.

G. K. Chesterton's unconventional memoir of faith, Orthodoxy, is his most enduring nonfiction work.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In 'The Mistake of the Machine', Father Brown pits himself against an early polygraph device to solve a highly puzzling crime.

A man has died. But there's really no mystery in that. His heart failed, that's all. But when Father Brown goes into a room to write down the man's final confession, he is distracted by the strange way in which someone is walking outside his door. From the gait of the queer feet, he deduces all.

Valentin, the greatest detective in the world, travels to London on the trail of the most elusive of villains. But a strange trail of clues leads Valentin through London and out into the country. It isn't until the meandering journey's end that the short, moon-faced Father Brown sets Valentin back on his feet.