Showing results by author "G.K. Chesterton" in All Categories

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

Set in the steep northern heights of London, where the streets climb skywards like a towering mountain range, Manalive tells the story of a desolate terrace of tall grey houses. At the end of this terrace lies Beacon House, a boarding establishment that stands tall and imposing like an abandoned ships prow against the setting sun. This intriguing tale was masterfully penned by the renowned writer, Gilbert Keith Chesterton.

This essay is one in a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today for a new generation.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This essay is from a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today.

In the freezing English countryside, Father Brown leads Flambeau to the many monuments and shrines of the great General St. Claire. "Sacred to the Memory of General Sir Arthur St. Clare, Hero and Martyr, who Always Vanquished his Enemies and Always Spared Them, and Was Treacherously Slain by Them At Last. May God in Whom he Trusted both Reward and Revenge him." is the inscription that they read on each of them. Flambeau knows nothing of him but listens to the story of this man as Father Brown tells it. Was St. Claire truly a hero and martyr? What is the mystery behind his last foolish and ...

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

With G. K. C.’s characteristic wit, he explores in this essay the virtues of baby-worship, as adults are invited to see the world anew through the eyes of children. Furthermore, argues G. K. C., an appreciation of our youngest humans “forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things.”

L’irresistibile Padre Brown torna a stupirci con le sue incredibili doti intuitive, sempre accompagnate da un’incrollabile fede nella forza del Bene sul Male! In una serie di indagini appassionanti e cariche di humour, il brillante prete dell’Essex deve affrontare il mistero di strani specchi e di enigmatiche armature, smascherando ciarlatani che simulano doti soprannaturali e riconducendo assassini spietati sulla retta via... Il londinese Gilbert Keith Chesterton (1874-1936) è stato fra i più importanti intellettuali cattolici della sua generazione.

The Definitive Detective Collection brings together the finest deductive minds in fiction. Join Edgar Allan Poe's Auguste Dupin as he invents the detective genre in the mid-1800s, and follow the logical clues to the most famous detectives ever committed to paper, Sherlock Holmes and Hercule Poirot, in London. Along the way you'll also meet Josephine Tey's formiddable Inspector Alan Grant, as-well as G. K. Chesterton's beloved Father Brown, and the more modern creations of Miss Marple, Lord Peter Wimsey, and Sam Spade as they solve crimes in wondorously inventive and ingenious ways.

The London Classics Collection: Stories of the City allows you to step into the heart of London with a curated selection of iconic literary works that explore the soul of one of the world's most fascinating cities. From the smoky alleys of Victorian London to the political upheavals of the 20th century, this collection brings together stories that capture the city's rich history, diverse characters, and unflinching reflections on society.

The Complete G.K. Chesterton Collection brings together all of Chesterton's major works, including all five volumes of the beloved Father Brown stories, ten other novels or short story collections, 7 works of non-fiction, including his famous writings on politics, religion, and philosophy, and a selection of his best poetry (including The Ballad of the White Horse).