Showing results by author "G. K. Chesterton" in All Categories

This is a story from the The Innocence of Father Brown collection. Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest!

Mild mannered Catholic priest Fr. Brown solves another mysterious mystery. How did the dead man get into the garden of Aristide Valentin, Chief of the Paris Police. There was no way in and no way out other than past a well guarded door. Also you may ask how did he end up dead, and who killed him. There are plenty of suspects, but Fr. Brown sorts it all out without relying on the confessional, therefore remaining true to his vows.

An eclectic selection of short story classics by great writers of latter day such as Jack London, O' Henry, M.R. James, G.K. Chesterton, James Joyce and Anton Chekhov.

Eight Stories from “The Innocence of Father Brown” in which the affable Norfolk Priest uses his insight into human nature and eccentricity to solve the seemingly unsolveable.

This entertaining collection of 4 short stories by G.K. Chesterton will delight fans of the lovable Norfolk priest as he uses his, at times, eccentric insights to solve the seemingly unsolveable.

A glittering collection of humorous stories by classic authors, including 'The Tremendous Adventures of Major Brown' by G.K. Chesterton, 'The Talking Horse' by Thomas Anstey Guthrie, 'The Seventh Pullet' by Saki, 'Biffin on the Bassoon' by Harry Graham, 'The Scharz-Metterklume Method' by Saki, 'The Chaplet' by Saki, 'The Facts' by Ring Lardner, 'A Dissertation Upon Roasted Pig' by Charles Lamb, 'Fur' by Saki, and 'The Lumber Room' by Saki'.

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: “ La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

Father Brown accompanies his friend Granby to Sir John Musgrave's castle - but when they arrive, they discover something is very wrong . . .

Aristide Valentin, Paris chief of police, has decided to stage a grand dinner party at his estate. The estate has only one entrance, with a garden protected by a high wall; there is no entering or leaving except by the main entrance, which is guarded by Valentin's steadfast servant, Ivan. However, a murder most foul occurs, a decapitation, and it will be up to Father Brown to use all his wits to solve this heinous murder.

If you were to meet a mild, hardworking little priest named Father Brown and were to ask him what he thought was the most singular luck of his life, he would probably reply that upon the whole his best stroke was at the Vernon Hotel, where he had averted a crime and, perhaps, saved a soul merely by listening to a few footsteps in a passage.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

Aristide Valentin, head of the Paris Police, is on the trail of the ingenious criminal and master of disguise Flambeau. Valentin suspects that the Flambeau is going to London to attend a conference of clergymen to steal the precious religious articles on display there. While traveling to London, Valentin encounters a Catholic priest, and he overhears Father Brown tell a lady that he is carrying the "Blue Cross", a sterling silver cross covered in precious blue stones. Valentin warns Father Brown that it is dangerous to tell anyone that he is carrying an object of immense value.

Listeners will delight in these masterful chronicles of the adventures and mishaps of Father Brown. Small, round-faced, and engagingly innocent, Brown is a Roman Catholic priest from East Anglia. He also happens to be a top-notch detective, possessing that rarest of all gifts - an intuition that never fails.

Father Brown and Flambeau, now a private detective, arrive at Glengyle Castle in Scotland to help Inspector Craven of Scotland Yard solve the strange death and secretive burial of the late earl, a secluded man who lived as a hermit with his servant, the silent Israel Gow. The Earl died and was buried in secrecy by Gow. The clues to the crime, if there has been a crime, are large in number and baffling. What is behind these odd and mysterious events?

Ecco come Gilbert Keith Chesterton descrive il fortunato personaggio letterario uscito dalla sua penna: ''La prima caratteristica di Padre Brown è di non avere caratteristiche; la sua importanza, di non apparire importante; e che la sua qualità cospicua quella di non essere cospicuo, e il suo ordinarissimo esterno vuole essere in contrasto con la sua attenzione e la sua intelligenza insospettate. Non è trasandato, ma piuttosto accurato; non è impacciato, ma molto delicato ed accorto".

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?