Showing results by author ""Robert Louis Stevenson"" in All Categories

First published in 1886, The Strange Case of Dr. Jekyll & Mr. Hyde is perhaps the most famous example of the gothic horror novella. Gabriel John Utterson, a sombre London lawyer, becomes concerned for the safety and sanity of his friend and client Dr. Henry Jekyll, after the doctor begins associating with an unseemly young man named Edward Hyde. Following a spate of crimes, including blackmail and murder, and with all fingers pointing at Hyde, the lawyer sets out to free his friend from the dreadful influence of his new acquaintance. Not everything, however, is as it seems.

There is quite a large race or class of people in America, for whom we scarcely seem to have a parallel in England. Of pure white blood, they are unknown or unrecognizable in towns; inhabit the fringe of settlements and the deep, quiet places of the country; rebellious to all labour, and pettily thievish, like the English gipsies; rustically ignorant, but with a touch of wood-lore and the dexterity of the savage. Whence they came is a moot point.

The Toll House, standing alone by the wayside under nodding pines, with its streamlet and water-tank; its backwoods, toll-bar, and well trodden croquet ground; the ostler standing by the stable door, chewing a straw; a glimpse of the Chinese cook in the back parts; and Mr. Hoddy in the bar, gravely alert and serviceable, and equally anxious to lend or borrow books; dozed all day in the dusty sunshine, more than half asleep. There were no neighbours, except the Hansons up the hill.

A change in the colour of the light usually called me in the morning. By a certain hour, the long, vertical chinks in our western gable, where the boards had shrunk and separated, flashed suddenly into my eyes as stripes of dazzling blue, at once so dark and splendid that I used to marvel how the qualities could be combined. At an earlier hour, the heavens in that quarter were still quietly coloured, but the shoulder of the mountain which shuts in the canyon already glowed with sunlight in a wonderful compound of gold and rose and green; and this too would kindle, although more mildly and with rainbow tints, the fissures of our crazy gable.

In our rule at Silverado, there was a melancholy interregnum. The queen and the crown prince with one accord fell sick; and, as I was sick to begin with, our lone position on Mount Saint Helena was no longer tenable, and we had to hurry back to Calistoga and a cottage on the green. By that time we had begun to realize the difficulties of our position. We had found what an amount of labour it cost to support life in our red canyon; and it was the dearest desire of our hearts to get a China-boy to go along with us when we returned.

Once the vampire was man’s deadliest natural enemy, but the dual nature of the revenant pathogen has given rise to a new scourge. Only one man stands in the way of humanity’s total annihilation.

El padre de La isla del tesoro solo llegó a publicar dos libros de poemas en vida, pero dejó muchos inéditos. Hacia tierras lejanas recoge una selección de los versos más representativos de su poesía sencilla y cercana, en un estilo directo, realista y melancólico. Minado por una enfermedad temprana, Stevenson se tambaleó durante toda su vida entre la nostalgia y la alegría. Sin embargo, sus versos conjuran paraísos de libertad, parajes entre el sueño y la realidad que maravillan al lector con la misma magia de esas islas, tesoros y piratas que nos cautivaron cuando éramos niños.

Ein Einzelhändler wird in seinem Geschäft von dem Mann Markheim ermordet. Bei der Durchsuchung der Geschäftsräume auf Wertgegenstände läuft in dessen Gehirn ein Film aus Verfolgungsparanoia und Angst ertappt zu werden ab, der von einem bedenklich labilen psychischen Zustand irgendwo zwischen Panikattacken und akustischen Halluzinationen begleitet wird. Plötzlich erscheint eine Gestalt, die nicht nur seinen Namen kennt, sondern ihm überdies anbietet, das Versteck des Geldes des ermordeten Händlers zu verraten, mit welchem er sich, Markheim, dann seelenruhig in die Nacht verabschieden könnte.

Die gottesfürchtige Puritanergesellschaft eines kleines Dorfes staunt nicht schlecht als sich ihr neuer Pastor als ein Mann erweist, dem die 1000-2000 Buchseiten konzentrierter Wahrheit, die Bibel, anscheinend nicht genügen. Nicht nur, dass er sich anmaßt andere Bücher zu lesen, er stellt sogar eine lupenreine Sünderin, Janet, als Hausangestellte ein.

"Olalla" is a short story by the Scottish novelist, poet, essayist, and travel writer Robert Louis Stevenson. It was first published in the Christmas 1885 issue of The Court and Society Review, then re-published in 1887 as part of the collection The Merry Men and Other Tales and Fables. It is set in Spain during the Peninsular War. The story is based on a dream that Stevenson had and in his 1888 essay "A Chapter on Dreams", he describes the difficulties he had in fitting his vision into a narrative framework.

"Die krumme Janet" (engl. "Thrawn Janet") ist eine Kurzgeschichte des schottischen Schriftstellers Robert Louis Stevenson aus dem Jahr 1881, die 1887 in der Sammlung "Die tollen Männer und andere Geschichten" (engl. "The Merry Men and Other Tales and Fables") bei Chatto & Windus erschien. Der Autor hat die kleine Gespenstergeschichte während eines Aufenthaltes im schottischen Hochland verfasst. Kritiker nennen den Text "seit je als eins seiner Meisterstücke".

Chi non ha mai sentito parlare del dottor Jekyll e del suo alter ego, il signor Hyde? Uno dei classici della narrativa mondiale che ha ispirato innumerevoli autori e autrici che lo hanno succeduto. Londra vittoriana, cupa e coperta dai vapori e dalle esalazioni industriali, con i suoi vicoli acciottolati, le sue carrozze, i lumini a olio e le sue figure misteriose, le sue ombre pericolose - un'estetica che deve gran parte della propria fama narrativa proprio a questo romanzo.

A timeless book of beautiful children's poetry, with a new forward about why it's beneficial for children to learn poetry.

Treasure Island follows the adventures of a cabin boy named Jim Hawkins on board the Hispaniola. Hawkins is in for the adventure of a lifetime, as he braves dangerous waters, lives through a mutiny, and searches for buried treasure.

A seafaring stranger comes to the Admiral Benbow Inn, and young Jim Hawkins begins the journey of a lifetime. In this spirited production, veteran narrator BJ Harrison makes you feel as though you are sitting alongside Long John Silver and his pirate crew as they plot and scheme their way to treasure.

Markheim ist ein Dieb. Und ein Mörder – denn er ersticht auf denkbar gewissenlose Art den alten Trödler, den er in dessen Geschäft aufgesucht hatte. Doch während seines Beutezuges im Laden erscheint plötzlich ein Besucher, der merkwürdig viele Details aus Markheims Leben zu wissen scheint. Wer ist dieser seltsame Fremde, der mit seiner jovialen, unerschrockenen Art Markheim zusehends aus der Fassung bringt? Stevensons Geschichte ist teils Krimi, teils psychologische Studie – und äußerst spannend bis zum Schluss.

Die tollen Männer – das ist eine Gesteinsformation an der Küste einer unwirtlichen schottischen Insel, die eine tödliche Gefahr für vorüberfahrende Schiffe darstellt. Eines Tages liegt ein Segelboot zerborsten am Strand – und die eher ärmliche Behausung des Onkels des Erzählers ist auf einmal vollgestopft mit allerhand wertvollen Gegenständen. Woher diese kommen, ist klar – aber wer liegt in dem frischen Grab nahe beim Wrack? Hat sich der Onkel eines kapitalen Verbrechens schuldig gemacht?

Il diavolo nella bottiglia è un racconto di Robert Louis Stevenson pubblicato per la prima volta su New York Herald (Febbraio-Marzo 1891) e su Black and White a Londra (Marzo-Aprile 1891). Fu inserito poi, nel 1893, nella raccolta Island Nights' Entertainments (Gli intrattenimenti delle notti sull'isola), edito a Londra da Cassell, con illustrazioni di Gordon Browne e William Hatherell.

Robert Louis Stevenson's masterpiece of the duality of good and evil in man's nature sprang from the darkest recesses of his own unconscious—during a nightmare from which his wife awakened him, alerted by his screams. More than a hundred years later, this tale of the mild-mannered Dr Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr Hyde—has lost none of its ability to shock. Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul.

Man weiß nicht viel vom alten Fettes - außer dass er ein trinkfester Schotte mit medizinischem Wissen ist, der nicht viel spricht. Eines Tages jedoch gibt es einen medizinischen Notfall. Als Fettes den Namen des Notarztes hört, wird er leichenblass: McFarlane! Etwa der McFarlane, mit dem Fettes damals Leichname für den Anatomiekurs auf nächtlichen Friedhöfen ausgegraben hatte? Eine wunderbar klassische Gruselgeschichte für Fans des Genres.