Showing results by author "G.K Chesterton" in All Categories

Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “...

“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability. They generally have to pay men to organise the ...

Three men of letters give insightful essays on the work of Leo Tolstoy. (Summary by Larry Wilson)

A collection of 15 articles/essays written by G.K. Chesterton in "America: A Catholic Review of the Week". The publication dates range from 1915-1917. (Summary by Maria Therese)

A collection of 12 articles/essays that G.K. Chesterton wrote for Vanity Fair magazine in 1920-1921, under the general title “The Next/New Renascence: Thoughts on the Structure of the Future.” (Summary by Maria Therese)

This short book was written in 1920, and in it Chesterton, with his usual wit and incisive logic, presents a series of articles defending marriage and indicating the weaknesses in divorce. He did this 16 years before the first Christian denomination in the world allowed its members to divorce. Till then Christendom was unanimous in standing against it. Chesterton saw clearly the trends of this time, and delivered this defense. (Summary by Ray Clare)

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)

Gilbert Keith Chesterton was among the world's most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox. It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and ...

“Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people's weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The...

A collection of the newspaper columns/essays written by G.K. Chesterton for "The New Witness", under the heading "At the Sign of the World's End". This project compiles the articles from 1921 (Summary by Maria Therese)

A collection of the newspaper columns/essays written by G.K. Chesterton for "The New Witness", under the heading "At the Sign of the World's End". This project compiles the articles included in the issues between November 21, 1919 to April 30, 1920. (Summary by Maria Therese)

These eleven files are miscellaneous short essays or stories from G.K. Chesterton. They were chosen for not only their brevity but also for being shining exemplars of Chesterton's wit and whimsy. A fun but powerful introduction into the mind of the man that is G.K. Chesterton. (Summary by GK Cleveland)

This is a top-quality audiobook of G. K. Chesterton's biography of St. Thomas Aquinas.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Orthodoxy was named as one of Publishers Weekly’s 10 indispensable spiritual classics of the past 1500 years. It is the personal journal of one man’s search for understanding culminating in his conversion to Catholicism. Written with wisdom and wit, G.K. Chesterton captures the very nature of faith.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

Written by G. K. Chesterton, Orthodoxy addresses foremost one main problem: How can we contrive to be at once astonished at the world and yet at home in it? Chesterton writes, "I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance."

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

Chesterton's compilation of essays in Heretics discusses the difference in Orthodoxy and Heretics, rational vs. irrational, and denial vs. affirmation. He questions the reason for the existence of man and the universe and calls out many prominent figures in the artistic and literary fields for their unorthodox ideas; thus labeling them heretics. He will have you thinking of favorite authors like Rudyard Kipling, Oscar Wilde, and H.G. Wells in a new light, challenging their ideals and morals.

In The Everlasting Man, G. K. Chesterton paints the full panorama of human history in light of Christian tradition. Highly influential in C. S. Lewis' conversion from atheism to Christianity, this book continues to inspire new generations of listeners.