Showing results by author "Gerard Schwarz" in All Categories

Gerard Schwarz explains how Chopin came to embody the Romantic Movement with his rich harmonic shadings, his intense poetic expression, and his attention to the sensual qualities of music. But Chopin did more than just write music imbued with the spirit of Romanticism. In many ways he embodied an archetypal Romantic character: a lonely genius, doomed by that most Romantic disease, tuberculosis; a visionary musician too refined to seek public acclaim.

Like all tone poems, "Thus Spake Zarathustra" follows a "program" or story line which, to some extent, dictates its musical form and details. Strauss derived his program from Nietzsche's philosophical allegory or the same name which theorizes the rise of mankind from a primitive natural state to one of moral and intellectual superiority.

The work of Ludwig van Beethoven (1770-1827) has been called the culmination of the Classical era or the wellspring of the Romantic era in European music. Historians today see him as the heir of Haydn and Mozart, carrying their musical discoveries to a new level of complexity and integration. But the generations of composers that followed Beethoven saw him more as the headstrong radical, breaking the shackles of classicism and showing new possibilities for music.