Showing results by author "Stuart M. Kaminsky" in All Categories

After a lifetime in service to the Soviet Union, police inspector Porfiry Rostnikov may have found a way out. A high-profile homicide leads him to a cache of documents packed full of incriminating Kremlin gossip, which he uses as a bargaining chip to secure exit visas for himself and his Jewish wife. But just before the deal is concluded, Brezhnev's death sends the nation into turmoil, and makes escape impossible. His career derailed, the veteran cop is reduced to investigating penny-ante murders - one of which may lead somewhere very big indeed.

A year after The Wizard of Oz's smash success, the yellow brick road is crumbling. The famous sets have been left standing on a soundstage in the depths of the MGM back lot in case the studio greenlights a sequel. But that doesn't explain what Judy Garland is doing there - or why she finds a Munchkin in full costume, lying facedown with a knife buried in his back.

Under names like Otis J. Raisincluster, Quigley E. Sneersight, and Cormorant Beecham III, W. C. Fields squirreled away nearly a million dollars in banks across the country during his vaudeville days - before he became one of the silver screen's most recognizable funnymen. But it's no laughing matter when a burglar has the audacity to rob him blind, stealing his bankbooks and cleaning out his accounts. Steaming, the comedian hires Hollywood private investigator Toby Peters to track down the missing dough and protect what remains of his nest egg.

Luna Martin, the moll of a well-known Los Angeles gangster nicknamed "Fingers" (because he likes to cut them off), has demanded dance lessons from Hollywood's finest hoofer - and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna's throat, the grieving gangster makes Peters an offer he can't refuse: Find the killer - or go from having two left feet to one foot in the grave.

When you're a 62-year-old cop with bad knees, most days feel pretty long. But the longest day of Abe Lieberman's life begins just after midnight when he learns his nephew, David, has been shot dead and David's pregnant wife has been gravely injured by two gunmen trying to rob the couple. Now Carol is barely clinging to life, and it's up to Lieberman to track down the killers. With the help of his partner, the troubled alcoholic Bill Hanrahan, Lieberman will turn the city upside down to find the men who stole his nephew's bright future. 

A local curmudgeon who has been campaigning to end state-sponsored school funding is brutally killed. A recent graduate of a public high school for the gifted is arrested for the crime and turns to Lew for help. A semi-retired and much beloved singer of children's songs is being anonymously pushed to leave Sarasota, threatened with exposure as a sexual predator. It is up to Lew to uncover the blackmailer and determine whether there is any truth to the accusation.

Inspector Porfiry Petrovich Rostnikov is an honest policeman in a very dishonest post-Soviet Union. He and his team are searching for a serial killer who has claimed at least 40 victims. And then there is the problem of protecting a visiting British journalist who is working on a story about a Moscow prostitution ring. In doing so Rostnikov and his team uncover a chain of murders that lead to a source too high to be held accountable if the police want to keep their jobs - or their lives.

An ax-wielding monk hacks at the door. Toby Peters is on the other side, running as fast as his recently broken leg will allow. Alongside him is Salvador Dalí, dressed in a rabbit suit, insistently muttering "grasshoppers" as they try to make their escape. Dalí insists on being carried across the lawn, so Peters hobbles along with the surrealist in his arms. They get in the car just as the monk chops down the front door. The car doesn't start, and the monk charges silently, the ax in the air.

Hollywood detective Toby Peters is asleep on his floor when the dentist who shares his office calls, wailing that his wife has left him. While on the one hand, Toby is shocked that a woman as unpleasant as Mildred could ever attract a suitor, he's even more surprised by the name of the alleged Lothario: Peter Lorre, the scaly-voiced, bug-eyed Hollywood character actor. Though he can't imagine why the dentist would want her back, Toby agrees to track down his missing wife. He finds Lorre in a greasy spoon near the Warner Brothers' lot, but the actor doesn't know a thing about the missing Mildred....

You can't trust a man who's dressed as Mae West, especially not in Mae West's house. One of Hollywood's earliest sex symbols, the whip-smart blonde's star has fallen since the Hays Code cracked down on the racy repartee that made her famous. Her latest project is a thinly veiled autobiographical novel, whose only copy is stolen just after she finishes her first draft. Tonight she's having a Mae West party, with every guest a man dressed as her. The thief is among those in drag, and P.I. Toby Peters has come to tear off his wig. He's there as a favor to his brother, a brutal cop who had a fling with West when she first moved to Hollywood.

Most days, the counters at Maish's Deli on Chicago's North Side are crowded with elderly Jewish men who trade stories and crack wise. But today, the mood at Maish's is grim. Someone has vandalized the local temple - the fifth in a row - and stolen a priceless Torah, and only Abe Lieberman can set things right. A veteran cop whose low-key attitude and sardonic humor conceal an intense commitment to justice, Lieberman is taking the break-in very personally - the synagogue's president just happens to be his wife.

On December 10, 1938, Atlanta burned again. In the back lot at David O. Selznick's studio, sets from a dozen old pictures were pushed together and set ablaze to provide a backdrop for the climax of what Selznick promised to be the movie of the century: Gone with the Wind. Toby Peters, then just a studio security guard, was on hand to help keep the Confederate extras in line. When the fire was over, he found one of them dead, impaled on his own sword.

It's 1941, and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail - a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters.

Detectives Abe Lieberman and Bill Hanrahan have been partners a long time - long enough to call each other "Rabbi" and "Father Murphy". Lieberman is 60, a grandfather, and a devout Jew. Hanrahan is a lapsed Catholic who's been hitting the bottle pretty heavily ever since his wife walked out on him. They may be flawed, but they're good cops. But even good cops have bad days. 

The uniformed man standing before Toby Peters is General Douglas MacArthur, a soldier who considers himself the only man who can defeat the Japanese. But though he may be all-powerful in the South Pacific, today he is in Los Angeles with a problem only a detective can solve. The general has an eye on a postwar promotion to the White House, and an aide has stolen his war chest, his donor list, and a handful of embarrassing private letters. To get them back, Toby may need some help.

The year 1942 is a bad time to stage Madame Butterfly. Although Puccini's masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension in the dark months following Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against the cast and crew. When the first workman dies, the maestro calls Toby Peters, a Los Angeles detective who works discreetly for Hollywood's rich and famous.

Coffins fill the basement of a crumbling Los Angeles movie theater. Five vampires crowd around fading horror idol Bela Lugosi, peppering him with questions. A malfunctioning plastic fang causes one of the undead-wannabes to lisp. The effect is less than fearsome, but Lugosi is terrified, for one of these oddballs has been making threats on his life. He hires Toby Peters to provide security against his unbalanced fans. The detective is not concerned, but he should be.

When the wife of a mob witness is killed and his teenage son is kidnapped, the ransom isn't cash - it's his life. The dead can't testify. If the witness kills himself, the mob will let his son live. Now veteran cops Abe Lieberman and Bill Hanrahan need to protect their witness from himself while they turn Chicago's gangland upside down to save the kid. It doesn't help that Hanrahan is newly sober in AA, battling drink urges and the guilt of recently losing another informant. Lieberman has seen his partner at his worst with the booze and always had his back.

When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn't expect the job to include replacing a showgirl for Blackstone's show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade.

Working in Hollywood, Private Eye Toby Peters has met a lot of phonies. But his newest case concerns a four-legged faker who threatens the fate of the free world. A few classy dames have crossed the detective's doorstep, but none can touch the hem of the dress of the first lady herself, Eleanor Roosevelt, who's come to him on a matter of top-secret national security.