Showing results by narrator "Colby Elliott" in All Categories

We all love monsters. We love them because they exist outside of our world and yet feel real to us. We love how strange they can be. We love the sense of danger that arises when we talk about them. We love how they live in our imaginations. And when monsters come to life in our imaginations, we love to face and defeat them. We battle dragons and demons and undead—and conquer them in tales we’ll remember our whole lives. Within the Forge of Foes, we’ll build these monsters. Here in the forge, we’ll modify creatures, giving them new attacks and strange new abilities.

In the fall of 2000, Gilmore Girls premiered on the WB, and viewers were introduced to the quirky world of Stars Hollow and the Gilmores who had made it their home, mother-daughter best friends Lorelai and Rory. Coffee at Luke's is the perfect look at what made the show such a clever, beloved part of the television landscape for so long.

Journey to the castle of the mad scientist and hear tales of imagination to both amaze and astound! In the grand traditions of the late night horror movie and 1950s scary comics comes an anthology for those who love Science Fiction. Hear unearthed classic tales from authors such as Fritz Leiber, Harry Harrison, and other masters of the genre. Your host may also let you poke around the lab a little. But be careful…those tanks contain beasties best left suspended in their animation!

What makes a fantasy fantastic? Magic, of course! Whether it’s unearthly beasts, scheming sorcerers, legendary swords, or locales that defy logic and physics, a compelling fantasy story needs magical elements. The tricky part is that in order for the story to work, you have to get your reader or player to believe the unbelievable. The Kobold Guide to Magic takes you behind the scenes to learn the secrets of designing and writing about magic from 20 top fantasy authors and game designers.

Depending on your point of view, Fender Benders is either a skewed look at the country music industry or a clear-eyed view of a damn screwy business. It's a Grand Old Opera complete with murder, treachery, greed, drugs, twangy music, a love triangle, and the best fried swimps you'll ever put in your mouth.

Jake Trapper isn’t your average organ acquisition specialist. He’s the best in LA. But Jake has a soft spot for underdogs, and his current case is Angel, a young girl from a broken home. She needs a kidney. So Jake makes a deal with a broker and gets seduced into the kidney business. When a potential organ donor is killed, Jake meets LAPD Homicide Detective Megan Densmore, who enlists Jake to help with the investigation.

First there was Buffy the Vampire Slayer; then its spin-off, Angel; then the cult hit Firefly and its follow-up film, Serenity. They all had two things in common: their creator, Joss Whedon...and their surprising psychological depth. Revisit the worlds of Joss Whedon...with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss' shows help you take on your own psychological issues?

Firefly's early demise left fans with a deep sense of loss and plenty of unanswered questions. From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher's perspective on "Objects in Space" to a sex therapist's analysis of Inara, Finding Serenity is filled with writing as exciting, funny, and enthralling as the show itself.

Ruins of the Grendleroot is a collection of 10 short, easy-to-run adventures for the fifth edition of the world's most popular fantasy role-playing game. Designed for characters of first to fifth level, these adventures take place in the caverns, chambers, tunnels, and ruins of the mountain known as Blackclaw, within which lurks the Grendleroot - a strange and otherworldly sentience.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

In this follow-up to his first collection of essays - Shoot This One - television writer and producer Javier Grillo-Marxuach continues to overshare about his misadventures in the small screen to a degree that will make you fear for his future employment. The essays in Shoot That One offer both a tantalizing glimpse into the inner circles of the entertainment industry, as well a management lesson disguised as a juicy tell-all.

Welcome to Comic-Con: where the future of pop culture comes to life. Every summer more than 130,000 comic fans, gamers, cosplay enthusiasts, and nerds of all stripes descend on San Diego to mingle with the top entertainment celebrities and creative-industry professionals in an unprecedented celebration of popular culture in all its forms.

Staggered by the terminal illness of his next-door neighbor and predecessor, Jack, the Stay at Home Shaman, finds himself unable to dream and enter the world of the Overlay. But with best friend Zeke’s help, the two embark on a mission to the dream realm to stop the corrupting chain-lightning and the mysterious flying V-shape menacing the neighborhood. But this challenge won’t be overcome without the greatest sacrifice of the Shaman’s career.

We think we know Betty and Veronica, but we don’t. Far more than just Archie’s girlfriends, the girls have grown beyond simple archetypes to become compelling, relevant characters for each new generation over the past eighty years.

As winter takes hold of the neighborhood, Cole witnesses a brutal attack while patrolling The Overlay. Bizarre, inky-black creatures glide through the air devouring those in their path, seemingly coming from nowhere. What loosed these creatures on the Dream Realm and why do they hunt in Big Bluestem Park?

Every writer learns the basics elements of storytelling. Whether it’s The Heroes Journey, the Three Act film structure, or even the performing of a magic trick it’s all there. Even when telling a simple joke. Using these three basic elements, screenwriter Javier Grillo-Marxuach (Lost, The Witcher, Medium) breaks down the anatomy used for so many of the stories we love, from Raiders of the Lost Ark, to Gone With the Wind.

Sometimes we love a work of art, not in spite of it flaws, but because of them. And a wish that that work of art could be better. Screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) peers through the lens of the ill-fated Disney science fiction epic The Black Hole to show us what we can learn from a flawed gem as it waxes into nostalgia and why it has such a subtle hold on our hearts.

Using examples from Aldus Huxley’s Brave New World, George Orwell’s 1984, and the writings of Neil Postman, screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) examines the utopia/dystopia binary and what it means live in the modern social media landscape.

When does the band you love cease to be the band you love? Taking such disparate elements as the writings of Plutarch and the power ballads of 80’s rockers Foreigner, screenwriter Javier Grillo- Marxuach (Lost, The Witcher, Medium) examines what it means to be a creator of art during the Big Feelings of youth and how those feelings mature into collaborating and getting the work done in middle age.

It’s no secret that amazing television starts with a great script. But what makes a television screenplay compelling? An effective screenplay is a blueprint, a loan application, and work order. But first and foremost, it must be a work of art and a captivating read all on its own. Using his script for the proposed reboot of Xena, Javier Grillo-Marxauch (Lost, The Witcher, The Dark Crystal: Age of Resistance) shares what he does to make a fascinating television screenplay, from the first slug line to the final fade to black.