Showing results by narrator "Jeremy Taylor" in All Categories

Nannies never last long under my roof. They all kind of hate me - Natasha, the newest one, included. My kids are unruly and all under seven. They say I'm distant and cold. But when Natasha takes over, finally, things start falling into place. She's sweet, innocent, and beautiful. I'd do anything for her. She says we need to keep it platonic, for the kids. But her curves call to me. We can't keep our hands off each other. Our family is about to get a whole lot more complicated...when we find out she's having twins.  

Libby is beautiful, smart, and desperate. When she arrives at her cousin's wedding without a date, I step in. No woman who looks like that should ever feel alone. Those delicious curves pull me in. It's just a one-night stand. I can't get attached. I'm over love. I've been burned in the past. But then she finds me on a dating app that my friends made me join as a joke. And suddenly, our one-night stand isn't so singular. We both want more. But my past is standing in our way. We can't be together until all our secrets come out. And I have to tell her the truth. Because she's having my baby.

Scotch never runs from difficult situations. That is, until she rescues her bestie from a violent Mafia member. Now Scotch is running for her life. The only thing standing between her and certain death? The most dangerous man in the criminal underworld - and one of the sexiest. But just when Scotch thought she could keep her hands out of trouble, they end up all over Costello Badd's hot, hard, tattooed body...

Kain Badd looks great on paper: rich, handsome, and he's even a prince. But after spending a few minutes together, Sammy sees the real him - arrogant, possessive, and too hot for his own good. If she hadn't agreed to help plan his sister's wedding, she could have avoided him. Instead, she's waking up in his bed after an unforgettable night she definitely wants to forget. But he won't let her. When Sammy thinks her life can't get any crazier, the wedding is raided by the police, and she spends her first-ever night in jail.

Hawthorne “Thorne” Badd has lived his life as a reckless playboy - not as a presumptive king. But after the death of his uncle, it can all be his: the power, the crown, and the wealth. All he has to do is govern a country he’s never set foot in...and marry the gorgeous daughter of his family’s greatest rival.

Hard times come in many different forms and, sometimes, come crashing down on us in the guise of trauma, loss, failure, or disappointment. It is similar to riding the river. Sometimes, there are troubled waters. When change comes to us in these ways, we often find ourselves having to start from the scratch.

10 Legal Basics for Producing a Feature Film or Documentary describes the major legal documentaries you need to produce a feature-length film or documentary. It covers the basics of getting a fictitious name, filing for a copyright, obtaining E&O and other types of insurance, creating release forms for actors, interviewees, crew members, and other film participants, and much more.

After leaving his favorite bar, a wild, womanizing advertising executive takes a woman back to his place and immediately regrets it. Jack begins to hear a strange voice telling him to do horrible things. Initially thinking his house may be haunted, he becomes extremely paranoid after finding out he is being watched by other world beings.

10 Tips for Setting Up Local Screenings for Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience and the best location for your screening, how to find a venue, and how attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain even more of an audience for future showings.

10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

10 Tips for Arranging an Initial Theatrical Screening to Gain Press and Distributor Interest describes how to set up a screening. It indicates what you need to prepare, such as a press kit, trailer, and screener, and how to how arrange for a theater and attract an audience. It suggests ways to get the press and distributors to attend.

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

Toxic people are damaged people. You can't save them, nor should you try. Some people are better off not empowered. That may seem callous the first time you hear that. Toxic people, who are usually narcissists, habitually create parasitic relationships. During periods of bondage with codependent hosts, they do not grow emotionally or otherwise, as they pass the buck on their cares and responsibilities.

Narcissism: Real phenomenon or mere pop-psychology label? After having observed the phenomenon closely for several years, I’ve concluded that people, usually as a result of emotional vulnerability, fall into diagnosing their former partner or spouse of being a narcissist. This book asks the question: Are we over diagnosing? If so, at what cost? It’s easy to diagnose anyone we don’t like as a narcissist. It’s just a matter of being around them long enough to check a few boxes on a “Is my ex a narcissist?” website.

10 Keys for Getting Emails with a Landing Page describes the basic steps to setting up a landing page where you offer a free gift, such as a PDF with tips, chapters from a book, or an introductory webinar, and use that to collect emails. It also notes the elements you need, such as a thank you page and autoresponder to send out your gift.

10 Tips for Creating a Good Ad and Landing Page to Get Emails describes how to write and design different types of ads and landing pages to appeal to your target market. It offers some ways to get ideas for your copy, such as seeing what others with related books, products, and services are doing. The book suggests ways to use images and video and recommends different ways to test different ads and landing pages to decide on the best approach.

No matter what difficulties you are facing in life, God is there for you to get through it and thrive! With this book, Bill Vincent encourages you to accept the anointing of God and how to do so. He explained how God anoints you, why he does so, and how you can accept it into your life. This book also opens with a prayer to help you ask God for anointing! Bill Vincent's unique style creates the feeling of a personal discussion about God, putting Psalms and Bible verses into easy to understand terms and situations for the modern age.

How to Pitch a TV or Film Series with a Show Bible describes what to put in a show bible to successfully pitch a TV or film series. It includes a list of the major sections to include, along with a sample episode. It explains how to find other films in your genre. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after listening to each tip.

10 Keys for What You Need to Submit for a Distribution Deal describes the many different deliverables required to distribute your film. These include various film formats, insurance forms, releases from actors, crew members, and others involved in the film, marketing and promotional materials, and more. The particular items required will be included in each distributor’s contract, but it’s important to know in advance the types of materials you will have to supply, so you can be prepared for what is expected when you land a deal.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.