Showing results by narrator "Joanna Stephens" in All Categories

Grace’s four older sisters have married and moved away, and life is very quiet and boring. It’s so stifling being female, occupying herself with her tapestry or painting, when she’d much rather have been a soldier, galloping about with a sword in her hand. She wouldn’t mind marrying because who wants to be an old maid? But all her suitors are dullards are only interested in her dowry. If only something exciting would happen!

Connie’s older sisters have managed to find husbands, but now it’s her turn, and she is not sure she wants to marry at all. Having only just escaped her late father’s restrictive regime, she’s reluctant to surrender her freedom to another man just yet. If only she could find one who would fall so adoringly in love that he would do anything for her.

Mr Bertram Atherton has one foot in the Ancient World, emerging from his library only to eat and sleep. But when the chaplain of his uncle, the Earl of Rennington, is brutally murdered, it is revealed that he was never ordained and so the earl’s marriage was invalid, and his children rendered illegitimate. Bertram’s father is now the heir to the earldom, and Bertram after him. It’s a horrifying change of circumstances for a man only interested in intellectual pursuits.

Miss Fanny Winterton has only one wish in her romantic heart: to surrender to overwhelming love. She will accept nothing less than to be struck by the thunderbolt of everlasting passion. Real life isn’t quite so obliging, however. So, while she waits for the fires of love to ignite, she is content to ply her needle as a lowly seamstress for her noble patroness. The honorable Ferdinand Makenham has no wish at all to marry, until one glimpse of Fanny’s sweet expression convinces him that he has found the love of his life.

The Earl of Rennington’s daughter, Lady Isabel, has done well for herself. Married for five years to an indulgent viscount, with two small daughters, she lives her life in the centre of a social whirl, respected and admired for her beauty, her elegance and her liveliness. But her liveliness sometimes spills over into stormy rows with her staid husband, and she grieves that she’s failed in her primary duty — to provide him with an heir.

Lord Reginald Marford needs a wealthy heiress to support his indulgent lifestyle. Spirited Miss Robinia Chamberlain looks perfect, but when he sets out to court her, he finds that his title and family connections aren’t nearly enough to entice the lady, and he has to become a little bit creative to attract her attention. Robinia’s recently inherited large fortune brings her many suitors. But she’s not interested in any of them, and especially not Reggie, no matter how persistent he is. He may be a perfect gentleman but he isn’t nearly dashing enough for her.

Lord Randolph Litherholm has spent a year coming to terms with the death of his twin brother Gervase, the 7th Duke of Falconbury. Now it’s time to set aside his mourning and accept his role as the 8th Duke of Falconbury. It’s not the management of the vast Litherholm wealth that bothers him, for he’s been running the estate for years. No, his reluctance is all due to the marriage that was arranged for his brother, and the expectation that Ran will take on his brother’s bride as well as his title.

A trilogy of contemporary plays inspired by tales from The Arabian Nights: Arabian Afternoons includes The Casper Logue Affair by Sebastian Baczkiewicz, The Porter and the Three Ladies by Rachel Joyce and A Dish of Pomegranates by Peter Jukes.

Will Fletcher is the eldest son and heir to the family fortune, and although his father is reluctant to relinquish his roots in trade, Will is more than happy to become a gentleman.

One man with a secret. A family torn apart by the consequences. Olivia, the youngest daughter of the Earl of Rennington, has had a difficult year. Denied her first season in town by the illness of her grandmother, there was worse to come — her uncle, the chaplain, was brutally murdered. The discovery that he was not even an ordained clergyman means that her parents’ marriage is void, and she and all her siblings are illegitimate. But Olivia has a plan — she intends to outdo her older sister Izzy and marry a duke, and she knows just the man. She’s been following his exploits for years.

The most beloved fairy tales of Danish author, Hans Christian Andersen, narrated by the very best of British stage and screen talent. Perfect for bedtime, the long car journey or rainy afternoons at home, let Andersen delight and enchant children (and adults) of all ages with characters that stand the test of time.

When Mr. Edmund Winterton of Woodside dies, his daughters find themselves penniless and homeless. What can they do? Unless they wish to live on charity, they will have to find genteel employment for themselves. Annabelle becomes governess to the daughters of the recently bereaved Earl of Brackenwood. She has no idea how to teach, but her pupils can learn all they need from books, so how difficult can it be?

An out-of-work governess tries to start a school in the village. Deborah Hollingsworth, grand-daughter of a baron, has come down in the world, reduced to acting as unpaid governess for her relations. When even that option closes, what is she to do? She has a secret plan, but until she can achieve her heart’s desire, she’ll start a modest village school to make ends meet, and bring a little happiness to the local children. What she doesn’t expect is to find a lonely young man even more in need of a little happiness.

Toby Stephens stars in this BBC Radio 4 full-cast dramatisation of Raymond Chandler’s second Philip Marlowe mystery.Fast-talking, trouble-seeking private eye Philip Marlowe is a different kind of detective: a moral man in an amoral world. California in the ’40s and ’50s is as beautiful as a ripe fruit and rotten to the core, and Marlowe must struggle to retain his integrity amidst the corruption he encounters daily.In ‘Farewell My Lovely’, Marlowe has a chance encounter with a not-so-gentle giant outside Florian’s nightclub.

Angie Fletcher is the lively, mischievous daughter of the family. All she wants in her life is music and dancing, plenty of pretty new bonnets, and perhaps just the occasional trick played on her tolerant family. She’s been unusually well-behaved during the season in London, in dread of the least transgression curtailing all those glorious balls.

Madge Paton has been the mainstay of the Fletcher household for a quarter of a century, and even though her role managing the household and raising the children has been usurped by Harry Fletcher’s new wife, there’s still work to be done for a spinster aunt. She misses their Yorkshire life, but things aren’t so bad in the south of England. If only she didn’t have to put up with that irritating Morgan Plummer and his argumentative ways.

Annie Dresden is 26 years old, with no fortune, and nothing but a quick, practical mind to recommend her. Taken in by her apothecary uncle after her father’s death, she’s happy to be his assistant, but there’s no future for her as an apothecary. The only proper career for a woman is as a wife and mother, but for Annie the possibility is dwindling. When a long-forgotten suitor returns, it seems fate has given her another chance.

Hope has no wish to marry, but it’s almost five years since her father died, and the final peculiar clause of his will is about to come into effect: If Hope’s brothers can’t be found, then the whole estate will be bequeathed to the church, and Hope must move to the Dower House with her mother. There’s just one way out: Her cousin Hugo can inherit Allamont Hall, but only if he marries Hope. Can she bear to give up the chance of finding a man who loves her, even if it means saving her home?

The dramatic conclusion to the series! Ten years have passed since the sisters of Woodside found happiness. Their grief for their young brother, Jeremy, tragically drowned at the age of 12, has faded. The sadness of losing their home, Woodside, to strangers is but a memory. They no longer wonder just what became of their mother’s fabulous jewels, which should have guaranteed their dowries. They are looking forwards, not back into the past. But the past is not always willing to be left behind.

A destitute man comes looking for help from his cousin, and uncovers some mysteries. Phyllida Beasley is 40 years old, a mousy spinster who devotes her life to caring for her brother, and doing good works in the parish. She’s in a rut, but too timid to set herself free from her domineering friends and her own sense of duty. When a newcomer to the village draws her into his schemes, he challenges her to take a new direction. Can she summon the courage to step out of the shadows, when it means facing up to her terrible secret?