Showing results by narrator "Orson Welles" in All Categories

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Considered one of the greatest filmmakers of the twentieth century, legendary director, producer, and screenwriter Orson Welles was also an acclaimed actor, whose distinctive voice commanded attention. In this recording, Welles offers historic interpretations of excerpts from classic literature. This collection features time-honored works by several distinguished contributors, including American authors Nathaniel Hawthorne and Edgar Allan Poe, as well as Joseph Conrad, Rudyard Kipling, Saki, Robert Louis Stevenson, and Oscar Wilde.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Made as a prequel to the hit film The Third Man, this radio show was created to follow the adventures of the popular character Harry Lime, played here and in the movie by Orson Welles. The 1949 film The Third Man won an Academy Award and was an international success, called "magic" by Roger Ebert and "one of the finest films ever made" by The New York Times.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

The lure of the American West is in the spirit of adventure, in the majestic expanse of unconquered wilderness and in rugged individuals on a quest for identity and sometimes for survival. Owen Wister's unsmiling Virginian... Dorothy M. Johnson's, "A Man Called Horse": These are a few of the colorful, even legendary characters who populate The American West in Fiction, a collection of stories edited by Jon Tuska.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles stars in this dramatisation of Dickens' A Christmas Carol.

Marsbewohner landen in New Jersey. Ein Radioreporter berichtet live von ihrem Angriff auf die Bevölkerung. Die Hörer erleben ein beklemmendes Szenario... bis Orson Welles es in der Absage zum Halloween-Scherz erklärt.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

This collection contains twelve of the greatest mystery shows ever broadcast during the golden age of radio! You'll hear Richard Widmark starring in Inner Sanctum Mysteries, Orson Welles in The Black Museum, Peter Lorre in Mystery in the Air, William Conrad in The Whistler, Ernest Chappell in Quiet, Please, Everett Clarke in Lights Out, Harry Bartell in Escape, and Fredric Marchin a tale well calculated to keep you in Suspense, plus many more.

These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

This collection spotlights the iconic Orson Welles in nine of his works from the golden age of radio. These radio dramas, airing from 1938 through 1951, are among his very best and can be enjoyed for years to come. Armed with the nickname the "Boy Genius", Orson Welles graduated from the New York stage to expand his creative talents in the radio industry, hoping to use the audio medium to promote his stage ventures.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.