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The Hunchback of Notre-Dame is a French Gothic novel by Victor Hugo, published in 1831. It focuses on the unfortunate story of Quasimodo, the Romani street dancer Esmeralda and Quasimodo's guardian, the Archdeacon Claude Frollo in 15th-century Paris.

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly. In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London.

The Valley of Fear is the fourth and final Sherlock Holmes novel by British writer Arthur Conan Doyle. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The story was first published in Strand Magazine between September 1914 and May 1915. The first book edition was copyrighted in 1914, and it was first published by George H. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. Keller.

Anne of Avonlea is a novel by Lucy Maud Montgomery. It was first published in 1909. Following Anne of Green Gables (1908), the book covers the second chapter in the life of Anne Shirley. This book follows Anne from the age of 16 to 18, during the two years that she teaches at Avonlea school. It includes many of the characters from Anne of Green Gables, as well new ones like Mr. Harrison, Miss Lavendar Lewis, Paul Irving, and the twins Dora and Davy.

Love and Freindship [sic] is a juvenile story by Jane Austen, dated 1790, when Austen was 14 years old. Love and Freindship (the misspelling is one of many in the story) is clearly a parody of romantic novels Austen read as a child. This is clear even from the subtitle, "Deceived in Freindship and Betrayed in Love," which neatly undercuts the title. Written in epistolary form, it resembles a fairy tale as much as anything else, featuring wild coincidences and turns of fortune, but Austen is determined to lampoon the conventions of romantic stories.

The following Tales are meant to be submitted to the young learner as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

1984 centers on the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviors within society. Orwell modeled the totalitarian government in the novel after Stalinist Russia. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated. The story takes place in an imagined future, the year 1984 when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda.

Doggone is a story of loss. It is also a wickedly wry tale of love gone wrong in three generations of a middle-class American family. It combines the heartaches and longings of the parents, grandparents, and children as they struggle with the skeletons and secret addictions kept hidden deep in the household closets. Suicide becomes a stumbling stone on their path. Learning to survive their losses presents them with an even greater hurdle.

Blips on the Way to Oblivion celebrates an odyssey of eternal love. It is about a couple who find themselves over the centuries in different countries in different lives, only to fall crushingly in love once again.

LUCKY WOLFESON is declared legally dead after a flashflood sweeps her SUV into a streambed on the island of Maui. Why she “died” is at the heart of this story of serial murders, abuse, illegal sales of Hawai’ian land, and love gone wrong. News of a killing shocks and seems rare; yet killing is a fascinating and quite common occurrence. What if the killer is kind, compassionate, and never prone to any sort of violence?

Lucky, a naive American actress, has an accident in Tangier during a break from touring Europe performing in summer drama festivals. While her ankle heals, she takes a temporary job working at the American consulate where the Puppet Master, secret head of the CIA’s North Africa operations, is headquartered. He sees Lucky’s innocent appearance as an asset. He trains her as a courier and decoder, enticing her to stay for a year with enough money to pay for her future travels and higher education.