Showing results by author "Anton Chekhov" in All Categories

Chekhov'un Tüy Kalemindeki Yolculuk Anton; 19. yüzyılın sonlarının ünlü Rus oyun yazarı ve kısa hikâye yazarı, soğuk bir kış akşamında çalışma odasında oturmuştu. Kar, ağaçları kalın bir şekilde örtüyordu, ancak Anton soğuğa aldırmıyordu. Yazıyla meşguldü, eli ritmik bir uyumla sayfalar üzerinde dans ediyordu. Birden, tuhaf bir şey oldu. Anton yeni hikâyesinin ilk birkaç satırını yazarken, tüy kaleminin mürekkebi parlak, eterik bir ışıkla parıldamaya başladı. Oda aydınlandı, antika mobilyaların üzerinde tuhaf gölgeler oluşturdu.

Chekhov'un Tüy Kalemindeki Yolculuk. Anton; 19. yüzyılın sonlarının ünlü Rus oyun yazarı ve kısa hikâye yazarı, soğuk bir kış akşamında çalışma odasında oturmuştu. Kar, ağaçları kalın bir şekilde örtüyordu, ancak Anton soğuğa aldırmıyordu. Yazıyla meşguldü, eli ritmik bir uyumla sayfalar üzerinde dans ediyordu. Birden, tuhaf bir şey oldu. Anton yeni hikâyesinin ilk birkaç satırını yazarken, tüy kaleminin mürekkebi parlak, eterik bir ışıkla parıldamaya başladı. Oda aydınlandı, antika mobilyaların üzerinde tuhaf gölgeler oluşturdu.

'...bir öyküyü Rusça okurken duyduğum heyecanı, sürükleyiciliği, Rus insanının Anadolu insanına tıpatıp benzeyen 'kara mizah' yönünü Türkçe çeviriye olduğu gibi taşımaya çalıştım. Bu çevirilerin hiç birine fazla renk katılmamış, içinden renk alınmamıştır. İyi dinlemeler..."

The short story by Anton Chekhov published in 1889 tell the story of a bet between a banker and a young lawyer on whether a death sentence or a life in prison is better. At the end of the bet trying to measure the value of human life, the banker shall give two million rubles to the young lawyer if he lasts in prison for 15 years.

A short story carefully written by Anton Chekhov provides readers with a very detailed background on characters and explains their obvious personalities. It gives the readers the chance to explore beyond the written words.

Chekhov'un Tüy Kalemindeki Yolculuk. Anton; 19. yüzyılın sonlarının ünlü Rus oyun yazarı ve kısa hikâye yazarı, soğuk bir kış akşamında çalışma odasında oturmuştu. Kar, ağaçları kalın bir şekilde örtüyordu, ancak Anton soğuğa aldırmıyordu. Yazıyla meşguldü, eli ritmik bir uyumla sayfalar üzerinde dans ediyordu. Birden, tuhaf bir şey oldu. Anton yeni hikâyesinin ilk birkaç satırını yazarken, tüy kaleminin mürekkebi parlak, eterik bir ışıkla parıldamaya başladı. Oda aydınlandı, antika mobilyaların üzerinde tuhaf gölgeler oluşturdu. Şaşkın ama meraklı olan Anton, parlayan kelimelere dokunmaya çalıştı.

Anton Chekhov’s The Lady With The Dog weaves a tale of love, longing, and the elusive nature of happiness, set against the scenic backdrop of late 19th-century Yalta. When Dmitri Gurov, a man weary of his monotonous life, encounters Anna Sergeyevna and her small dog by the seaside, his world shifts unexpectedly. Both dissatisfied with their lives yet hesitant to embrace change, they find themselves drawn together by a connection as powerful as it is uncertain.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

This is a collection of stories about interesting, unusual, bright human characters and destinies. Contents: Gusev by Anton Chekhov ; Boule de Suif by Guy De Maupassant ; Alyosha the Pot by Leo Tolstoy ; Mateo Falcone by Prosper Mérimée ; Little Brother by Mary E. Mann ; Bartleby, The Scrivener by Herman Melville ; The Lightning-Rod Man by Herman Melville ; The Ambitious Guest by Nathaniel Hawthorne ; The Darling by Anton Chekhov ; A Simple Heart by Gustave Flaubert

In these selections, an animal plays an important role in the action or plot of the story. The animals in these stories are real or are stand-ins for humans: Sredni Vashtar by Saki (H. H. Munro) Kholstomer, The Story of a Horse by Leo Tolstoy A Dark-Brown Dog by Stephen Crane Kashtanka by Anton Chekhov The Cat That Walked By Himself by Rudyard Kipling The Black Cat by Edgar Allan Poe The Fly by Katherine Mansfield The Boar-Pig by Saki (H. H. Munro) The Tiger Guest by Pu Songlbying Jackals and Arabs by Franz Kafka

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The famous phrase of the writer: "Brevity is the sister of talent", could not be more suited to the work of Anton Chekhov himself. One right stroke to mark the character, with apt word to say about the main thing, to precisely place accents and draw a bright three-dimensional picture in just a few minutes is the work of the wizard. No one is as amused as Chekhov, and no one is so sad as he. The collection includes selected stories and stories in which the classic, who entered the history of literature under the frivolous pseudonym Antosha Chekhonte, draws eternal characters that invariably amaze with their psychological nude.

"Kashtanka," a shaggy-dog story penned by Anton Chekhov in seven parts and first published in 1887, relates the experiences of its eponymous heroine, a fox-faced, reddish dachshund-mix, whose name means 'little chestnut.' After her detestation of music causes her to become separated from the carpenter with whose family she had been living, Kashtanka finds herself taken up by an unusual vaudevillian and goes to live among an assortment of other intelligent animals, each of whom is observed with the characteristic empathy and humor that stamp Chekhov's work. (Summary by Grant Hurlock)

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.