Showing results by author "Molière" in All Categories

Molières Don Garcia of Navarre stands apart from his other works like The Pretentious Young Ladies and Sganarelle. Premiering on February 4, 1661, shortly after the arrival of Maria Theresa, the young wife of Louis XIV, this heroic comedy reflects a renewed interest in Spanish drama in France. With Spanish actors performing the works of Lope de Vega and Calderon, Molière seized the opportunity to craft a narrative that explores the depths of passionate jealousy. He skillfully contrasts the absurdity of jealousy with a portrayal of its darker, more complex emotions, capturing the doubts, ...

Meet Scapin, the cunning trickster and manipulator who believes he can control the fates of those around him. In this delightful tale, he finds himself embroiled in a web of romantic intrigue as he strives to assist two secret lovers whose families are determined to keep them apart. Will his schemes lead to a happy ending, or will his meddling only complicate matters further? Join us for a whimsical journey filled with laughter, love, and unexpected twists!

Step into the world of Bourgeois Gentleman, where the aspirations of a middle-class social climber collide with the realities of high society. Monsieur Jourdain, convinced that mastering the manners and arts of a true gentleman will elevate his status, becomes the perfect target for Molières sharp satire. This timeless piece, originally performed in 1670 before the court of Louis XIV and accompanied by music from Jean-Baptiste Lully, offers a witty critique of both the pretentious bourgeoisie and the snobbish aristocracy. In this spoken rendition, audiences will experience the humor and irony...

Dive into the witty world of Molière with Bores, where the playwright himself muses on the rapid creation of comedy. In just a fortnight, he crafted a performance that showcases the myriad of bores found at both the Court and in the City. This clever satire unravels the absurdities of human nature and the art of theatrical storytelling, reminding us that sometimes, the journey is just as entertaining as the destination. Join us for a delightful exploration of character and comedy, as we laugh through the intricacies of social interactions and the quirks of society.

In this captivating play, a colorful cast of characters—including fathers, lovers, mistresses, and servants—navigates a web of misunderstandings that seems impossible to unravel. The witty exchanges between Valère and Ascanio, the awkward apologies of Albert and Polydore, and Luciles bewilderment when confronted by her father all unfold with masterful precision. Central to the story is the charmingly tumultuous relationship between Éraste and Lucile, whose playful tiff and heartfelt reconciliation are regarded as some of the most memorable moments in the play.

Delve into the enchanting tale of Amphitryon and Alcmene, which weaves together the ancient myth of Hercules birth. This timeless story, celebrated in the literature of various cultures, is brought to life through Molières masterful pen. His rendition transforms it into one of the most delightful and lively comedies ever crafted in French verse, brimming with sprightliness and wit. Join us for an engaging journey that highlights the charm of this classic tale. - Summary by Translator Henri Van Laun

In May 1664, Louis XIV hosted a dazzling and extravagant fête at Versailles, delighting both the Queen-mother, Anne of Austria, and his wife, Maria Theresa. The highlight of the event was the enchanting performance of The Princess of Elis, a comedy-ballet crafted by Molière. This captivating work explores the timeless struggle between male and female affections, illustrating how victory often favors those who appear most distant from their desires. While Molières signature wit and humor shine through, they are tempered by the constraints of courtly decorum.

Alceste, the misanthrope, hates everyone including himself. But unlike in many pure farces with their cliche stock characters, the characters here are much more well rounded, and who knows - Alceste might actually grow and change throughout the play. "Those who admired noble thoughts, select language, accurate deliniations of character, and a perfect and entertaining style, placed this comedy from the very beginning where it is generally put, with the common consent of all students of sound literature, in the foremost rank of the good comedies of Moliere.

Alceste, the misanthrope, hates everyone including himself. But unlike in many pure farces with their cliche stock characters, the characters here are much more well-rounded, and who knows—Alceste might actually grow and change throughout the play.

"100 Quotes by Molière" is a compendium of thoughts and observations by one of the greatest minds of 17th-century France. Often witty, sometimes sharp, and occasionally touching, readers will find themselves getting a sneak peek inside Molière’s mind. A superb read, "100 Quotes by Molière" is ideal for those with an interest in theatre and a wonderful book for dipping in and out of. One of France’s greatest dramatists, Jean-Baptiste Poquelin (1622 – 1673), better known by his stage name, Molière, was born in Paris.

Explorons ensemble les thématiques du théâtre sur scène, en arrière scène et plus encore.

Familiarize-se com os escritores mais importantes do século XVII franceses, que moldaram o pensamento político, filosófico e artístico e que influência pode ainda hoje ser sentida na nossa cultura. Mergulhe profundamente nas suas obras e pensamentos com uma selecção das citações essenciais introduzindo as suas principais ideias e delineando com clareza a estrutura da sua obra, através das próprias palavras de Jean Racine, Molière, Corneille, Jean de la Bruyère, Jean de la Fontaine.

Jean-Baptiste Poquelin dit Molière é um actor e dramaturgo francês. A obra de Molière, cerca de trinta comédias em verso ou prosa, acompanhadas ou não de ballet e música, é um dos pilares do ensino literário em França e continua a ter grande sucesso no teatro, não só em França e especialmente na Comédie-Française, apelidada de "la Maison de Molière", mas também no estrangeiro.

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Combining art, politics, and criminal justice, It Takes a Criminal to Know One captures the incredible experiences the author endured in state prison and puts the spotlight on the ugly faces of racism, injustice, and corruption.

Harpagón es un hombre rico pero avaro; tiene dos hijos: Elisa y Cleanto, quienes sufren privaciones económicas y afectivas debido a la tacañería de su padre. El viejo avaro desea casarse con la joven Mariana, pero descubre que su hijo Cleanto está enamorado de ella. Elisa ama a Valerio; sin embargo, su padre quiere casarla con un hombre mayor y rico.

Cathos y Madelon, hija y sobrina del burgués Gorgibus, intentan constantemente imitar un lenguaje que consideran elegante y refinado, y lo que hacen realmente es caer en la más absoluta ridiculez. Gorgibus quiere casarlas a toda costa con dos jóvenes de buena familia parisina: La Grange y Du Croisy, pero ellas les rechazan, porque dicen "no son finos ni tienen sentmientos elegantes" Los jóvenes despechados, deciden vengarse de las "preciosas ridículas".

Argán es un viejo hipocondriaco y egoísta, siempre rodeado de medicinas y médicos, que está dispuesto a sacrificar a su hija, casándola con un médico a quien ella no quiere, para asegurarse así, que siempre tiene un médico en casa. Belina, la segunda esposa de Argán finge estar enamoradísima de el, pero lo que espera es heredar cuanto antes mejor. Lo que no se puede ni imaginar es la prueba a la que Antoñita, la simpática criada de Argán, la va a someter para desenmascararla delante de su marido.

Esta comedia se sitúa en el París del siglo XVII en el seno de una familia bien situada, en la que sin embargo nuestro protagonista, Harpagón, que es el prototipo del avaro miserable, ama el dinero por encima de cualquier otra cosa.Harpagón es hasta tal punto un miserable avaro, que hace que sus hijos sufran toda clase de privaciones tanto afectivas como de carácter económico.

Le XVIIème siècle se partage entre baroque et classicisme. La poésie baroque (Théophile de Viau, Tristan Lhermite) affirme quelques principes communs: goût de la sensualité, des extrêmes, de l'ornementation, du language à effets, avec une prédilection de la forme sur le fond; on privilégie les sentiments sur la raison. L'avènement du pouvoir royal absolu avec ses poètes de cour entraîne un rejet des excès du baroque et, avec Malherbe, une stricte codification de la versification.