Showing results by narrator "Jack Wynters" in All Categories

In the summer of 1914, the capitals of Europe erupt in a patriotic frenzy as peoples on all sides, roused by the press, rejoice at the outbreak of the "war to end wars". The rejoicing soon turns to disillusionment as the full horrors of the bloodiest conflict the world has ever seen become apparent. For the Emperors of Germany, Austria-Hungary and Russia comes the growing awareness that this war, which they sought desperately to avoid, is not being fought for territory or honor, but rather to destroy the old world order and to replace their autocracies with secular ideologies and international economic control.

According to legend, Annas Zevi, an artist who witnessed the raising of Lazarus, was told by Christ to paint what he saw. Over the centuries, his completed works have vanished, along with every other painting depicting Lazarus' resurrection. They were rumored to be sacred icons with miraculous powers. International art recovery experts Broderick Ladro and Ulla Stuart are hired by a disgraced high court judge, Sir Maxwell Throgmorton, to locate a long lost medieval painting by Spanish artist Francisco Cortez. Like Zevi, his work is said to be divinely inspired.

Boomer tells the story of a generation born in the immediate aftermath of the Second World War and whose members, the Baby Boomers, are now in their mid to late seventies. It is a generation that has experienced more technological, social, and cultural changes than any other in history.

The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use.

In The Spontaneous You, Norman explores man's fundamental questions: What is life? How do we live it? Why do we live it? and passes on the liberating answer to living free in the midst of frustrating circumstances. We can drive with confidence, as it were, the automobile of our daily living-and with zest and pleasure find the purpose in it not for ourselves but for others.

In God Unlimited, Norman Grubb delves into ultimate reality—"the extreme, the absolute, the revelation...that there is only one person in the universe, and that is God himself". From this startling conclusion Norman proceeds to the true nature of man and his sole function, God's twofold redemption to rescue and restore his fallen creation, spontaneous living in the fourth dimension, and the privilege of membership in priesthood of the redeemed through whom God continues his intercessory work on behalf of his creation.

The Crack in the Lens tells the tale of how and WHY a young Sherlock Holmes forged himself into the Great Detective.

By universal consensus, there’s only one exhibition worth seeing at this year’s Venice Biennale. Giuditta Cancellieri’s Il Timore di Dio, six paintings of something as yet undisclosed. Don’t bother buying tickets, though. A court order means no one’s getting in, not even the artist’s closest associates. The city’s been filling with felons. Most observers don’t think that’s an accident. At least one rumor suggests the paintings depict Italy’s most powerful gangsters, or its politicians, in compromising positions.

Step into a world which is both magically fictitious and shockingly real, to follow the lives of Tamsin, Ellie, Arun, and Charlie; a refugee, native, occupier, and economic migrant. Watch them grow up during a halcyon past, an everyday present, and a dystopian future. And be prepared to be amazed. Inspired by the occupations of Palestine, Kurdistan, and Tibet, and by the corporate occupation of the west, Occupied is a haunting glance into a society which is too familiar for comfort. It truly is a unique piece of literary fiction.

Norman Grubb makes the bold statement that the human has no nature of its own, but rather is operated by one of two deity spirits--Christ or Satan. In this short booklet, the author delves into the origin of the lie that we can run our own lives by ourselves, proving by scripture after scripture that this is indeed a satanic deceit which is at the root of all sin.

Jungian analysts Vlado Solc and George J. Didier set out to explore the psychological dynamics and causes of religious fundamentalism and fanaticism. The book offers an in-depth psychological analysis of what happens when a person becomes possessed by the unconscious energies of the self.

Computer whiz Peter has set up an online network which attracts the wrong crowd: criminals who embraced technology to hide their dirty dealings. Peter got rich, then got in too deep and ended up running for his life. The only way he could survive was to fake his own death. Now the ruthless American gangsters he was in partnership with have discovered he is still breathing; and they have put a price on his head.

When I visited the huge Damien Hirst exhibition staged by the Gagosian Gallery in New York in 1996, one of the most striking pieces was a large glass tank full of live fish. Dumped among the fish were an obstetrical couch, in a rather decayed condition, and various obstetrical implements. For some time after I had seen the show, this image tugged at my mind. It reminded me of something - but of what? Finally, memory dragged up the reference I needed: Hirst's piece was a direct descendant of Salvador Dali's installation, "Rainy Taxi".

A good art collection is always much more than the sum of its parts. This applies with especial force to collections of contemporary work. A collection of this kind, whether the collector intends it to be so or not, is always a portrait - a reflection in the mirror of a particular epoch, and, willy-nilly, a self-portrait of the person who takes the trouble to bring it together.

Victoria was a young, naïve, single school teacher. Her only desire was to be respected at her job. The boys in her class teased and jostled for her approval. At first it appeared little more than classroom banter. All teachers were warned that it was every young boy’s dream to entice a young, pretty teacher into a sexual tryst. Very soon male students became rivals.

Mr. Jasper Winslow, the once meek and mild second son of a viscount, is a chocolatier who specializes in fine French chocolates, which helped him put the pain of his lost love behind him. He’d made peace with his life… until a chance meeting with the woman he would have wed reminds him that his heart hasn’t forgotten. Strong-willed and independent, Miss Evangeline Bradenwilde wants to be seen in Victorian-era society as more than the connections she can make through marriage.

In The Enchanted Mirror, the guardians of Isolde's Haven protect a mystical island that holds both ancient magic and dark secrets. Nerissa Thorne, the leader of the guardians, faces the weight of her duty as disturbances in the outer isles threaten the fragile peace. Alongside her trusted companion Lysander Ainsley, Nerissa uncovers an ancient prophecy that foretells either the salvation or destruction of their home, tied to the awakening of a long-dormant power.

In the ancient Roman town of Liternum stood one of the bloodiest gladiator arenas in the land; Brutal matches between gladiators frequently graced it’s golden sands, though out of the view of the bloodthirsty crowds, there is so much more happening than simply gladiators fighting for the adoration of the people.

Norman Grubb, the son of an Irish clergyman, was born in England in 1895. He served as a lieutenant of the Bloucester Regiment, receiving the Military Cross for his service during World War I. Following the war, he attended Trinity College, Cambridge, and married Pauline Studd, the youngest daughter of the famous missionary C. T. Studd. The Grubbs served as missionaries in the Belgian Congo where Norman translated the New Testament into Bangala. After Studd's death in 1931, Norman served as British General Secretary of the Worldwide Evangelization Crusade until 1965.

Stella's world was one of misery and despair, wandering the streets of Victoria, BC, cold, wet and hungry. She had adapted to street-life, but on most days, she would rather be dead. Living amongst the nameless, faceless and placeless tribe of the homeless, Stella's very existence depended on the generosity of strangers. She never spoke of her past, determined to keep her life-story a secret. Faced with constant hunger, Stella begged and pushed her trolley filled with junk, trying to remain invisible as she moved from alcove to park bench and back again, clinging to anonymity.