Showing results by narrator "Linda Barrans" in All Categories

A rich widow finds that the man she wishes to marry is already engaged. He has just suddenly become a peer and cannot, he thinks, break his promise.

Pride and Prejudice is Jane Austen's classic comic romance, in which the five Bennet sisters try to find that most elusive creature: a single man in possession of a large fortune. Sparks fly when sweet, pretty Jane meets their new neighbor, Mr. Bingley, but her sister Elizabeth is offended by his haughty friend, Mr. Darcy. This is Jane Austen at the height of her powers, complete with ironic narration, hilariously drawn supporting characters, and romantic suspense.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

Sir Pelham Grenville Wodehouse (aka PG Wodehouse) wrote in excess of 90 books, 40 plays, and 200 short stories between 1902 and 1974 and is widely regarded as one of the greatest humorists of the 20th century. Right Ho, Jeeves! is his second in a series of books written about a luckless young British millionaire named Bertram Wooster and his sharp valet, Jeeves.

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris.

Persuasion has certain similarities with Emma, another late novel by Jane Austen. In both stories, the heroine is a young woman who lives with her widowed father, and who has an enduring attachment to her eventual spouse from the opening of the action. Persuasion also incorporates certain elements common to Austen's earlier novels, such as characters from the military, visits to Bath and calculating and cynical suitors. In the end, Anne Elliot successfully combats the destructive vanity of her father and the machinations of her villainous cousin William.

The Seagull is Anton Chekhov's first major play, originally produced in 1896. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arcadina, and her son, the symbolist playwright Constantine Treplef.

Emma is a vivacious twenty-year-old, who has spent her life in the pleasant seclusion of a village community and who lives with her widowed valetudinarian father. Most of the neighbors admire and approve of her, except for George Knightley, a local landowner, who often expresses his disapproval of Emma’s highhanded and controlling tendencies, in particular her assumption of the unofficial role of matchmaker.

Mansfield Park is the third published and perhaps most subtle of Jane Austen's novels. It tells the story of Fanny Price, who, at the age of 10, is sent from her impoverished household to live with her wealthy aunt and uncle and be raised alongside her cousins. Fanny grows up as a misfit, not truly a member of the Bertram family, but too genteel to feel comfortable with her parents.

In 1907 New Thought author James Allen published a verse anthology entitled Poems of Peace. Included in the collection is his sole dramatic work, Eolaus, which describes the journey of a troubled pilgrim from the wilderness of worldly despair to the heights of personal realization.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

This is the story of Morning Glory’s turn of the century kenbutsu—her travels—to America. Guided by her uncle, a Harvard graduate, Morning Glory travels at a time when most Americans know little or nothing about Japan, aside from the popular tunes of The Mikado (1885) and The Geisha (1896).

Sam the sheep lives in a field somewhere in England. It’s a quiet life, but he has his friends, his favorite tree, and still manages to have the occasional adventure. As well as curious and philosophical Sam, we meet Morag the grumpy tabby cat; Ava the tiny fox, brave and determined; Liam the beetle with a dream; Terry the house-proud Terrapin; Boris the bee; and Watt the scary dog (or is he?). In this story, Sam meets some actors, makes new friends, and even takes part in a play.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

This play is a fictionalized account of the life of William Shakespeare, beginning from his humble origins in Stratford-upon-Avon with his wife, Anne Hathaway, to his life as a successful playwright in London. This play uses several biographical speculations about Shakespeare's life to tell a fascinating tale, such as his relationship with his wife (to whom he famously left his "second-best bed" in his will), his friendship with fellow playwright and competitor Christopher Marlowe, his interactions with Queen Elizabeth I, and an extramarital dalliance with the queen's maid of honor.

Ludovico is a despised second son, only child of a scorned second wife. He finds love with Viola, a peasant girl, and they have a son. Their happiness is threatened when Ludovico's older brother dies suddenly and he becomes the heir. His father, the proud and cruel prince of Mondolfo, will let nothing stand in the way of his legacy.

Two British members of Parliament - one an elder conservative, the other a younger man with a liberal bent (and an eye on the older man's daughter) face a difficult choice. Some stranger has left each of them a considerable fortune on condition they give up their well-respected family names and adopt that of Wurzel-Flummery.

Sometimes he came round and patted me, saying in his quiet, pleasant way, "This horse has got a good master, and he deserves it." It was a very rare thing for any one to notice the horse that had been working for him. I have known ladies to do it now and then, and this gentleman, and one or two others have given me a pat and a kind word; but 99 persons out of 100 would as soon think of patting the steam engine that drew the train. This is the heart-warming story of Black Beauty, his masters, and his friends.