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Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles stars as Phileas Fogg of London, who together with his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

This spectacular and haunting version of Bram Stoker's Dracula stars Orson Welles and was performed in 1938. Between 1879 and 1889 Bram Stoker was business manager for the world-famous Lyceum Theatre in London, where he supplemented his income by writing a large number of sensational novels. This, perhaps his most famous tale about the vampire Dracula, was published in 1897.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Three brothers of a well-to-do English family join the French Foreign Legion. This is an abridged staged performance of Beau Geste, starring Sir Laurence Olivier and Orson Welles.

The CBS Radio series Orson Welles' Almanac was usually a half-hour variety show. But on June 7, 1944, the day after the D-Day landing in France by Allied forces, Welles presented this special dramatic broadcast. Starring Agnes Moorehead, it takes the form of a mother's letter to her son (with a Wellesian twist at the end).

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

A short conversation between the famous author and the famous actor and director, who adapted The War of the Worlds for radio. The program was originally broadcast on KTSA, San Antonio, Texas.

Back before television, a holiday season tradition in America was listening to A Christmas Carol by Charles Dickens as performed on radio by Lionel Barrymore and narrated by Orson Welles with the Mercury Theatre group. The music was composed and conducted by the legendary Bernard Herrmann.

This episode of Bob Hope's classic NBC radio show, broadcast from the US Navy facility on California's Terminal Island, originally aired on September 28, 1943.

These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.