Showing results by narrator "Bryan Godwin" in All Categories

This story is more or less a story within a story. It begins with a water-rat commenting to a duck about her ducklings, who are refusing to obey her. When he mentions friendship, a linnet flies down from a tree, and begins the story, intended to explain to the water-rat what true friendship is. Hans was a little man who owned a beautiful garden, where he grew flowers of all kinds and colours which were sold in the market to make some money.

First published in The World in June 1887. Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar-the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

He was not much more than a child. I estimated his age at fourteen. He was a handsome boy, with the raven-black hair and deeply tanned skin color that marks a person who came from the lands under the Raj. His young body was beginning to show the signs of an emerging well-made sportsman. From his place, lying on his back on the pavement, his dark-brown eyes stared up at the morning sky ... lifeless. Behind his head was a pool of blood, now darkened and congealed.

When a family from the United States buys Canterville Chase, they are told it is haunted by a horrible spirit, but this does not deter them in the slightest. Indeed, when they find a recurring blood stain on the floor, and hear creaking chains in the night, even seeing the ghost himself, all they do is clean up the blood and insist that the ghost oil his manacles if he is going to keep living in the house. This perturbs the ghost to no end, and he does everything he can to try to frighten the family.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. LONDON MODELS: Professional models are a purely modern invention. To the Greeks, for instance, they were quite unknown. Mr. Mahaffy, it is true, tells us that Pericles used to present peacocks to the great ladies of Athenian society in order to induce them to sit to his friend Phidias, and we know that Polygnotus introduced into his picture of the Trojan women the face of Elpinice, the celebrated sister of the great Conservative leader of the day.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. THE RISE OF HISTORICAL CRITICISM: This essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. POEMS IN PROSE: One evening there came into his soul the desire to fashion an image of The Pleasure that abideth for a Moment. And he went forth into the world to look for bronze. For he could think only in bronze.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. HOUSE DECORATION: A lecture delivered in America during Wilde's tour in 1882. It was announced as a lecture on 'The Practical Application of the Principles of Aesthetic Theory to Exterior and Interior House Decoration, With Observations upon Dress and Personal Ornaments.' The earliest date on which it is known to have been given is May 11, 1882.

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised in 1843 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels. Like nearly all of Dickens' novels, Martin Chuzzlewit was released to the public in monthly instalments. The main theme of the novel, according to a preface by Dickens, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. LECTURE TO ART STUDENTS: Delivered to the Art students of the Royal Academy at their Club in Golden Square, Westminster, on June 30, 1883. The text is taken from the original manuscript. In the lecture which it is my privilege to deliver before you to-night I do not desire to give you any abstract definition of beauty at all.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. ART AND THE HANDICRAFTSMAN: The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.

This book sets out as forcibly and exactly as possible the religious belief of the writer. That belief is not orthodox Christianity; it is not, indeed, Christianity at all; its core nevertheless is a profound belief in a personal and intimate God. There is nothing in its statements that need shock or offend anyone who is prepared for the expression of a faith different from and perhaps in several particulars opposed to his own.

Five new pastiche stories of the world's greatest detective. These stories are shorter than the other novellas in the New Sherlock Holmes Mysteries set and were published earlier in either the MX Books or Belanger Books anthologies of Sherlock Holmes stories (Edited by David Marcum). 'The Singular Tragedy of the Atkinson Brothers at Trincomalee' is one of the unpublished cases we hear about in The Canon. The story Takes Holmes and Watson to the tropical island of Ceylon on behalf of the Foreign Office to investigate the murder of one of the Atkinson brothers.

The story involves a mine that uncovers a very deep chasm, too deep for any sounding lines to hit bottom. The night after the discovery of the abyss the narrator and one of the mine's workers, a Mexican called Juan Romero, venture together inside the mine, drawn against their will by a mysterious rhythmical throbbing in the ground. Romero reaches the abyss first and is swallowed by it. The narrator peers over the edge, sees something - "but God, I dare not tell you what I saw!" and loses consciousness. The next morning, the narrator and the deceased Romero are both found in their bunks.

While riding his bicycle in the Miskatonic Valley of rural New England, a genealogist seeks shelter from an approaching storm. He enters an apparently abandoned house, only to find it occupied by a "loathsome old, white-bearded, and ragged man", speaking in "an extreme form of Yankee dialect... thought long extinct." The narrator notices that the house is full of antique books, exotic artifacts, and furniture predating the American Revolution. At first, the old man appears harmless and ignorant towards his guest. However, he shows a disquieting fascination for an engraving in a rare old book.

The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February-September 1930, it was first published in Weird Tales, August 1931.[1] Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.

"The Unnamable" is a horror short story by American author H. P. Lovecraft. It was written in September 1923, first published in the July 1925 issue of Weird Tales, and first collected in Beyond the Wall of Sleep. The corrected text appears in Dagon and Other Macabre Tales, (revised ed, 1986). The story's locale was inspired by the Charter Street Historic District Burying Ground in Salem.

"The Complete Works of H.P. Lovecraft contains all the original stories which Lovecraft wrote as an adult. It begins in 1917 with "The Tomb" and ends in 1935 with his last original work "The Haunter of the Dark." The book is ordered chronologically by the date the story was written.

The Shadow over Innsmouth is a horror novella by American author H. P. Lovecraft, written in November-December 1931. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the Mythos, including place-names, mythical creatures, and invocations. The Shadow over Innsmouth is the only Lovecraft story that was published in book form during his lifetime. The narrator is a student conducting an antiquarian tour of New England. He travels through the nearby decrepit seaport of Innsmouth.