Showing results by narrator "Denis Daly" in All Categories

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

The Wonderful Visit tells the story of an angel who finds himself unexpectedly marooned on Earth. Wells used John Ruskin's remark that an angel appearing on earth in Victorian England would be shot on sight as the inspiration for this tale of a celestial being who is completely out of place in human society. Ironically, the angel's first confidant and protector is a clergyman, who never recovers from the eventual and inevitable disappearance of the angel. Wells dwells in detail on the contrast between the idealism of the celestial visitor and the discourtesy of his hosts.

Unlike most of Peacock's novels, The Misfortunes of Elphin has a distinct plot, built around the adventures of prominent figures of Arthurian legend, like Taliesin, the bard, the princes Elphin, and Seithenyn and King Arthur himself. The drama comes to a satisfactory resolution when Arthur's wife, Gwenyvar, who has been kidnapped by the ambitious King Melvas, is restored to her husband, after some skilful negotiation by Seithenyn and a cunning abbot.

Joseph McCabe's study of papal history is unusual in that he takes a hostile view of the Roman Catholic Church in general, and of the papacy in particular. Raised as a Catholic, McCabe was ordained as a Franciscan priest in 1890, but by 1897 had abandoned both the priesthood and the Catholic faith and was in the process of establishing himself as an ardent secularist. He published over 200 books, many of which were critiques of the history and contemporary activities of the Catholic Church.

Alexander Pope was celebrated for his command of classical Greek and produced seminal translations of the Iliad and the Odyssey. Prior to the preparation of these translations, Pope took advantage of his mastery of the classical style and also his waspish wit to compose a burlesque epic about the theft of a lock of hair. The incident that inspired Pope was related to him by his friend John Caryll. Lord Petre had cut off a lock of the hair of Arabella Fermor, whom he was courting at the time, without asking the lady's permission.

This collection of aphorisms, poems and parables has been described as the reflections of a philosopher watching from his window and commenting on the scenes passing before him.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

This anthology, first published in 1919, is very much a record of its time. Many of the poems deal with the cataclysmic trauma of World War One and the emergence of a new world order after the fading of the Edwardian era. Among the authors of the 151 poems can be found the names of Rupert Brooke and Ivor Gurney, best known as war poets, as well as James Joyce and the mystic philosopher Evelyn Underhill.

Among the pioneers of the New Thought movement, William Walker Atkinson was one of the most active and most prolific. His many publications include texts on religion, the occult, concentration, memory, and healing. In the words of the author: "All students of Mental Influence have noticed the close resemblance that is manifested between the phenomena of electrical and magnetic energy on the one hand and the phenomena of mental energy on the other."

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

William Wordsworth composed hundreds of sonnets, among which are some of his best-known poems. The sonnet form particularly suited Wordsworth, enabling the poet to encapsulate the beauties of mundane life in language of appealing directness and simplicity. This recording contains 122 poems, ranging across many decades of Wordsworth’s writing career.

Although he was well known as an authority on spiritual traditions, Paul Carus was unusual in that he refused to align himself with any particular form of organized religion. In any case, his universalist view of God would probably have put him outside the allowable boundaries of Christian belief. Carus was particularly active in raising awareness of Eastern spiritual traditions in the West.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Giovanni Carmelo Verga (1840-1922) was one of the most prominent Sicilian writers of the 19th century. Today, his stories are best known through their use as the basis of the libretti of iconic verismo operas, like Mascagni's Cavalleria Rusticana.

Háfiz (1315-1390) was a lyric poet, a major figure in classical Persian literature. The compendious anthology of his poetry simply titled the Divan contains several hundred odes, from which this small selection was made by the translator. In the introduction Bicknell writes: ...we must look upon Háfiz as one of the few poets in the world who utters an unbroken strain of joy and contentment. His poverty was to him a constant fountain of satisfaction, and he frankly took the natural joys of life as they came....

Norman Lindsay’s classic tale about an anthropomorphic pudding and its band of protectors was written in 1917, in response to an argument between Lindsay and the critic and anthologist Bertram Stevens about the types of stories that would appeal most to children. In retrospect it appears that Lindsay clearly won the argument. The book has never been out of print in Australia and has been adapted for presentation as a film, a stage play, and an opera. It has been described by eminent children’s author Philip Pullman as "the funniest children's book ever written."

Thomas Troward was a divisional Judge in British-administered India who had a particular interest in the study of comparative religion. Influences on his thinking, as well as on his writing, included the teachings of the New Testament, Islam, Hinduism, and Buddhism. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.