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In this acclaimed Plato masterpiece, you travel back in time to attend an elaborate high society dinner. At this party, you meet Plato's mentor, Socrates, and the comic poet Aristophanes. During the banquet, each of these men is invited to praise Eros, the god of love and desire. You witness them deliver speeches that embody their wisdom and philosophies on love. You hear Socrates' celebrated account of Diotima, the prophetess who taught him that love is the manifestation of human goodness. Finally, you even hear from the famous Alcibiades.

"Gorgias" by Plato is a dialogue, where Socrates discusses with Gorgias, a famous speaker, and his follower Polus, about rhetoric and its relationship to justice, morality, and the pursuit of knowledge.

The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato to compare "[T]he effect of education and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor, Socrates, narrated by the latter.

"The Republic" is a Socratic dialogue, written by Plato around 380 BC, concerning justice, the order and character of the just, city-state, and the just man. It is Plato's best-known work, and has proven to be one of the world's most influential works of philosophy and political theory, both intellectually and historically. In the book's dialogue, Socrates discusses the meaning of justice and whether or not the just man is happier than the unjust man with various Athenians and foreigners.

For those looking for "a taste of Plato", this audiobook is ideal. It includes the full text of "Apology" and "Crito" as well as the first two books of Plato's monumental Republic.

The Menexenus is a Socratic dialogue of Plato, traditionally included in the seventh tetralogy along with the Greater and Lesser Hippias and the Ion. The speakers are Socrates and Menexenus, who is not to be confused with Socrates' son Menexenus. The Menexenus of Plato's dialogue appears also in the Lysis, where he is identified as the "son of Demophon", as well as the Phaedo. The Menexenus consists mainly of a lengthy funeral oration, referencing the one given by Pericles in Thucydides' account of the Peloponnesian War.

Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Plato is indeed considered the most pivotal figure in the development of philosophy, along with his teacher, Socrates, and his student, Aristotle. But his writings are often light, fresh and funny; it was Plato who invented the dialogue in philosophy, which makes a point very easy to follow and the occasion of various scenic arrangements.

After Socrates is sentenced to death by the Athenian court, his friend Crito comes to the prison to help him escape and go to another country. Socrates responds by saying that he would accept Crito's offer only if he can be convinced that it is right and just to do so. This dialogue is not only about Socrates' particular choice but also about the very essence of law and community. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

The concept of justice and what constitutes "just" behavior has been a topic of philosophical conversation for centuries. Indeed, famed Greek philosopher Plato made it the very focus of his 10-book epic The Republic, in which he endeavored not only to give a working definition of the word "justice", but also to provide examples of justice in society, in the city-states, and in humankind. The Republic is written as a Socratic dialogue. In it, Socrates and other prominent figures have conversations regarding these topics.

Plato is, by any reckoning, one of the most dazzling writers in the Western literary tradition and one of the most penetrating, wide-ranging, and influential authors in the history of philosophy. This audiobook contains Plato's most notable books. Contents:The Apology; Crito; Charmides; Laches; Lysis; Menexenus; Ion; Meno

Plato's dialogue, Critias, recalls the story of Atlantis attempting to conquer Athens. In ancient times, the Earth was divide by the gods - and gods tended the humans in their allotment as shepherds. Atlantis, allotted to Poseidon, becomes corrupt over time, and Zeus must take matters into his own hands.

Socrates, at 70+ years of age, defends himself against charges of corrupting the youth of Athens, atheism, and other false claims before accepting his fate and starting his final days on Earth.

Immerse yourself in the profound world of philosophy with The Republic, a classic Socratic dialogue crafted by Plato around 380 BC. This seminal work delves into the nature of justice and provocatively asks whether the just man finds greater happiness than his unjust counterpart. Through captivating dialogues featuring Socrates and a diverse array of Athenians and foreigners, we explore the blueprint of an ideal city led by philosopher-kings. Plato eloquently unravels deep concepts, including the role of the philosopher, his renowned Theory of Forms, the clash between philosophy and poetry, ...

Welcome to PLATO Panel Talks (formerly PQA Panel Talks)! Every month we bring together a team of experts from our PLATO team and community to talk about their experiences and debate and discuss issues in the vast world of software testing and quality assurance.

Euthyphro by Plato is a Socratic dialogue whose events occur in the weeks before the trial of Socrates (399 BC), between Socrates and Euthyphro. The dialogue covers subjects such as the meaning of piety and justice. As is common with Plato's earliest dialogues, it ends in aporia. In this dialogue, Socrates meets Euthyphro at the porch of the archon basileus (the 'king magistrate') at that time. Socrates tells him that he is preparing to go to court against the charges of Meletus on the grounds of impiety.

Crito is a dialogue that was written by the ancient Greek philosopher Plato. It depicts a conversation between Socrates and his wealthy friend Crito of Alopece regarding justice, injustice, and the appropriate response to injustice after Socrates's imprisonment, which is chronicled in the Apology. In Crito, Socrates believes injustice may not be answered with injustice, personifies the Laws of Athens to prove this, and refuses Crito's offer to finance his escape from prison. The dialogue contains an ancient statement of the social contract theory of government.

The Symposium is a Socratic dialogue by Plato, dated c. 385 – 370 BC. It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The panegyrics are to be given in praise of Eros, the god of love and sex. In the Symposium, Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death.