Showing results by narrator "Liza Ross Ross" in All Categories

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

This is the moving and powerful story of Edna Pontellier, a beautiful young wife and mother who discovers her true feelings and identity through her love for Robert Lebrun, and in so doing challenges the bourgeois assumptions of her day. First published in 1899 in America, it prompted shock and outrage, but has since come to be recognized as a modern classic.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best.

A young typist drinks poison substituted for the medicine left for her by the nurse. The patient insists she was not trying to commit suicide, the nurse asserts her innocence: but no-one else could have got into the room and tampered with the glass . . .

One day a hunter came across a pair of mandarin duck, oshidori, swimming together in a river that he was about to cross. To kill oshidori is not good; but Sonjô happened to be very hungry, and he shot at the pair. His arrow pierced the male: the female escaped into the rushes of the farther shore, and disappeared. Sonjô took the dead bird home, and cooked it. That night he dreamed a dreary dream.

Eleven-year old orphan Anne Shirley has red hair, a vivid imagination and cannot stop talking. Quite a shock for old Matthew and Marilla Cuthbert who wanted a boy to help them on the farm... Anne is soon the talk of the town with her funny ways and endless adventures, but it is not long before she has won the hearts of everyone. This classic story is set in Canada at the beginning of the 20th century and is one of the most enduring favorites of children's literature.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

Elizabeth Bell runs a quiet household, with no family and no more than the usual number of servants. She passes her time thinking about crime and working on her biography of a relative. When a young cousin comes to stay, life in the house becomes uncharacteristically lively. First, cousin Judy burns a hole in Miss Bell's desk. Next, they spy a burglar on the staircase - a shadowy figure who vanishes without a trace. And finally, Sarah, the nurse, takes the dogs for a walk and never returns.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers we bring you a selection of those we consider the best. In Volume 1 we bring you the classics 'A Dill Pickle' by Katherine Mansfield, 'The Storm' by Kate Chopin, and 'The Sexton’s Hero' by Elizabeth Gaskell.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. It is difficult to propose a more gifted exponent of the short story than Kate Chopin. Her individual jewels may be brief but are laden with atmosphere and character as they run their enchanted course. Her genius will always endure.